The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Tilting between a teen sex comedy and a more sensitive tale about male bonding, The Wood is too anxious to please to quite make up its mind what it is.
  2. Eyes Wide Shut still towers above most of the movies out there, immersing the viewer in a web of emotional complexity, at once raw and personal and, at times, theatrically overcooked.
  3. An ultra-cheap movie, ingeniously promoted through the Internet -- is notable primarily as a model of guerrilla-style niche-marketing.
  4. A formulaic thriller, treated in a style that's just shy of outright parody.
  5. It's a kaleidoscope of ideas that range from exciting to silly and gaudy.
  6. Undoubtedly the rudest and possibly the most inspired comedy of the summer.
  7. It's a long time since I've heard a press screening audience applaud a foreign film, but then it's a long time since a French movie has been as funny as The Dinner Game.
  8. The film lacks the moronic consistency that graces the Sandlerian oeuvre at its most pristine.
  9. Too busy to be boring or deeply engaging, Tarzan is an efficient Disney treatment of a time-tested story. The results aren't bad, just not quite worth a chest-pounding victory yell.
  10. To divulge the plot would spoil the experience -- you'll be shocked to discover, and maybe even surprised to learn, just how lame the damn thing really is.
  11. Fun, fun, fun. Take the title at its word, because this movie is nothing less than a flat-out, lung-pumping, 76-minute sprint.
  12. The plot's larcenous resolution is something of a cheat, tying things up dramatically if unethically.
  13. At this point, the effect of Myers' one-man Sixties love-in already feels less shagadelic than just shagged out.
  14. Pardon my pulling anthropological rank, but Instinct -- a movie about an ape-man savant -- seems a quart low on common sense.
  15. In the slow coast down Notting Hill, we approach the blessed land of Nodding Off.
  16. Well acted and crisply directed, this latest version can at least make a claim to competence.
  17. The Loss of Sexual Innocence is not bad, as in the sense of inept; it's artful enough to show how truly trite it is.
  18. It does the job just fine. That job, as director George Lucas freely admits, is quite simply to thrill the beating hearts and the inquiring minds of 12-year-old boys.
  19. The well chosen cast helps -- no one strikes a false note.
    • 53 Metascore
    • 63 Critic Score
    The most sentimental Italian movie about surviving the war since "Life is Beautiful."
  20. Big, lavish and dumb as camel spit -- is proof that sometimes it's better to let sleeping genres lie.
  21. This briefly inspired bit of surreality quickly descends into gratuitous bondage, mayhem and dumb humour, marking the usual progression from mildly absurd premise to gratingly idiotic conclusion.
  22. The film doesn't work, it ain't charming.
  23. The result is a rare treat, a revival of a period piece that doesn't descend into mere quaintness or prettiness, and that manages to capture the spirit of an earlier time without sacrificing the perspective of our own.
  24. EXistenZ, unlike existence, just lacks that certain mystique.
  25. At best, the humour in Election is perceptive, nasty, pointed, and lets no one off its barbed hook, not even the audience. In other words, it's a lovely piece of satire, made all the more relevant by the setting.
  26. A mundane sitcom with feature pretensions, the kind where the comic "situation" is simply a coat-rack for hanging a rag-tag assortment of inflated sight gags and telegraphed punch lines.
  27. An entertaining takeoff and a high-altitude ride eventually runs into some bumpy weather and a clumsy landing in Mike Newell's new comedy.
  28. Though Lillard's excitable tone keeps promising wild comic adventures, the sequences are uniformly flat and humour-free.
  29. The result is a movie that's both odd and mediocre: not as bad as doing hard time, but not a particularly good time, either.

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