The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. It's a good film. But its exotic allure may lead some to mistake it for a great one.
  2. Vacillating between sappy and snappy, Stuart Little 2 is featherweight family fare, perfectly timed for viewers with short attention spans.
  3. The movie becomes an American salute to military patriotism, anybody's military patriotism. Think of it as "A Few Good Reds."
    • 71 Metascore
    • 63 Critic Score
    Smart and sophisticated entertainment, whatever its shortcomings, and it deserves to be encouraged. Not the behaviour it portrays, of course; but the worldly common sense of knowing that most people have a secretly ambiguous view of sexual prohibitions, and that this is the fertile ground of great comedy.
  4. Although filmmaker Pan Nalin is a believer in Ayurveda,there is little in the film to convince anybody else.
    • 53 Metascore
    • 50 Critic Score
    So if you're in the mood for a scary flick, the kind where people can't resist going into the huge hole in the wall where the family Pekinese just disappeared to the sounds of being masticated, this is the one.
  5. The question is, is the interspecies wrestling match really worth the ineptly acted spy antics, the big flatulence jokes and Steve-o's endless grandstanding? Not without a handy remote control with a mute button, it isn't.
  6. Nothing in this explicit display is remotely engaging. That's because the sex is a metaphor here. In fact, most everything is a metaphor here. Or a symbol -- the picture is a veritable cacophony of jangling symbols.
  7. Reign of Fire never comes close to recovering from its demented premise, but it does sustain an enjoyable level of ridiculousness.
  8. This is a remarkably good-looking near-corpse of a film, with a pulse that fades in and out.
  9. It's all very pat and, ultimately, annoying.
  10. Rarely does a film so graceless and devoid of merit as this one come along.
  11. None of this quite gets off the ground, and I found myself wanting to bid farewell to Yvan and Charlotte quite a while before the final credits rolled. Not every wannabe Woody Allen is Woody Allen.
  12. Musically, it's a mixed bag -- The concert remains more of an historical curiosity than a must-see rock film.
  13. Offers you the ostensible bargain of two movies in one -- a character study at the outset and the crime caper that follows. The first picture is intriguing, the second stinks.
  14. Short, flashy and about as complex as a beer belch, Men in Black II is also brisk. The film clocks in at 88 minutes total running time, and it's loaded with new special effects and monsters.
  15. It's not so much a movie as a joint promotion for the National Basketball Association and teenaged rap and adolescent poster-boy Lil' Bow Wow.
  16. The film is like an Ingmar Bergman movie as realized by Monty Python: It's seriously gloomy about the loss of spirituality in the world, but at the same time rudely, sometimes hilariously, absurd.
  17. One of the more ingenious and fresh surprises of the summer.
    • 75 Metascore
    • 75 Critic Score
    This is a fine, funny, humane film.
  18. The updated Dickensian sensibility of writer Craig Bartlett's story is appealing.
  19. Fitfully daring, Pumpkin isn't quite sure what it's about -- the tone bounces between thudding satire and toothless camp parody -- but it's definitely a bad-mannered child of our times.
  20. Here's a truly novel sports film: It actually has a script, decent acting, sympathetic characters. And it's fun.
  21. These are valid ideas, but they don't always arise organically out of the script, and can seem clumsily expressed.
  22. More humdrum than horrible. It isn't futuristic film noir; it's just everyday film beige.
  23. Tuned in to the anarchic wisecracks and slapstick humour of traditional Warner Bros. cartoons. In contrast to the computer-generated characters and slick script of a movie like "Shrek," Lilo and Stitch still feels like a cartoon aimed at kids, not their parents.
  24. Windtalkers is to movies what Paris is to weather -- if you don't like the show you're watching, just wait a minute and an entirely different picture will blow into view.
  25. Has a refreshingly different twist: What we have here is a "what if" comedy.
  26. The problems with Damon's character are the problem with the movie: It's about plot mechanics, not heart and soul.
  27. Mostly, the plot is busy and incomprehensible and the action sequences directed with all the art of a detonation.

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