The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Estela Bravo's film Fidel, The Untold Story has the kitsch appeal of a farm implement on a restaurant wall, or an Andy Warhol Mao poster: Interesting, but not for its original purpose.
  2. Exist as extended videos for the accompanying soul and rap soundtrack.
  3. Some movies just bring out your inner Matlock: a desire to grab young punks by the lapels, smack them against a wall, knock their cigarettes to the ground and wipe the sneers off their faces. Such is the case with the callow and cynical The Rules of Attraction.
  4. A layabout movie -- not risibly bad, just relentlessly sub-par.
  5. Moore continues another one infinitely more valuable -- the proud line that extends right back to Mark Twain, embracing all those satirists so enamoured with America at its best that they won't stand silent for America at its worst.
  6. This is a film where there isn't the slightest doubt about the dramatic outcome. But the marketing will be a cliffhanger.
  7. There's plenty of humour in Comedian but not a lot of happiness -- apparently, the sad clown is a cliché for good reason.
  8. No less laughable is the ending, where Ritchie neatly reflects today's prevailing attitude -- that audiences can't be trusted to handle a hint of ambiguity, but can live happily with flat-out stupidity.
  9. No film this year has offered quite the cerebral tickle, weird invention and slaphappy gusto.
  10. Great cast, too bad about the movie.
  11. Filled with a sweet, loopy sensibility and some fresh comic turns, Welcome to Collinwood is a low-budget American film that falls into the good-but-slight category.
  12. The result is a beautifully designed, lyrical fable of a movie, full of God's-eye shots from on high, placing the characters against the Italian scenery and medieval architecture.
  13. Spiritual V-8 juice.
  14. An impressive film accomplishment, a combination of technique and extremely specific detail that reminds viewers how potent a rhetorical force the medium can be.
  15. Our time is plagued with primitive directors toiling in the name of entertainment, and protected by an industry that rewards competence over excellence. They're the reason why this movie is simply average, and why all the Red Dragons look so uniformly beige.
  16. The result is a small independent film suffering from a severe case of Hollywood-itis. A cautionary tale minus the caution, Just a Kiss is just a cop-out.
  17. It's a comic-book idea that might have been fun. But it's beyond the reach of first-time feature director Kevin Donovan, who squanders his main asset, Jackie Chan, and fumbles the vital action sequences.
  18. Light to the point of disposability, Sweet Home Alabama is a small screwball comic idea that spins out far too long.
  19. Occasionally feels like a Neil Simon rewrite of "In the Bedroom," as it see-saws between hard truths and quirky humour.
  20. There is no pleasure in watching a child suffer. Just embarrassment and a vague sense of shame. Watching Trapped simply makes us feel guilty.
  21. Could have taken a witty scalpel to baby-boomer posturings. But Dolman, whose instrument of choice is the rubber mallet of smarm, just isn't the man for the job -- he ends up enshrining the very hypocrisy that should be dissected.
  22. What a featherweight epic this is, the kind of uniformed period piece where the watchword is pretty. Pretty costumes, pretty soldiers, pretty battles; pretty silly.
  23. The movie isn't painfully bad, something to be "fully experienced"; it's just tediously bad, something to be fully forgotten.
  24. Invincible lacks Herzog's usual visual and intellectual panache, and is afflicted by weak English-language acting, which makes it more of a career curio than a major work.
  25. About the only fun to be had in the movie is screenwriter Alan McElroy's cartoon spook-speak.
    • 96 Metascore
    • 88 Critic Score
    The most successful film ever released in Japan, and co-winner of the top prize at this year's Berlin film festival, Spirited Away is a complete reversal of the Hollywood way with animation.
  26. This is a grimly thrilling movie that falls somewhere between clear-eyed realism and the improbabilities of an action flick.
  27. This film and Salinger's novel differ greatly in the details of narrative and character. Yet, there's no mistaking the similarity in tone and sensibility and, particularly, in the capacity to split an audience into warring camps fighting on shared ground.
  28. Comes as a pleasure. It's a comic drama set in a Chicago hair salon where the characters are engaging and the story has a bustling richness.
  29. Quitting begins to seem intriguing in concept. Now comes the best news: It's just as compelling in execution.

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