The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Ten
    Ten may strain your patience but that's the high-stakes gamble of this provocative project.
    • 36 Metascore
    • 38 Critic Score
    If the art of a true hustler is, as Joe puts it, "beating a man out of his money and making him like it," Callahan blows it big-time with any mark who shells out to see his film.
  2. When you pay good money to see an action movie, it's understood that you want it to be action-packed. You do not want it to be action-enhanced or action-flavoured or featuring accents of action.
  3. Gimmickry is death to this sort of artsy endeavour -- it turns a movie with a small budget into a small movie.
  4. After a decade of silence, surely Hollywood can do better.
  5. Nevertheless, in mid-reverie, there's no denying the pleasure in falling under its little spell -- till human voices wake us, and we frown.
  6. Speaking of funny things, director Todd Phillips has been down this path before in "Road Trip." There, toiling in the same lame genre, he actually showed a hint of comic ingenuity. Here, the hint has dwindled to a hoarse whisper.
  7. Damned if Parker hasn't done it again. An intermittently good filmmaker but a consistently bad polemicist, he may well sway opinion here -- but, oops, not in the hoped-for direction.
  8. General Boredom meets Major Tedium on the Civil War fields of Virginia.
  9. The value of Amandla! is that the film helps the rest of the world understand, both with our ears and minds, where South Africans have come from.
  10. The verdict? Green passes with flying colours -- his is a huge and hugely impressive talent.
  11. Somewhere between profound and ludicrous, kind of like a cross between "Waiting for Godot" and "Dude, Where's My Car?"
    • 38 Metascore
    • 25 Critic Score
    Lame and disrespectful sequel.
  12. Not woeful, not wonderful, merely watchable.
  13. Actually a pretty entertaining movie, in a kick-you-in-the-pants kind of way. A relative rarity -- a solid no-brow comedy.
  14. In every way but one, this is just another genre pic on another mundane outing.
  15. The picture is actually watchable. What's more, as romance comedies go, it's something of a novelty.
  16. Here is a truly unfunny comedy from Universal Studios, which seems determined to prove that Hollywood can be opportunistic and clueless at the same time.
  17. Gilliam himself is a joy to behold. His wit stays sharp even as his fortunes dull, and the conditions that conspire against him only prove the mettle in our man of La Mancha.
  18. The fun of Biker Boyz should be in the racing, and though director Reggie Rock Bythewood throws around a lot of techniques, nothing really ignites.
  19. Not even Pacino can save it.
  20. This is a miserable sequel to the modestly well-reviewed Final Destination.
  21. God forgive me, but I worship the Bad Dialogue Fairy -- he gets me through these endless nights.
  22. You might believe that a movie comedy requires no visual rhythm, and that entire scenes -- especially those big set-pieces -- benefit greatly from a shooting style devoid of imagination and unremittingly flat. If so, A Guy Thing is surely your thing. Enjoy.
  23. Entertaining and well done. Without losing its comic rhythm for a moment, it is also a withering spoof of black victimism and the corrupting effect of racial solidarity on the American legal system.
  24. In the life-is-too-short category, file Kangaroo Jack as a sub-Farrelly Brothers, dumb-plus-dumber buddy picture.
  25. In God's ghetto, as in so many of the world's forsaken places, warring armies of infants brandish their weapons of self-destruction, while politicians bluster and inspectors sleep.
  26. As in "Taxi Driver," the protagonist is a damaged war veteran, an invisible man who travels about the city and internalizes its contradictions until he explodes.
  27. In the end, a few genuinely funny moments aside, the script is simply too predictable and unvarying to earn the viewer's loyalty.
  28. In its component parts, then, Love Liza is essentially a battle between opposing clichés.

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