The Globe and Mail (Toronto)'s Scores

For 7,293 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7293 movie reviews
  1. Cynical, hip, politically opportunistic and loaded with kick-ass comic action.
  2. Made of Honor should come with a bar code and a Wal-Mart display - this isn't a movie, it's a commodity. The generic brand is the romantic comedy, and the manufacturer's material of choice is recycled plastic, smoothly glued together to assure the consumer that the purchase is risk-free and thoroughly predictable.
  3. Some films, like some people, wear their artsy pretensions on their sleeve, and there really isn't much going on beneath – it's just a posturing armband wrapped around a plain arm. Welcome, then, to the emptiness of Mister Lonely, a movie that goes to extraordinary lengths to say ordinary things.
  4. Disappointingly unique.
  5. Few movies have captured the intoxicating effect of pop culture on kids better than Son of Rambow.
  6. A painfully predictable movie.
  7. A lamentably slack and dishonest genre exercise.
  8. No political tract, but it can be surprisingly bold.
  9. The ethical fallout, the lingering fog of the so-called war on terror, is not that people don't know what's wrong or who's guilty - it's precisely that they do, and count it as the cost of doing business.
  10. No, there isn't anything wrong with comfort entertainment. Then She Found Me could have, should have been something special - a "Knocked Up" for weary boomers. The only hitch is that it isn't all that entertaining. Nor comforting for that matter.
  11. Before that marvel of human engineering - China's Three Gorges Dam - completes its legacy of human upheaval, there are vanishing sights to be seen.
  12. Every actor and actress involved seems to have been instructed to act as guilty as possible and, in this at least, they're entirely convincing. Not guilty of murder, perhaps, but of a really unfortunate career choice.
  13. Although veteran choreographer Yuen Woo-Ping ( Kill Bill, The Matrix) handles the wire action, the camera work is merely okay and the sequences are on the familiar side. Still, it's fun to see Chan resurrect his loopy, staggering "drunken master" fighting style.
  14. Dull moments, so much the rule in most genre comedies, are the exception in Forgetting Sarah Marshall -- it does run long, but it mainly rollicks.
    • 45 Metascore
    • 50 Critic Score
    Exasperating and goofy documentary.
    • 17 Metascore
    • 0 Critic Score
    A bland, timid and thoroughly un-thrilling teen thriller.
  15. Quaid doesn't have much to work with, and so deflects the portrayal away from the mind toward the body – consistently giving the coot a hunched, pigeon-toed gait. Nice try, but that bird won't fly.
  16. A bad-cop, worse-cop movie.
    • 79 Metascore
    • 63 Critic Score
    The actor - like everyone else in this tedious yet affecting film - rises well above his soft-headed, solipsistic material, turning in a performance of nuanced delicacy.
  17. When you watch Canadian actor Ryan Reynolds, there's often a sense that you're not just watching him perform in a movie, you're watching the next stage of his unfolding career plan.
    • 75 Metascore
    • 75 Critic Score
    Ultimately, though, it's the life-affirming sentiments of the documentary and not its backstage drama that may turn it into a popular hit, especially among boomers who can now legitimately fantasize about their impending retirements as musical stars.
  18. For all its fuss and fury, Flight of the Red Balloon succeeds magnificently.
    • 67 Metascore
    • 88 Critic Score
    Like a Keret story, Jellyfish is economical – a mere 78 minutes – but it packs into its taut, intersecting storylines a charming melancholy and a surprisingly rich depth.
  19. Leatherhead's a comedy of stock setups and kooky digressions in which nothing really comes to a head, and running at close to two hours, it lacks the essential brevity of the form.
  20. Even with dyed hair, heavy makeup and a cigarette dangling from her bottom lip, Portman still looks like a schoolgirl pretending to be somebody's mom.
  21. The movie's dated, stereotypical comedy often contradicts its wholesome intentions, coming across as laboriously cutesy and occasionally perverse.
  22. As cinematic flops go, nothing falls quite as hard as a failed black comedy.
  23. Ultimately, Shine a Light is illuminating indeed, even fascinating, but not in the way Scorsese intended. What he has created, inadvertently, is an invaluable documentation of semi-fossilized Stones – musicologists may like it, sociologists should love it and, some distant day, anthropologists will treasure it.
    • 71 Metascore
    • 75 Critic Score
    When it comes to exploring with dignity and humour the choices a woman must make for her family, Tuya's Marriage is the clear winner.
    • 48 Metascore
    • 50 Critic Score
    Its peculiar strain of anti-Americanism aside, Run, Fat Boy, Run tries to bridge the gap between self-deprecating Brits and self-aggrandizing Yanks, settling down somewhere between the two. Don't ask me where, exactly, but this mid-Atlantic meeting point is an ultra-neutral zone.

Top Trailers