The Globe and Mail (Toronto)'s Scores

For 7,299 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7299 movie reviews
  1. We’re not sure what sister and brother ultimately learned about their much different sibling, and one is left with the feeling the trip was more in service of the film’s narrative than a dream-fulfilling jaunt for Tom.
  2. It's a satire inferior to the thing it satirizes. [3 July 1981]
    • The Globe and Mail (Toronto)
  3. The look is fine, the effects are special, the cast is solid, and Jordan (in company with Rice) makes a commendable effort to add a cerebral dimension to a visceral genre.
    • 62 Metascore
    • 75 Critic Score
    From the film's bravura opening scene to its cute but bloody conclusion, The Negotiator plays out as tautly as any crowd-pleasing action flick since Die Hard,which it emulates with shameless glee.
  4. It has a schlocky title and a rocky start, but then something happens - The Man Without a Face finds its rhythm and its grip, seizing the audience and propelling us straight through to the dewy climax. [25 Aug 1993, p.C2]
    • The Globe and Mail (Toronto)
  5. There's a big budget, big cast and big themes about religion, science and life on other planets. But Contact, which aims for awe, ends up with piffle.
  6. Lucy, you may have twigged, is named after our 3.2-million-year-old hominid ancestor.
  7. The devil may wear Prada, but Meryl wears the crown.
  8. Dalio’s script doesn’t always flow as smoothly as the camera work, but an air of calm authenticity should leave audiences touched, in a good way.
  9. Shows promise, but needs more effort, and definitely doesn't play well with others. [7 Jun 1996, p.C2]
    • The Globe and Mail (Toronto)
  10. The dread in the film is so quickly forgotten. What remains is an urge to fly to Italy, rent an apartment in a medieval city and invent your own adventure.
  11. No doubt, life is tough in the wild but, this being a Disney flick, it's loving too and even comes with a kiddie-friendly narrative that's easy to summarize and hard to dispute.
  12. 2 Days in New York plays like 2 years in Attica. You don't watch this movie so much as serve it out, a light comedy doled out as a heavy sentence.
  13. The well chosen cast helps -- no one strikes a false note.
  14. More frightening than most horror movies, more erotic than most pornography, The Postman Always Rings Twice (at the Imperial) is a sour slice of bona fide Americana, a relentlessly pessimistic melodrama that conjures memories of They Shoot Horses, Don't They?, Bonnie and Clyde, The Godfather and Chinatown. [21 March 1981]
    • The Globe and Mail (Toronto)
  15. With the release of Stop-Loss, a precedent of sorts has definitely been set. If we've yet to see a brilliant Iraq movie, the wait is over for a bad one – this is it.
  16. The dragons are fine by today’s CGI standards. Toothless glistens, thankfully. Young audiences will be delighted.
  17. The results are not monumental, but they are a variety of sober responses to the tragedy that help place the event in a global context. Some of the films may be, as has been suggested, anti-American in tone, but none come anywhere near defending the attacks.
  18. Does not disappoint expectations: This is not a case of dumbing down literature; it's mediocrity aimed for and successfully achieved.
  19. Where's 007 when you need him? Neither shaken nor stirred, The Good Shepherd is a flat draft of history that looks at the Central Intelligence Agency's early years through the horn-rimmed gaze of a fictional spook.
  20. It's Adrien Brody's turn to find himself the lone and immobilized star of an emerging new genre: Call it the anti-action flick.
  21. It's a screwball comedy, with a possible debt to Preston Sturges's 1942 film, "The Miracle of Morgan Creek," a movie inspired by the Dionne quintuplets, and similarly set in a small town turned upside down by media and political showboating.
  22. Cabot's meticulously and ambitiously designed Les Quatre Vents in bucolic Quebec is the star attraction, but Luc St. Pierre's score is magical and the interviewees are in their best chatty grooves.
  23. All this is engrossing. Stylistically and visually, Villeneuve flashes his talent to draw us in. However, narratively and thematically, he seems to be cheating. [18 Dec 1998, p.D10]
    • The Globe and Mail (Toronto)
  24. The Moneychanger has fun on its road to a predictable ending. You won’t feel cheated, but you might think you overpaid.
  25. Pelé is a terrific examination of the player, the man and his status in recent Brazilian history. It’s about his astonishing skill, his World Cup victories and defeats, and his celebrity. But at its core it’s about how Pele legitimized the dictatorship that governed Brazil during the later portion of his career.
    • The Globe and Mail (Toronto)
  26. Kenneth Lonergan's new film, Margaret, finally released six years after it was shot, now seems destined to become part of film history as one of the more stunning examples of a filmmaker's sophomore slump.
  27. If Vice Versa becomes the hit it deserves to be - adults who accompany their kids will be glad they came along for the joyride - Reinhold may be able to flex artistic muscles that have been necessarily flaccid until now. [11 Mar 1988]
    • The Globe and Mail (Toronto)
  28. Kindergarten Cop is fast, loud and obvious, but there are unexpectedly delicate touches. [21 Dec 1990, p.C10]
    • The Globe and Mail (Toronto)
  29. First Blood is a gung-ho action flick fast enough and brutal enough to become Stallone's first non-Rocky hit; on the profound sympathetic levels it seeks to address, however, it is an emission of profound stupidity. [22 Oct 1982]
    • The Globe and Mail (Toronto)

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