The Knight Witch is a solid shoot'em up with a metroidvania progression where exploration of beau-tifully designed levels is mixed with frantic shooter action, which sometimes turns into a bullet hell. The card system for managing special abilities invites us to experiment trying to sort out the most appropriate build for each type of situation, and the character build, although quite simple, requires tactical choices that influence the gameplay. The narration is maybe too trivial, often tempting you to skip some dialogues, but the shootervania formula works and the game is challenging and a lot of fun.

Pokémon Scarlet and Violet jump between future and past, like their cover monsters. A freely explorable Open World but unable to performing well and killing all the new good ideas. It’s a classic from Game Freak, a place where every step forward is followed by some steps backward. And maybe is not enough anymore, it’s time to force the best-selling franchise in the world to grow up.

Pokémon Scarlet and Violet jump between future and past, like their cover monsters. A freely explorable Open World but unable to performing well and killing all the new good ideas. It’s a classic from Game Freak, a place where every step forward is followed by some steps backward. And maybe is not enough anymore, it’s time to force the best-selling franchise in the world to grow up.

Cunningly exploiting its own limitations among which the technical ones stand out, Goat Simulator 3 is perfect for single player or even better in co-op fooling around, has a lot of crazy customizations and proves that the devs have truly given their best - or the worst, it depends on the point of view - of themselves.

Somerville aims high, very high, succeeding in certain things (puzzle design, atmosphere, and scenic impact) and missing the target in others (emotional involvement, technical cleanliness, weak central part). In the end, the experience is certainly pleasant but never shocking, a short and evocative journey in the middle of an alien apocalypse with some scenes capable of remaining impressed for a long time, despite often missing that ludo-narrative amalgam to connect them. A promising debut for Jumpship, with a perfect Game Pass title that could easily be finished in an evening but would have deserved some extra refinement.

Evil West isn’t a bad game, but it’s certainly a disappointment. Jesse Rentier is a fun character to play, but unfortunately the encounter design doesn’t always let his full capabilities shine, and the boss battles are downright awful. Still worth playing if you’re looking for a decent single-player (or coop!) action with over-the-top characters, but perhaps wait for a sale.

A gothic and bloody old-style TPS with massive explosions and BIG guns. It doesn't have the charisma of Devil May Cry or Bayonetta, and its gameplay is partially flawed by some annoying issues... but you won't regret the time you'll spend with it.

The Ram From Hibernia is a quite entertaining (but short) experience for younger audience, but it feels like another missed opportunity for OSome Studio to elevate this beloved franchise to an higher level of gameplay.

The last chapter of this first season of The Dark Pictures Anthology confirms the desire to continue to produce products of thickness, balanced on the front of the gameplay, but not for this time still. Supermassive Games tries to do things right, improves some things, gives its best in storytelling and guarantees the player the entertainment necessary to continue and start again, looking for the new choice to make. Stay until the end of the credits, it will be worth it.

Marvel's Spider-Man: Miles Morales brings another Sony icon to our PCs thanks to an action-adventure that is technically solid and adaptable to any hardware configuration, perhaps perfect in managing the framerate but as exciting as only playing Spider-Man can be.

The rebirth of a great classic to be enjoyed until the last drop thanks to an exceptional replayability, a script that is never banal and a thousand other reasons. Graphically more could have been done, but Square Enix's mission is still accomplished.

Dragon Ball: The Breakers is a crude and poor video game, but it is not lacking in inventiveness. What I’m wondering is if, unlike other similar multiplayer titles, it will have time to evolve and improve over time, or if Bandai Namco will put an end to its service before the game formula is refined and enriched as it needs to be.

Bravery and Greed is an enjoyable game with lots of clever ideas, but it seems almost left to its own devices. Excellent co-op, but too many useless equipment items, few bosses, and a not-so-clear overview during the combat phases. Still, it remains a wonderful experience with friends.

The Case of the Golden Idol is an excellent debut. Color Gray has learned the lesson of Return of the Obra Dinn and reinterpreted it with its own style. The cases to be solved are well thought out and to come to grips with puzzles that require deduction and intelligence rather than skill with the classic mechanics of the genre is quite satisfying. The Latvian developer duo in his first game shows they have personality, including in the graphic style that does not mind being disturbing and in the appropriate background music, all of which conveniently mystery-themed.

Floodland is a very strong strategic game with solid gameplay mechanics. The world is fascinating to explore and the narrative campaign introduces new layers of complexity. Defects are few and far between with little impact on the overall experience. Kudos to Vile Monarch.

Pentiment is a beautiful journey in a historical period (unfairly, I say) not so often addressed, focused on narration rather than gameplay, almost absent. Here, perhaps given its choice structure that encourages subsequent plays, it could have benefited from a "New Game +" mode in which the dialogues are speeded up, but generally the criticisms to be made are very few.

Lords and Villeins is a city builder which tries a different approach to the genre introducing families and dynasties, and although it does not revolutionize the gameplay, it gives it some spice of originality. Under the hood, however, it's a solid strategy game for players who love meticulous resource management, supported by excellent visuals that will make happy those who want to spend time in the creation of detailed cities and houses. An above average learning curve could lead to no that satisfying results in the first couple of runs, but nothing that will discourage players who love this kind of games.

Atari 50: The Anniversary Celebration offers a lot, but the shadow of a legendary brand like Atari pushes to demand even more. The absence of Atari Games' historic coin-ops along with many of the more distinctive home machine games weighs heavily, but the new games created by Digital Eclipse somehow manage to save the party. As a work of preservation and divulgation, however, it plays in a league of its own that is really hard to approach.

Ghost Song is a love letter to metroidvania genre with a huge map, so big that even the portion that can be immediately visited could almost represent a complete game. The game features an excellent graphic design, albeit with improvable animations, and an interesting story to follow despite starting with a little delay. The soulslike component makes things as hard as expected, and while it might annoy players who don't like repeating the same section again and again, it's part of the game. Definitely recommended for those who love exploration, too bad for the limited support for keyboard / mouse combo.

Even without surprising like MW did in 2019, beyond the technical problems of day one and a revisable UI, MWII knows how to entertain and chain to the another-game-and-I-stop loop as only the great CoDs can do.

Branded by many as an announced disaster, Sonic Frontiers proves instead to be a chapter full of content and a lot of fun. It is not free from technical problems, however less heavy than one could imagine, but it represents the ideal bridge between the past and the future of the famous SEGA mascot.

This third entry in the survival horror series developed by Nippon Ichi doesn't add so much to the original formula, but it feels more mature and brings more content to the “explore, hide and resolve” side.

It’s not the porting of dreams, my experience shows me that it’s perfectible, but after all Uncharted is always Uncharted and seeing it running on our PCs is a real pleasure. The lack of the previous three chapters is a shame.

An engaging story and a disturbing atmosphere are the best features in this game that recalls the gameplay style of classics 90s survival horror. A repetitive combat and bland stealth elements drop its overall value.

Sports Interactive aims to bring Football Manager 2023 to all home consoles and brings a little change to the new chapter. Despite everything, FM23 is an excellent, precise and satisfying game, with the European licenses finally returning.

The Chant is a good third-person survival horror action adventure, which despite not innovating the formula in which you have to find all objects needed to unlock a new area and progress in the story, manages to thrill mainly thanks to the human and fragile nature of the protagonist, unintentionally thrown into a situation way bigger than her. The game knows how to engage and in a couple of occasions it also knows how to scare, with a well narrated plot full of twists. On a technical level, it does not reach excellence, but it is immersive enough to make us forget that a PS5 could have been asked for a little more.

Brutal, deep but above all fun: the combat system of God of War Ragnarök is worthy of the god of war himself! The exploration shows the side of a certain repetitiveness that in the long run tends to tire, but the epic nature of the plot and the sumptuous technical realization make the conclusion of the journey of Kratos and Atreus a show worth living to the full.

Sackboy comes to PC, and it’s a big adventure indeed: our knitted hero will have to travel through five worlds in his quest to stop Vex from turning the entire Craftworld into a chaotic nightmare. Overall, the game is a good 3D platformer with an excellent soundtrack and a very creative visual style. Shame that the haptic feedback doesn’t really bring anything to the table, though.