The Outer Worlds is Obsidian Entertainment’s magnum opus, an RPG with an enticing and multifaceted ruleset set in a dystopian capitalistic society. Its only flaws reside in the combat system and gunplay, but these are easily counterbalanced by the excellent writing and the many possibilities offered to the players. Let’s hope Obsidian will explore this setting further, possibly with a much needed sequel.

The Witcher 3 for Nintendo Switch turns out to be another incarnation of the franchise ready to kidnap you without making you understand how, where and when. A game that knows how to excite and fascinate its players.

Despite the hardware limitations, circumvented by falling to 30 frames per second, the competitive shooter made by Blizzard turns out to be a valuable job. A conversion that aims first and foremost to reach new players, pulling them into what is certainly one of the generation's cults.

Refreshing idea: you are asked to take control over your troops, but you have no direct control; developers want you to feel in the middle of the action, but they remove you from it. Brilliant on paper, but players remain prisoners of the limitation the game designers set for themselves, leaving us with shallow combat and unnecessarily too little feedback from what's going on in the battlefield.

Fast, brutal and incredibly fun, Valfaris is as heavy metal as a game can be.

Untitled Goose Game is a joke. A great one. Sure, an evil goose is an excellent starting point, but you need a great awareness of how gags work to make people laugh with it.

Asgard's Wrath is one of the greatest titles produced since the birth of VR gaming, perhaps the most ambitious ever. Even its models are over the top - the last God of War is clearly quoted - but Sanzaru's game manages to build its strong personality with challenge and taste for discovery, using our double dimension - divine and terrestrial - to stage a VR show never seen before for graphical and playable details.

John Wick Hex is a game made for the franchise lovers. Since this is a minor production, there are pros and cons: there are indeed good gameplay and a good idea, but also a lack of progression and a feeling of repetition that makes you lose a little the desire to continue further.

Tom Clancy's Ghost Recon Breakpoint is a gaming experience at its most mediocre, packed with all the worst practices that the videogame industry can offer and completely decimated by an embarrassing level of polish. This looter shooter seems to want to squander its large budget, failing to develop its premise in a way that is at least remotely meaningful.

Shadowkeep is an extremely lazy expansion that offers nothing more than the bare minimum of content. Some new sets of armor, a few additional weapons, several exotic and a pleasant additional endgame activity are of little use when everything else is in fact recycled from the past incarnations of the franchise. Let’s hope Bungie will somehow counterbalance the scarcity of present contents in the next season.

Concrete Genie is small but ambitious work. A beautiful story of courage, friendship with excellent feelings. The gameplay blends perfectly with all the artistic aspects, cured to the details.

Grid is back to establish itself as one of the most exciting racing games in recent years. Missing a bit of courage, but the amount of cars and disciplines manages to keep high the desire to play. There are some technical limits and only 30 frames per second, but also wonderful weather and lighting management.

Indivisible is a delightful work, a mix of genres, inspirations, characters, shapes, colors and sensations that on paper should rarely work but instead here becomes a stylistic and playful figure. Despite small and sometimes annoying defects, the title Lab Zero is a precious jewel of playability and narrative.

Trine returns as bright as it once was, with its puzzles, platforms, enemies, and heroes ready to do anything to bring home the lost Prince. Despite some problems, this fourth chapter manages to deliver a good experience in co-op without too much difficulty, or a more interesting challenge for solitary players.

Stygian: Reign of the Old Ones has an interesting art direction and a good Lovecraftian inspiration, but seems to be split in half between its nice all-around RPG mechanics and a slow and not very engaging turn-based strategic combat.

Yooka-Laylee and the Impossible Lair is a work of great courage and respect for the platform genre. It is not revolutionary but manages to be a simple, but refined pastime made with all the trappings of the genre.

Warsaw cannot be defined as a mere clone of Darkest Dungeon, because it has its personality and a gameplay with a lot of combinations. Pixelated Milk has created a game that deserves a chance if you like the genre and/or if you want to learn more about what happened during the Uprising.

Neo Cab leaves the illusion of having met someone, human beings in virtual disguise. Chance Agency has hit the spot, simulating that humanity that wanted to praise.

The Bard’s Tale IV: Director’s Cut defines a further step forward for InXile Entertainment. The flaws are there, but it's worth playing as long as you like this genre.

Football Drama is an intriguing hybrid of genres, which prefers narration with the main character that holds hope and passion for all of us.

Dragon Quest XI: Echoes of an Elusive Age – Definitive Edition succeeds in the difficult task of improving one of the most successful JRPGs of recent times with very little sacrifice on the purely graphical side.

Code Vein is a good dark anime-style action RPG. There are some flaws like the AI or various technical/graphic imperfections, but the articulated combat system, the versatile gameplay, the co-op and a plot that holds up to the end despite stereotypes and clichés manage to give to novices and experts 40+ hours of brutal souls like fun.

FIFA 20 does not change the formula that has led the EA series to excel in the football category for years. The content offer is wide, with a series of (interesting) variants that unfortunately risk falling into oblivion very soon, swallowed up by that bottomless well that meets the name of Ultimate Team. The changes to the game structure do not distort a tried and tested system that is quite spectacular and favors the attack on the defense. The impression is that a bit more courage would be needed to review some mechanics and get rid of some historical problems (for example the speed, both of the maneuvers and some players), even if on the whole gameplay is quite enjoyable.

The Surge 2 is frantic, punishing and moderately performing, to the point of entering in the ranking of the best soulslike. The flaws are there, but this new adventure will know how to get you right.

Contra Rogue Corps is the disappointing final chapter of a saga that has seen better days due to monotonous and trivial gameplay, along with a mediocre artistic direction.

Die Young is an escape simulator. Exploration is its strength along with the constant fear of being hunted down and not knowing where to hide. There are several technical problems (to be solved quickly) and some aspects of the gameplay are not perfectly calibrated, but if you can look past there is a good indie game.

Despite some uncertainty regarding the framerate The Legend of Zelda: Link's Awakening is an excellent remake, which enhances the original experience in every way and makes it modern thanks to a very valuable series of improvements.

Star Wars Pinball continues to bring credit to the developers of Zen Studios. If you want to experience the thrill of a pinball machine on the move, this title is really for you.