Absolutely bonkers, but untangling its many secrets is an addictive enterprise. There's tons of plot to discover, and the many storylines cross and reference each other in subtle ways that reward the diligent player.

The best in the series to date, inFAMOUS: Second Son tells an amazing story and gives players a ton of relishable power to play with. It's held back by some outdated and formulaic ideas, but overall it'll keep players happy.

Strike Suit Zero is a decent space combat sim but the strike suit angle feels forced and ungainly, and the game misses on a few too many important points to be a true contender for the crown.

Despite the unstable camera, Ratchet & Clank: All 4 One is a hilarious action-adventure with a lot of variety between the platforming, environmental puzzles and hack-and-blast action, but unless you're a hardcore Ratchet & Clank fan, you won't get the full experience playing it by yourself.

A pleasant surprise. I was just expecting a solid little platformer, but I was floored by Yoshi’s Crafted World’s sophisticated imagery, abundant heart, and charmingly fun level design.

This latest entry into the beloved Wolfenstein series accomplishes pretty much what it sets out to do - deliver a fuss-free roller coaster of setpieces and guiltless butchery. It's not exactly the most impressive of goals, but it's not without merit!

Star Ruler 2 delivers a unique, fascinating experience despite its reliance on sometimes obtuse systems.

Orwell is a thought-provoking interactive debate about the politics of privacy and security. It's the kind of game that never actually feels like a game, and it manages to do it well.

The Journey Down: Chapter One combines an intuitive control scheme, HD graphics, and classic point-and-click adventure gameplay to set up an intriguing story. The first episode lags a bit, and the voice acting doesn't add nearly as much as the improved visuals, but still shows a lot of promise for a potentially great series.

Utterly stupid and often frustrating, Deception IV: Blood Ties is one of those games that manages to be enjoyable in spite of itself. It's a "bad" game, by most standards, but it's good in that "not good" way.

Gunfire Games should be proud of making a game where literally fighting Pride feels as silly and awesome as the painted cover of a vintage Ozzy Osbourne LP. Toss the horns and bring on the next horseman’s ride.

A good little story with a bleak atmosphere that nonetheless provides some relaxing puzzle solving.

The Darkness II is fun while it lasts, but sadly doesn't last very long.

Arrowhead made a very true-to-source Gauntlet game, no doubt, but the source is 30 years old, and could use some modern accouterments. Gauntlet is as much fun as it has ever been, but it'll get old fast for those who still remember slogging through the original.

Despite a few control hiccups, Gravity Rush succeeds on the strength of its excellent movement system and endearing protagonist.

Steve Jackson's Sorcery! Is an interesting digital implementation of a pencil and paper gamebook.

Puzzle fanatics will enjoy it, even in solo mode. Players looking for some widely-appealing games to play with non-gamer family and friends will definitely find value here, and may discover they're no longer the best player in the room.

A hot mess of gibberish that still manages to be vastly amusing, Drakengard 3 is as close to Deadly Premonition as a hack n' slash game gets. It's bizarre and it's disheveled to the point of downright idiocy, but it knows what it is and it goes the whole hog. I laughed, anyway.

Ultimate Chicken Horse does everything it tries to do very well, but a few quibbles keep it from greatness.

An episode full of setup, A House Divided trades in its intensity for a bit more action, and a touch of intrigue.

For anyone exhausted by endless upgrade systems, infinite unlockables, new skins and every other contrivance meant to ensnare the contemporary player, Spyro’s uncynical good time is a worthy escape. This is one that shouldn’t be put away.

The merits and flaws of Persona Q2 are exactly what you’d expect from the series. It’s delivering the same mechanics which are alternately tedious, punishing and strategically exciting and the chance to have a host of dysfunctional heroes tease, flirt and ultimately fight alongside each other. Like Endgame, Q2 is both a fitting finale but also a look forward. So long as people love watching larger than life figures pummeling each other on the big screen, there will be Marvel movies. So long as people love spending dozens of hours building parties and exploring dungeons, Atlus will keep making Nintendo handheld games. This era is over, but the genre lives on.

Mafia: Definitive Edition is a curiosity. Newcomers to the game will find here a soft landing via a strong narrative and gameplay that will readily welcome them. Meanwhile, veterans will find enough changes to make another visit to Lost Heaven worth their while, though whether they will be pleased with the modernization is a separate question entirely. With one eye on the past and one on the present, Mafia: Definitive Edition is less dated than Destroy All Humans!, though it never feels as distinctive or necessary as Resident Evil 2. Whether that’s enough to coax you back will be up to you.

I was grateful that Observation lets players take their time.

It's brilliantly wacky and unique, with awesome basic gameplay, but The Wonderful 101 doesn't quite live up to its potential.

TERA is a game caught between MMO past and MMO future. Its action-based combat is a breath of fresh air for the genre, and makes tackling its giant enemy monsters all the more thrilling, but its quests are formulaic and repetitious, serving no real purpose other than to move you through zones while anticipating the next giant boss fight.

Mass Effect: Andromeda is a game that takes few risks and pushes few boundaries. It's a Mass Effect game designed to make fans of the series feel at home, but technical issues and lackluster writing leave it feeling like a missed opportunity to regain the prestige the franchise once enjoyed.

While The Medium’s design stumbles are disappointing, its human characters and gorgeous world are ultimately the things that stuck with me. Once I finally made it to the end of the road, I immediately restarted the campaign to experience all of the narrative breadcrumbs with the newfound clarity of the ending in mind, which is the sign of an effective story. And the game’s day one availability on Xbox Game Pass is just another in a long line of reasons why the service is a must-have. It might not reach the unforgettable highs of James Sutherland’s time in the town of Silent Hill, but The Medium carves out its own corner of the genre that’s worth losing a bit of sleep over.