The A.V. Club's Scores

For 10,411 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10411 movie reviews
  1. Monos isn’t a social-issue tract, or just a lament for the beasts of no nation. It’s a fever dream of a war drama, caught halfway between realism and the hallucinatory intensity of an ancient fairy tale.
  2. It’s an empty approximation of art, all gleaming surfaces masking a hollow center. And unlike a fake vintage chair, there’s no basic utility to this imitation.
  3. There’s something tidy and even schematic about the story of redemption and forgiveness A Beautiful Day In The Neighborhood ultimately tells.
  4. For all its novelty and craft, Joker is more of a stylish stunt than anything else.
  5. Seeing the director’s usual style applied to a whole different culture provides fascination enough. Not surprising, maybe, but welcome.
  6. While the act of gracefully condensing this big book into a coherent movie is indeed impressive, the truth is that said movie does end up feeling a bit like glorified cliff’s notes, albeit ones enlivened by Iannucci’s gift for volleying banter.
  7. It’s refreshing to discover that True History has an actual perspective on the events of Ned’s formative years.
  8. It’s an intriguing idea that results in a painfully by-the-books biopic. That being said, a gusty, heartbreaking turn from Renée Zellweger makes the exercise worth sitting through.
  9. Far from empty sleight-of-hand, Knives Out twists its borrowed, rearranged mechanics into a timely, sincere, and ultimately moving celebration of decency in the face of moral failure. To paraphrase one of Blanc’s funnier musings, that’s the donut within the donut hole.
  10. It’s campy, it’s gory, it’s a little bit titillating, and it features one of those novelty performances from famous actors that tend to bring a lot of press to otherwise under-the-radar productions.
  11. Spurlock’s documentary turns out to be the exact thing it is meant to expose: an unfulfilling product passed off as something that’s good for you.
  12. The film isn’t an abject failure by any means; it has some funny jokes, a couple of really good performances, impressive creature and set design, and pleasing cinematography. But when it comes down to it, It Chapter Two just isn’t all that scary.
  13. A meta-commentary on filmmaking in general and cinematic conceptions of beauty in specific, the film is clearly enamored with its own cleverness—which isn’t to say that it’s not clever, just that a more clear-headed film could have distilled its ideas better, and been more satisfying as a result.
  14. Mostly, the action, while bloodier than one might expect, is as goofy and dim-witted as the dialogue.
  15. As intelligently crafted as the film is, Glavonić’s directorial strategies do end up limiting the film’s observational power.
  16. Things perk up when Fiennes belatedly appears, and while this isn’t one of the performances he’ll be remembered for, by any means, he delivers a fine moment of utter disgust at the government’s naked corruption in the film’s very last scene. Ending on that note feels right.
  17. What keeps Don’t Let Go watchable is, ironically, its predictability: the cop-movie clichés, the shootouts, the mishandled evidence, the bargain-bin twists.
  18. Mandelup does, however, treat both the internet personalities and the fans beholden to them with great respect.
  19. Given the awfulness of its predecessor, which was this publication’s pick for the worst film of 2016, a sequel that’s merely pedestrian represents a dramatic improvement.
  20. Mikhanovsky and Austen even allow for genuine budding romance to filter through the struggle, with love operating as a balm for beleaguered souls.
  21. This Jacob’s Ladder isn’t likely to build much of a fanbase over the next 30 years. It’ll be lucky if anyone remembers it for 30 minutes.
  22. Once Sackville-West gets bored with Woolf and starts seeing another woman, garden-variety jealousy takes over. Not quite as fascinating as the story of a man who inexplicably metamorphoses into a woman and doesn’t age for 300 years.
  23. Brittany Runs A Marathon winds up feeling like a story told by an outsider who’s empathetic toward, but not fully immersed in, a specific lived experience.
  24. By telling their stories, entertainingly and persuasively, Bognar and Reichert make the case that they all deserve better.
  25. The charitable reading is that Ready Or Not understands how moneyed entitlement knows no gender — that the only way to break the arbitrary yet destructive grasp of the super-rich is to chop it off, or possibly light it on fire. So no, not a subtle movie. But a fairly satisfying one.
  26. To his credit, it probably would have been easy to turn this particular book into a quasi-satirical parade of withering takedowns. Turning it into a flavorless, center-less journey of self-discovery was likely a lot more work. That doesn’t make it any easier to watch.
  27. Yet as with "Booksmart," the summer’s earlier riff on that Apatovian classic, there are times when Good Boys feels a little too nice to actually be uproarious. In more ways than one, it’s the training wheels for a better comedy — a slightly edgier and funnier one.
  28. If Brügger shares the doubts of Williams and other Hammarskjöld conspiracy theorists about Operation Celeste (in all likelihood a hoax, though not a Soviet one), he doesn’t let them get in the way of a good story. As for the latest official U.N. inquiry, its report is due sometime this year. But then, can you really trust it?
  29. Minervini is not at his most provocative in What You Gonna Do When The World’s On Fire? That’s a good thing.
  30. Uncaged improves on the first film only with its ending: This one boasts a modestly effective twist rather than a truly moronic one. Encouraging, but not nearly enough to justify a third trip down this 47-meter well.

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