The A.V. Club's Scores

For 10,411 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10411 movie reviews
  1. AKA
    Divided into a triptych of images sprawled across a Cinemascope frame, AKA rarely uses the extra screens for information that couldn't be conveyed well enough in one.
  2. In Jewison's hands, this cat-and-mouse game plays like third-rate John Le Carré, treading lethargically over high-minded intrigue that mixes fact, fiction, and unlikely speculation in dubious relation to the historical record.
  3. This is teen product at its most generic.
  4. Though it's still too reliant on a sloppy, gag-a-second style, Stuck On You gets through the arid stretches by leaning on some winning performances, most notably from a hilarious Seymour Cassel.
  5. Mostly, it's just a pleasure to watch Keaton and Nicholson learning new steps in an old dance, stumbling to grab at happiness before it's too late.
  6. Webber displays a great sense of understatement and a keen eye for careful framing, with cinematographer Eduardo Serra beautifully re-creating Vermeer's signature play of shadow and light.
  7. Burton rebounds in a big way with Big Fish, a Daniel Wallace adaptation and visual feast that recaptures the fairy-tale simplicity and wrenching emotional power of "Edward Scissorhands."
  8. Adapting a novel by Eric-Emmanuel Schmitt, François Dupeyron uses handheld cameras and some jarring edits, but, prostitutes and all, this is storybook material: heartfelt, pleasant, cuddly, and a little too insubstantial to stick in the mind for long.
  9. In the end, the camper-lot prostitution serves as trapping for a weirdly touching coming-of-age film that leaves its heroine sadder but wiser.
  10. Cotton-candy filmmaking, all spun sugar and hot air.
  11. What it lacks is artistry, those small touches of personality that might have distinguished its lugubrious history lesson from a bunch of pretty pictures with captions telling the story.
  12. In fact, the best an artist like Bowery can hope for is that he'll provide fodder for a documentary this solid.
  13. Mostly content to observe with wary admiration, the film doesn't offer any answers, and life robs the story of any sort of resolution, leaving only footage of one remarkable example of charity in action.
  14. Not everything Perry's voices say seems relevant to his central thesis, but they speak fervently and colorfully, and their intensity is compelling even when their message is lacking.
  15. Until Timeline reaches its flaming-trebuchet-siege finale -- which should impress anyone who's never seen "The Two Towers" -- it has the stirring production values of an episode of the Tia Carrere action series "Relic Hunter," but with only a fraction of the acting talent and intellectual heft.
  16. Hokey and convoluted, but as a sticky-hearted fable of redemption, it's surprisingly seductive.
  17. It's also hard to figure out who this movie is supposed to delight: It's too scary for little kids and not nearly scary enough for anyone allowed to rent "The Ring" without getting carded.
  18. The film is best treated as a one-of-a-kind wonder: an ingenious contraption that dazzles, teases, attracts, and repels with all the mystery and sublimity of a miniature world.
  19. While In America doesn't convince as an immigrants-in-the-U.S. story, it resonates powerfully as a portrait of grief and reconciliation.
  20. Much like "School Of Rock," Bad Santa salvages a tired, paint-by-numbers formula by resisting it every step of the way, stubbornly refusing to stop its juvenile fun until the last possible moment.
  21. As a morality play, it's a one-sided contest, because the question of whether power corrupts is never a question at all. As a queasily thrilling tour of a dirty little corner of the world, however, Trapero's film offers a memorable ride.
  22. A nearly unparalleled actor's showcase, the film boasts performances of impressive quality and quantity...Their complexity matches the film's.
  23. While stylistic excess keeps Gothika mildly diverting, though suspense-and horror-free, Kassovitz can't do anything to keep the film's ending from degenerating into camp.
  24. The Barbarian Invasions' flaws are mainly glaring because the movie is occasionally so winning.
  25. The ongoing cinematic desecration of Dr. Seuss' legacy continues with The Cat In The Hat, a clattering abomination that makes it depressingly likely that an entire generation of reading-averse children will know The Cat In The Hat as that obnoxious character Mike Myers played in that horrible movie.
  26. Though it isn't explained until the closing minutes, the title Acts Of Worship says a lot about Rodriguez's terminal weakness for the overwrought and faux-poetic.
  27. Born to play a Western hero, Jones sells the film's syrupy message with a soulful, wounded performance, relieved at times by his agreeably cantankerous sense of humor.
  28. In the wake of T"he Passion Of The Christ," the three-hour chore takes on some positive qualities it wouldn't have had otherwise.
  29. Doesn't pretend to be objective, and the film derives much of its power from the way it invites audiences to look at the rapper's life and times through his own soulful, animated eyes. It doesn't always succeed, and there are times when it feels terribly strained.
  30. With the exception of its bland leads, Back In Action's frenetic plot serves as its biggest weakness, but it at least provides the framework for two Tashlin-worthy setpieces.

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