The A.V. Club's Scores

For 10,412 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10412 movie reviews
  1. Already as dark as London soot, the comedy hardly needed work to bring it in line with the Coen brothers' sensibility, but the remake moves to a beat of its own, one unexpectedly in sync with the gospel music dominating its soundtrack.
  2. Though Smith loses many of his past efforts' familiar trappings--Jay and Silent Bob are now confined to the production-company logo--Jersey Girl plays to Smith's strengths like no film since "Clerks."
  3. The incendiary Dogville confirms the director's sadistic knack for locating his characters' (and his audience's) soft spots and prodding them for a singular emotional experience.
  4. Even without all the other complications, Doillon's handling of the language gap alone gives Raja a pungent dramatic edge.
  5. The same willingness to plunge into luridness and melodrama allows The Gatekeeper to work as a taut suspense film on its shoestring budget.
  6. Whenever Rappeneau stays close to Adjani, the film briefly soars on her giddy self-absorption--particularly in the first hour, when it hasn't been sullied by misfortune. But ultimately, the big stars are just window dressing for an expensive nothing.
  7. Sadly, Taking Lives, adapted from a novel by Michael Pye, proves to be one long wallow in elements that have long since had their effectiveness dulled flat.
  8. Like many stylish, whipcrack American and British indies made in the wake of Quentin Tarantino and "Trainspotting," the film gets off on the same anything-can-happen storytelling brio, which at least keeps things lively. But without any resonant characters or ideas, it's all empty calories.
  9. Swarming with zombies on both sides of the camera, the film is unrelentingly relentless, leaving no room for original director George Romero's wry satire on consumerism or his slow-paced, creeping undead.
  10. A surprisingly bittersweet love story at heart, Eternal Sunshine values the sum of experience, which in this case means a thorns-and-all openness to romantic possibilities.
  11. Divan overcomes its stylistic clichés only because Gluck's story is rich, and because it comes to a knockout finish.
  12. Only in the final minutes, when Kári overreaches for ironic effect, does the film plumb too far into the darkness.
  13. Using simplicity as another form of deception, Mamet lays out a hand of three-card monte for the audience to see, then tricks it into guessing falsely. In this case, it's worth getting fooled out of a little cash.
  14. Broken Wings doesn't stray far from the common melodrama in its setup and resolutions, but Bergman's uncommon sensitivity makes the film feel specific, intimate, and utterly plausible at every turn.
  15. Secret Window is almost worth seeing for his characteristically assured performance alone, but Koepp sabotages Depp and his surroundings with an ending so atrocious, it callously betrays everything that came before it.
  16. Opens with its snazziest effects sequences and gets cheaper from there, as if studio executives were constantly scaling back the budget as the filmmakers went along.
  17. Intended to be shamelessly heart-tugging and even uplifting in an odd way, but it's recommended mainly as an acting showcase.
  18. Sets a new nadir in the reality genre's race to the bottom. The price of sacrificing dignity for the amusement of the general public gets lower every day.
  19. La Vie Promise's style is too slick for the subject matter.
  20. Mortensen nicely underplays his role, offhandedly tossing off one-liners and making the script's sometimes purple dialogue sound a little less cheesy, but the rest of the film often lurches into hammy overdrive.
  21. A textbook example of how a remade '70s show can feel like an enjoyable lark rather than cultural recycling run amok.
  22. Maddeningly dull. It works on the cerebrum while the rest of the body drifts off to sleep, and the dullness only intensifies as the film goes on.
  23. Shou focuses on a meaty subject, and he has an insider's access to the world he's exploring. But his behind-the-scenes film doesn't spend nearly enough time behind the scenes.
  24. An awkward marriage of fairy-tale and social realism.
  25. The mostly wordless film simply presents Ground Zero, the dust-covered surrounding areas, and the city's immediate rescue efforts. As a document, it's invaluable, and as a viewing experience, it's somewhat shocking.
  26. Sauret's approach isn't the most artful, but it doesn't have to be. Hearing his subjects speak for themselves is good enough.
  27. With "Super Troopers" and Club Dread, Broken Lizard has cranked out two genuinely funny movies in a row.
  28. There's no forgiving the home-movie slackness of Greendale for its numbing dearth of imagination.
  29. Twisted marks a bottoming-out for pretty much everyone involved, particularly Judd and director Philip Kaufman, who should know better. The film is the creative equivalent of waking up naked in a puddle of cheap wine and vomit.
  30. Contains all the elements of a satisfying teen genre picture, but they've been compromised out of existence.

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