The A.V. Club's Scores

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For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,574 out of 10419
  2. Mixed: 3,737 out of 10419
  3. Negative: 1,108 out of 10419
10419 movie reviews
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  1. Space Chimps
    Story remains Vanguard's weak point.
  2. Felon
    Felon's dialogue is overheated and some of its plot twists are preposterous, yet it's still white-knuckle tense, and held together by dozens of small, well-observed moments.
  3. Berlin
    If nothing else, Julian Schnabel's concert film Lou Reed's Berlin presents the album's 10 songs with a force they've rarely shown before.
  4. Transsiberian
    Though Anderson's storytelling gets murky at times, it's still a fine showcase for his versatility, adding to an impressive, under-the-radar résumé that includes the underrated science-fiction comedy "Happy Accidents" and the first-rate horror film "Session 9."
  5. Before I Forget
    It's hardly a rosy picture of what it's like to be gay and 60 in Paris. But it's an engrossing picture.
  6. Mad Detective
    Fleeting confusion and bizarre literalization aside, though, Mad Detective is an effective mystery story, with an oddball hero--like TV's Monk, but far crazier--and some moments of visceral violence that raise the stakes.
  7. Hellboy II: The Golden Army
    Ron Perlman returns as the film's loveable title character, a demon gone good who's tough on the outside but tender underneath, with a soft spot for kittens, candy, and babies.
  8. Journey to the Center of the Earth
    Like its early predecessors, it's a nominally fun trip, but it's tissue-thin and instantly forgettable.
  9. Meet Dave
    Proven comic talents like Judah Friedlander and Ed Helms make up much of Murphy's crew, but apart from speaking in contraction-free spaceman-ese, the film doesn't give them anything funny to do.
  10. Roman Polanski: Wanted and Desired
    Falls short of being a great film because it lacks a certain ambition.
  11. August
    Chick's underwhelming exploration of post-millennial angst is as empty and vacant as its protagonist's inexpressive peepers.
  12. Das wilde Leben
    If the movie had greater style, it might approach the delirious badness of "The Valley Of The Dolls," but it's too dull to qualify as camp.
  13. Garden Party
    Taken together, these stories are a symphony of inconsequentiality, drained of tension and purpose until all that remains is a vague sense of collective ennui.
  14. Giorni e nuvole
    At times, Soldini gets so wrapped up in his characters' suffering that the movie loses perspective; it's a little hard to sympathize when the couple's needs grow so great that they're forced to sell their boat.
  15. Full Battle Rattle
    Full Battle Rattle works just fine as a two-fisted combat story, with unexpected bursts of violence peppering that old universal message that war is hell.
  16. Gonzo: The Life and Work of Dr. Hunter S. Thompson
    It's more Thompson-for-beginners than an exhaustive inquiry, but as introductions go, it's thorough and thoughtful.
  17. Kabluey
    While the film's social-satire elements are flat and overly familiar, its dry absurdity is unmistakably Lynchian.
  18. Diminished Capacity
    Broderick, Alda, and Madsen are all fine--and Alda has some poignant moments as he realizes the implications of his forgetfulness--but their presence in a movie like this reaffirms its conventionality.
  19. The Wackness
    The Wackness' main draw is Kingsley's giddily over-the-top performance as a pothead, and the film delights in showing Gandhi sparking a huge bong or making out with Mary-Kate Olsen in a phone booth.
    • The A.V. Club
  20. Tell No One
    The story starts at a low boil and quickly heats up, but the problem with Tell No One--a common problem with contemporary pulp literature--is that at some point, all the narrative's intriguing questions resolve with prosaic answers, delivered in long, convoluted speeches by people wielding guns.
  21. Hancock
    It's a daring, even mildly challenging mixture for a superhero film, and while the pieces don't entirely add up, the puzzle is at least original.
  22. Finding Amanda
    It's amusing but facile, reasonably clever but hopelessly glib.
  23. WALL-E
    It's Pixar's most daring experiment to date, but it still fits neatly into the studio's pantheon: Made with as much focus on heart as on visual quality, it's a sheer joy.
  24. Wanted
    Wanted is a queasily unapologetic power fantasy about becoming a better person through violence.
  25. Gunnin' for That #1 Spot
    Comes from a pure place. Or rather, it comes from a DESIRE for a pure place in a game poisoned by mercenary compromise.
  26. Trumbo
    Trumbo sexes up Trumbo's already dramatic story with a massive infusion of star power.
  27. Elsa y Fred
    It's hard to overlook how much of Elsa & Fred is rote and pre-chewed.
  28. The Last Mistress
    Given their reputations as feminist provocateurs, the coming together of Breillat and Argento seems natural, even inevitable, and The Last Mistress gets a charge from their feisty, uncompromising spirit.
  29. Full Grown Men
    Full Grown Men often becomes as intolerably silly as the twee Amerindies it's reacting to.
  30. Get Smart
    There are many stretches when it's easy to forget that Get Smart is a spoof; it's more like a third-rate James Bond with pratfalls.
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