The A.V. Club's Scores

For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10419 movie reviews
  1. Ultimately, Lakeview Terrace isn't about race so much as it's about being a man, which has been LaBute's fallback theme from the start.
  2. Though the plot contrives to throw Gervais and Leoni together and then pull them apart, the two leads stay consistently in sync through it all, laughing at each other's jokes and generally sharing the kind of normal adult communication that's often missing from movies about people falling in love.
  3. While the stitches holding together the plot are clearly visible, Igor breathes some enjoyable life into its stolen grab-bag of gimmicks.
  4. Dane Cook plays a smug jerk in the dismal comedy My Best Friend's Girl. Strike that: He's only ACTING like a smug jerk.
  5. This feels like a second-shelf Coen comedy, particularly when compared to their no-less-shaggy "The Big Lebowski."
  6. Skips right past depressing on its way to apocalyptic.
  7. From its title on down, Towelhead alarms and manipulates, and succeeds in goading the audience like a schoolyard bully, but apart from Bishil's harrowing attempts to find herself, the strings stay too visible.
  8. Perry deserves due respect for exploiting an untapped niche.
  9. Trudging through a thriller that would have felt warmed over in 1988, the pair investigate a serial killer.
  10. The original was a tart dipped in acid; this one's a biscuit sprinkled in Splenda.
  11. Moshonov's capering, wheedling, and stagey monologuing become deeply taxing, and so does the conclusion, which makes more sense as metaphor than narrative.
  12. Something is missing here.
  13. Dimly lit, emotionally empty, and devoid of thrills, Bangkok Dangerous should disappoint Cage fans looking for Wicker Man-style camp thrills just as thoroughly as action buffs looking for a passable thriller. It's never close to good, and it can't even get bad right.
  14. A Secret is suitably tense, sad, and deeply poignant as it moves toward an epilogue exploring the idea that everything rots and decays, no mater how well-maintained.
  15. The unforced ease of the performances make August Evening an intermittent pleasure, but its images aren't strong enough to sustain its undisciplined length.
  16. It's a funny, sweet-natured humanist character piece.
  17. As long it sticks to that chase, Babylon A.D. remains a sub-passable lead-footed action film with neat scenery.
  18. I Served The King Of England views diabolical events from the sidelines, something like "The Remains Of The Day" reworked as an absurdist comedy.
  19. Loses some of its appeal once the novelty of Miike's conceptual shenanigans wears off.
  20. God-awful.
  21. It's too easy to say Disaster Movie deserves its title, but why put more effort into trashing it than the filmmakers did into writing it?
  22. To some degree, it's trying to find the magic in the everyday, but the attempts to ground it are cringe-inducing and problematic.
  23. Without its mesmerizing lead performance, Traitor easily could have devolved into direct-to-DVD fodder.
  24. It's the perfect end-of-summer film, and a sign that summer needs to end soon.
  25. Faris has mostly logged time in dire vehicles like The House Bunny, which are dumb-dumb to her smart-dumb.
  26. A sports movie like every other, but the excellent, lived-in performances of Cube and Palmer make it a mildly affecting.
  27. Funny excuses an awful lot, and at its best, Hamlet 2 is nothing short of hilarious.
  28. Trouble The Water is infuriating in its depiction of helpless Americans getting left behind, and uplifting in the way it shows the Roberts putting their lives together, but it's also frustrating, because it lacks some focus.
  29. Though the filmmaking is playful at times, the film is essentially 90 percent message, 10 percent movie.
  30. A comedy of sorts, though to Jacobs' credit, he doesn't aim for cheap laughs.

Top Trailers