The A.V. Club's Scores

For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10422 movie reviews
  1. Webber displays a great sense of understatement and a keen eye for careful framing, with cinematographer Eduardo Serra beautifully re-creating Vermeer's signature play of shadow and light.
  2. A truly scary horror film, something akin to a lost art these days.
    • 67 Metascore
    • 80 Critic Score
    It all adds up to a compelling, deftly executed film that thoughtfully examines the actions and motivations that draw people together, directing their uneasy relationships.
  3. From his wonderfully idiosyncratic bits of silent comedy at a storefront window to a brilliant one-take of Malkovich watching a calamitous scene unfold, de Oliveira seems determined to exit on his own terms.
  4. More than a slight, pleasant oddity, Hukkle shows Pálfi's keen attunement to the sensual possibilities, both in nature and in cinema.
  5. A brainteaser of the first order, Primer ranks among the best of recent thrillers such as "Memento" or "The Matrix," which rupture the fabric of reality and radically destabilize the narrative in kind.
  6. Though Law and Kidman spend much of the movie apart, Minghella and ace editor Walter Murch arrange their interweaving subplots like a running dialogue between two lovers, each compelled to survive on the thin hope that they'll be reunited.
  7. Kitano's gentle side reigns in Dolls, a gorgeous meditation on love and devotion, but the film's hypnotic tone and beautifully formalized color scheme makes it unlike anything he's done to date.
  8. What's more impressive, and in the end more important, is the high standard of storytelling that Pixar continues to meet by locating both humor and emotional depth in worlds created out of lines of code.
  9. All this colorful mayhem is mere warm-up to the great rabble-rousing catchphrase Nada delivers when he enters a bank, armed to the hilt: "I have come here to chew bubblegum and kick ass… and I'm all out of bubblegum."...I love that line as much as anyone else, which is enough to make any cultist salivate like a dog in anticipation, but here's the thing: I wish a better actor than Roddy Piper had delivered it.
  10. Rossi (who is handicapped himself) gives the film a magnetic presence, playing the part as a mix of sweet-natured good intentions and frustrating limitations.
  11. Burton rebounds in a big way with Big Fish, a Daniel Wallace adaptation and visual feast that recaptures the fairy-tale simplicity and wrenching emotional power of "Edward Scissorhands."
  12. The incendiary Dogville confirms the director's sadistic knack for locating his characters' (and his audience's) soft spots and prodding them for a singular emotional experience.
  13. It remains to be seen whether Kill Bill is merely a skilled slice of juvenilia or a pastiche with real emotional and thematic underpinnings, but based on Tarantino's storytelling command in the first half, it's worth giving him the benefit of the doubt.
  14. A vibrant, funny, fully realized slice of oft-overlooked cultural, show-business, and black history. It's better than the film whose genesis it chronicles, though inherently doomed to be nowhere near as important.
  15. As the film goes along, themes and even lines of dialogue resurface, and Jarmusch's comic sensibilities grow more assured.
  16. A sweet, raucously funny, comic Western that corrects a glaring historical injustice by finally surveying the Old West through the eyes of cows rather than cowboys.
  17. One of the boldest, most audacious American movies of the last 25 years, a freewheeling cerebral carnival of energy and ideas, if not always coherence or cohesion.
  18. The action sequences are choreographed with the crackerjack timing expected from Pixar, but the film's funniest and most affecting moments exploit the tension between a special family and a world that insists on dulling them down.
  19. Though tagged as the director's bid for commercial success, School Of Rock is as philosophical in its own way as "Slacker" or "Waking Life." It was made by people who not only know the music well enough to create magnificent flowcharts around it, but also understand how a simple, soul-stirring rock song can seem revolutionary.
  20. Mixing horror and humor is no mean feat, but Shaun Of The Dead tightens throats in fear without making the laughs stick there in the process.
  21. Posed somewhere between a fairy tale and harsh reality, the film pulls off a daring feat by turning Blancan into an almost abstract monster as a way of getting into the deeply unhealthy situation that created him.
  22. When it's on its game, and it frequently is, South Park's portrayal of its foul-mouthed, pre-teen, construction-paper-like protagonists' navigation of the absurd adult world around them cuts as deeply as any other current comedy.
  23. The film insightfully probes into the things that are said and the intense feelings that are merely implied, buzzing at a low level just beneath the surface.
  24. It's a film hopelessly in thrall to the thrill of big-wave surfing, and for all its rambling shapelessness, it conveys that excitement in an infectious, conspiratorial manner.
  25. Goes through its airport-thriller paces with dazzling kinetics and style.
  26. In accounting for Almodóvar's identity as an artist and a man, Bad Education comes together like a bold and far-reaching summation of his career to date.
  27. Dramatically leaps through time, covering months or sometimes years in the span of a single cut. The effect is jarring and exhilarating, but it also bucks the common idea that relationships deepen over time.
  28. The issue may be polarizing, but Vera Drake resonates with such seriousness and truth that it transcends the narrow limitations of polemic.
  29. A frenzied, sometimes overreaching biopic that paints in bold colors on a huge canvas, the film stars a never-better Leonardo DiCaprio--as perfectly cast here as he was miscast in "Gangs."

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