The A.V. Club's Scores

For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10422 movie reviews
  1. Few scenarios are more cliched than the curmudgeonly father-figure who takes in the precocious imp -- irritation in the first two acts, love in the third -- but Hornby infuses it with warmth and honesty, not to mention his obvious gift for wry observation.
  2. Touring his father's magnificent structures, Nathaniel shows signs of coming around to his mother's point of view, and of realizing that Kahn's towering contributions to art and humanity perhaps exceed (if not altogether excuse) his shortcomings as a father, a husband, and a lover.
  3. Touching and wise, with fine performances and impeccable widescreen photography, The Rookie is a rare family film that encourages kids to pursue their dreams, but not before giving full weight to the consequences.
  4. Makes heavy demands of even jaded viewers, who are unlikely to stomach de Van's anatomical noodling from the same curious distance. But for the brave, the film's literal journey to find the "I" inside the body moves forward with a riveting single-mindedness.
  5. Though comparisons to "The Blair Witch Project" are inevitable, the impeccable first-person camera technique not only makes sense dramatically, but also facilitates a complex and queasily ambiguous relationship between the conspirators and the audience.
  6. Not since Lukas Moodysson's "Together" has communal living been depicted with such warmth and feeling for the entire ensemble.
  7. Emerges as an improbably hopeful tribute to the human spirit.
  8. Its protagonists' hearts aren't lawless so much as stuck in various states of quiet desperation, and the modest charms of this observant, affecting film fortunately bear little relation to the sensationalistic label.
    • 64 Metascore
    • 80 Critic Score
    Few action films can claim such complexities without conceding the bang-bang stuff that brings in the big money.
  9. This sort of film lives or dies by its promise of bullet-dodging, stylishly clad women throwing themselves into impossible feats of daring, and when the time comes for action, Yuen displays a rare gift.
  10. At once bitterly funny and devastating, Lost In La Mancha sides with Gilliam in form and spirit, piecing together the train wreck with snaky humor and interludes that cleverly mimic his Monty Python collage animations.
  11. Hoffman (Soapdish, One Fine Day) leads a first-rate cast in an intelligent, fully realized adaptation of Shakespeare's most popular comedy that's at once highly cinematic and true to its source.
  12. Technologically, the film is impressive, and it readily overwhelms the senses with frenetic computer-generated activity, an apocalyptic grand finale, and a bombastic jazz score. But unlike its classic predecessor, it doesn't leave much in its wake but ringing ears and unanswered questions.
    • 81 Metascore
    • 80 Critic Score
    Both simplifies and brings into focus the already simple and effective thriller.
  13. Well matched both to the material and each other, Cage and Beach capture Windtalkers' true struggle, the fight to hold on to values like honor, friendship, and tenderness in an environment that demands otherwise. This is as much a Woo trademark as the carefully orchestrated gunplay.
  14. Nolan reverses the emphasis -- no surprise from the director of a plot-driven film like "Memento" -- but achieves the same end, bringing Hollywood noir under the harsh glare of permanent daylight.
    • 68 Metascore
    • 80 Critic Score
    Beneath the sitcom-like surface of Slums lies a realistic coming-of-age story, perfectly cast and effectively acted with just a hint of tragedy.
  15. As the team leader, Jackson finds exactly the right tone for the role: a sort of playful cockiness that comes from knowing just how good he is. He's clearly having fun, but he never winks at the audience too much or allows his performance to devolve into camp.
  16. Even as The Quiet American loses focus and urgency, Caine's performance keeps the doomed spirit of Greene's hero intact.
  17. Propelled by a fine Tomandandy score and a savvy assortment of seductive new-wave hits, Attraction is top-notch trash, a guilty pleasure designed for the decadent 14-year-old in everyone.
  18. Much like David Lynch's "Mulholland Drive," which it resembles in more ways than one, Femme Fatale makes a rich bouillabaisse out of De Palma's trademark themes and obsessions, stacking references to the heavens and operating with an internal logic that may take several viewings to fully unpack.
  19. Gives the impression of spontaneity while being meticulously planned. Most importantly, Steers and Culkin know that the best way to evoke sympathy is never to beg for it; by the end, their achievement seems hard-won.
  20. Effective as a drama as it spirals Golbahari deeper into her nightmarish world, Osama is similarly powerful as a fictionalized account of the Taliban's obscene wish for a world where the stringent enforcement of religious laws took the place of instinctual human kindness.
  21. It should be a personal triumph or a personal tragedy, but it's neither: just another moment between curtain-rise and curtain-fall in the glorious business of creating beauty.
  22. The film's heart and soul belong to O'Hara and to Levy, whose folk-music burnout has the shell-shocked expression of someone who's been to hell and never quite made it back.
  23. Fontaine gives her film the tone of a psychological thriller, with the potential of violence always lurking beneath the surface.
    • 62 Metascore
    • 80 Critic Score
    One of the best by-the-numbers thrillers you'll see this year, thanks to a hot-shot cast.
  24. Directed with depth, efficiency, and wit by Bryan Singer, the film suffered only from a tendency to seem like a setup for an even bigger movie...Fortunately, bigger usually equals better here, and when it doesn't, it equals just as good.
  25. The most consistently funny studio sequel in some time, and the rare blockbuster that actually delivers on what it promises.
  26. Why it works is anyone's guess. It's fair to argue--and the film makes this argument itself, with no great subtlety--that Godzilla embodies Japan's nuclear anxieties in the aftermath of Hiroshima and Nagasaki.

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