The A.V. Club's Scores

For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10414 movie reviews
  1. Stalag 17's irreverence likely didn't revolutionize moviemaking for adults so much as it paved the way for the likes of M*A*S*H and Animal House. Then again, that alone is an achievement worth celebrating.
  2. Roeg’s film contrasts Western corruption with native goodness, but it’s naïve by design, and ultimately concerned more with the way all innocence passes than with the politics and particulars of any single part of the world.
  3. Marriage Story, unlike so many other breakup movies, offers venom in drips and drops instead of drowning us in it, because it knows that no matter how far apart Charlie and Nicole drift, the feelings that first brought them together are still there, informing their flawed attempts to move on without destroying each other.
  4. Every element in the film, from the dense thicket of forest branches to master cinematographer Kazuo Miyagawa's deceptive framing and lighting design, is precisely calibrated to make the facts more difficult to discern.
  5. With quiet, seething intensity, Kinski turns Dracula into a simultaneously sinister and sympathetic creature—one whose viciousness curdles the blood, even as his fanged ferocity comes across as merely a wounded-animal reaction to his eternal loneliness.
  6. There’s something uniquely intense about hearing an entire audience remain utterly still during a movie’s transporting final minutes, afraid to cough or squeak their seat’s rusty springs or even breathe too loud, for fear of breaking the spell. Memoria inspires that kind of rapture. Experience its full dynamic range.
  7. Hitchcock would make richer films in Hollywood, but The 39 Steps came off the line as the Model T of cinematic plot machines.
  8. Encounter remains the definition of timeless, a beautifully shot, heartbreakingly acted, minutely detailed illustration of thoroughly recognizable human frailty.
  9. Spike Lee's documentary When The Levees Broke runs four hours, but Lee arguably says what he needs to say in the brilliant opening montage, which cuts together footage of New Orleans in the 20th century, including Mardi Gras parades, segregation marches, and flood after flood.
  10. Rio Bravo features characters who form a familial bond while performing an impossible task in the face of death. It is, in other words, a Howard Hawks movie. It's a great one, too, and if it's not Hawks' best, it's certainly the most Hawksian.
    • 88 Metascore
    • 100 Critic Score
    A masterful weepie adapted from a James M. Cain novel.
  11. It's arguably Malle's masterpiece, marked by a shooting style with little wasted motion or complication, emphasizing tiny, memorable details.
  12. A loving tribute to chicanery, deception, misdirection, scoundrels, sleight of hand, con artistry, dishonesty, and flimflammery in all its myriad guises. It is, in other words, a valentine to filmmaking in general, and its larger-than-life creator in particular.
  13. Don't Look Back is a spellbinding portrayal of a gifted artist at the peak of his creative brilliance.
  14. The best and most touchingly personal of all Shakespeare adaptations, Chimes At Midnight is pervaded by melancholy and loneliness, even though its characters are almost seen never alone.
  15. Battleship Potemkin remains remarkable for the way it builds over a brisk 69 minutes, setting the pace for nearly every action movie made since.
  16. It remains a rapturous, near-indescribable work of cinematic art, spun from a simple story about nuns who travel to the Himalayas to start a school and a hospital, only to have mountain winds and native mysticism weaken their confidence and their faith.
  17. Some movies wound us so profoundly that once darkness has consumed their final frame we are incapable of shaking off the heartache. That’s the power of Identifying Features, which is as painfully intimate as it is unsparing in its indictment of a country ravaged by a corrosive, entrenched evil.
  18. Babylon mostly operates in a structure of set pieces, thoroughly earning its not-a-minute-too-long runtime—a whopping 189 minutes—and it’s packed to the gills with stunning craftsmanship.
  19. It's typical Hitchcock: taut, morbid, stylish, and determined to confound expectations all the way up to the final shot.
    • 85 Metascore
    • 100 Critic Score
    The stories these five people tell are disturbing, powerful, and brave, and the footage discovered by the filmmakers absolutely shocking.
  20. Killers Of The Flower Moon is as momentous as the country it’s set in and as full of history as the people whose murder it depicts.
  21. Pig
    Like the animal itself, Pig is considerably smarter and more ardent than it appears at first glance, and unearths treasures that are barely evident on the surface level. We’d have settled for much less, but what a rare treat to be offered a great deal more.
  22. We all need a little reassurance once in a while to stay true to ourselves, and Turning Red is speaking directly to generations of Asian women in the diaspora when they need to hear this the most.
  23. Ultimately, Marcel’s clever creators reward our willingness to believe he and his world are real, while offering an opportunity to look at our own world from a different perspective.
  24. The Wrong Man, an overlooked masterpiece from his greatest decade, eschews suspense for the straight-up nightmare of an innocent man dragged through the justice system.
  25. Shot partly on location in Ireland and designed in the lushest greens ever squeezed out of Technicolor, The Quiet Man is a movie that isn’t about a whole lot, but yet seems to contain so much—from Wayne’s easygoing charisma to the notoriously protracted climactic fight to the febrile, film-noir-like flashback to Sean’s boxing days.
  26. Told with the stark simplicity of a fairy tale, Sansho The Bailiff demonstrates how compassion can overcome the forces of hatred and oppression, and shows how trying it is to remain decent and humane in an inhospitable world.
    • 81 Metascore
    • 100 Critic Score
    Living is not a big movie, despite the pedigree of its creators. But it is an artistically masterful one—a film that, while deceptively simple, may linger in your mind for years to come.
  27. Flux Gourmet is very much a “not for everyone” type of movie, but even people unwilling or unable to connect with it must recognize that it isn’t simply weird for weirdnesses sake. Beyond the obvious theme of the artist’s eternal struggle with those who offer patronage only to start shortening the leash, there’s a frank look at just how strange it is for people to come together to make art in the first place.

Top Trailers