The A.V. Club's Scores

For 10,413 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10413 movie reviews
  1. What makes Towers so staggering is the way it brings the full scope of Jackson's adaptation into focus. Without missing a beat in three hours, the film shifts from epic to lyrical and back.
  2. What Coppola achieved is a psychodrama about the dangers of being locked in your own private world, of slipping on noise-canceling headphones of any variety. Listening and hearing are not the same thing. Confusing one for the other can have dire consequences.
  3. Many of the movies made in the wake of Easy Rider were more accomplished, more sophisticated, and more aesthetically mature. But Easy Rider itself still feels vital, because it was made by people who’d spent years learning what couldn’t be done, before deciding to do it anyway.
  4. For his first produced screenplay, Black took the best clichés from his favorite movies and honed them until they cut. Lethal Weapon’s heroes were edgier. And thanks in large part to the all-in commitment of director Richard Donner and producer Joel Silver, its chases and shoot-outs were more destructive. This one modestly budgeted genre exercise pumped hot blood back into a stiffening body.
  5. Corey Haim plus Corey Feldman plus Joel Schumacher doesn't seem like a foolproof formula for a good movie, but when the three oft-maligned figures united for 1987's horror-comedy The Lost Boys, the result was briskly entertaining.
  6. The affection audiences feel for A Christmas Story is related to the holiday spirit, yes, but specifically to Clark and Shepherd's awareness of how the true meaning of Christmas manifests in the real world, where a warm meal on a cold, dark day—and a surprising moment of parental grace—can ease a troubled mind.
  7. A chilly and extraordinarily controlled treatise on film violence, Funny Games punishes the audience for its casual bloodlust by giving it all the sickening torture and mayhem it could possibly desire. Neat trick, that.
  8. The movie seems like a perfect found object, as if it had always existed and was just waiting to be uncovered.
  9. The film evolves into a simple, intimate, acutely emotional portrait of a family reaching a painful crossroads.
  10. There are many layers to the man and the movie, and it’s hard not to leave the theater shaken.
  11. Granik has no taste for noir archness, opting for a chilly, shot-on-decaying-locations naturalism that feels as lived-in as Lawrence's performance.
  12. The film never lets banter, visual gags, or the usual manic kid-flick running about interfere with its more delicately handled thoughts on loyalty, longing, broken relationships, and generational continuity. It honestly earns its emotion, moment by painstakingly executed moment.
  13. It's an exhilaratingly unpredictable experience, and not an easy one to shake.
  14. It's an emotionally claustrophobic drama, played with frayed nerves and raw emotions, and it serves as an unrelenting glimpse into relationship hell. It could easily have devolved into sweaty, pretentious melodrama or ersatz John Cassavetes if Cianfrance and his actors didn't maintain perfect control over the material.
  15. Above all, Hara's smile and Ryu's sigh are a touching show of good faith and the genuine pleasure they take in each other's company–which, of course, makes their response to life's disappointments all the more poignant.
  16. In terms of scale, The Tree Of Life recalls the mammoth ambition of Stanley Kubrick's "2001: A Space Odyssey," but it's also more intimate and personal than Malick's previous films, rooted in vivid memories of growing up in '50s Texas.
  17. The film is little more than an exercise in style, but it's dazzling and mythic, a testament to the fundamental appeal of fast cars, dangerous men, and tension that squeezes like a hand to the throat.
  18. To create his disarmingly earnest film, Spielberg draws from the past. Its tone is humanistic and its technique classic.
  19. Though it's dominated by two people walking and talking, after a point it's as difficult to parse what's real and what's constructed in Certified Copy as it is in the home stretch of "Inception" (although "Before Sunset" and Roberto Rossellini's "Journey To Italy" provide closer models).
  20. There's a suffocating air to The Deep Blue Sea that makes it harder to access than other period romances of its kind, but Davies aligns himself wholly with Hester.
  21. Meticulous and immersive, Meek's Cutoff feels like history in three dimensions.
  22. A moving, gently reassuring tale that softens the boundaries between humanity and nature, life and the afterlife.
  23. Moonrise Kingdom is Anderson's most completely satisfying film since the one-two of "Rushmore" and "The Royal Tenenbaums," in part because it's the perfect distillation of both.
  24. It's a wildly exciting ride, the fastest-moving, most enthusiastically kinetic kids' action film since "The Incredibles."
  25. Poignant and powerful, complex and melancholy, the film ends with rehearsals for yet another money-grubbing comeback tour.
  26. Beyond the impeccable performances and direction, it's foremost an exceptional piece of screenwriting, so finely wrought that the drama seems guided by an invisible hand.
    • 81 Metascore
    • 100 Critic Score
    Bittersweet, achingly authentic, and so intimate it almost feels invasive.
  27. Zero Dark Thirty stands to become the dominant narrative about this important historical event, no matter its distortions, composites, or other slippery feints of storytelling. In that, it wields a dangerous power.
  28. Deriving endless anxiety from brawny men moving as gingerly as possible, it’s a riveting anti-action movie, one of the most memorable high-concept pictures ever made in Europe.
  29. The Turin Horse has a burnished beauty that's awe-inspiring, like a clear window into a faraway world as it dangles, and then falls, off the precipice.

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