The A.V. Club's Scores

For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10414 movie reviews
  1. Can't help but be deeply engrossing, as it taps into a highly charged atmosphere that one parent dubs "a different form of child abuse."
  2. As a curious hodgepodge of ideas, White God gets by. But the releasing-of-the-hounds at the start is a bad omen. The film, like the dogs, mostly goes downhill.
  3. Much of what makes Freaks so unsettling comes from its refusal to treat its stars as, well, freaks.
  4. Though there's a formula at the film's core, Whale Rider still has the good taste to make that formula go down easy.
    • 80 Metascore
    • 91 Critic Score
    While it's far from easy going, The Mill And The Cross is worth attempting for its stunning visuals alone.
  5. Just about every scene in Lean On Pete, the sensitive, unvarnished, at times powerfully sad new drama from writer-director Andrew Haigh (Weekend, 45 Years), reveals something small but important about the hardscrabble lives it chronicles.
  6. Has its share of look-at-these-cute-old-commies laughs… But Gabbert mostly avoids making her subjects into hobbling punch lines, or even turning them into one-dimensional heroes.
  7. Serves as a thoroughly engaging divertissement. That it comes across as more than a little half-assed is part of its unruly charm.
  8. In its strongest, most evocative scenes, Bergman Island feels like peering in someone else’s window, sensing an echo of your own experiences, and marveling at all the ways a stranger could remind you of yourself.
  9. Benson and Moorhead have made a horror film for jaded aficionados, deconstructing and reconstructing tired elements into a gnarled, distinctive Frankenstein's monster. This monster might ransack a village, but it would have to think about it first.
  10. The world-building in Barbie is exceptional.
  11. Few directors are capable of marrying ideas and entertainment—one is often sacrificed for the other—but Spielberg peppers one gripping action setpiece after another with trenchant details about a near-future robbed of the most basic freedoms and privacy.
  12. Unlike Sean Baker, who grounded his "Florida Project" in a firm but never condescending viewpoint on the milieu, Zagar seems to lack a coherent directorial perspective on Torres’ story; he mistakes vérité-style handheld and frequent close-ups (mostly captured with wide-angle lenses) for genuine intimacy and engagement.
  13. As a show-business fairytale, Wild Rose is pretty standard. But as a character study, it’s something special. That’s due largely to Buckley’s star-making performance as Rose-Lynn.
  14. Though it never regains the inspiration or comic density of its brilliant first 20 minutes, The Simpsons Movie keeps the laughs coming from start to finish, a feat as rare and wonderful in film as it has been through 18 years of television.
  15. It's a film hopelessly in thrall to the thrill of big-wave surfing, and for all its rambling shapelessness, it conveys that excitement in an infectious, conspiratorial manner.
  16. The honesty behind Garcia's queasiest moments gives the film its pull.
  17. As with the movie as a whole, the message those scenes deliver is a heady mix of uplifting and devastating.
  18. The effect of Room 237 is intense. It’s a deep dive into the rabbit hole of semiotics, designed to train viewers to become alert to what they’re really seeing.
  19. What Hogg accomplishes here—an acutely emotional parable—is something to truly cherish. The Eternal Daughter, sincere yet artful, is quite surprisingly the most relatable movie of the season.
  20. The Beast is a monster of a movie, one that will sink its claws into you, then ask you to contemplate the wounds it leaves. It’s not an easy watch, but it is a deeply rewarding one that you’ll be thinking about for days.
  21. This might be pleasant to watch, in a floaty '70s-movie kind of way, if not for the film's groaning 168-minute length and abrupt thudder of an ending.
  22. There’s something tidy and even schematic about the story of redemption and forgiveness A Beautiful Day In The Neighborhood ultimately tells.
  23. It doesn’t offer perfect solutions, only a brand of humor and astute wisdom one might from someone who has lived the life.
  24. The movie took a long time to get distribution, but there's no expiration date on filmmaking this strong.
  25. It’s a remarkable gift to fans and cinephiles that Lucky serves as a first-rate showcase for its star as well as an ideal swan song. The man couldn’t have gone out any better.
  26. The film is a true torchbearer of the French New Wave—playful, restless, full of invention, and born of an overwhelming discontent for the status quo.
  27. Tonally, The Band's Visit steps gingerly on the line between “sweetly humane” and “cloyingly quirky.”
  28. That Radwanski so expertly navigates the fraught subject of mental illness, avoiding most pitfalls, makes it at once harder to understand and easier to forgive the lack of subtlety in Anne At 13,000 Feet’s titular controlling metaphor.
  29. Apart from its laudable goal of raising awareness, the film doesn’t have much to offer.

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