The A.V. Club's Scores

For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10414 movie reviews
  1. Only those attracted to "Waterworld" or "Last Action Hero" level big-budget disasters need bother with this one.
  2. Bravely or stupidly, both A Little Bit Of Heaven and its heroine charge on as if the introduction of terminal cancer didn't change things that much.
  3. Does this even count as a movie?
  4. More than anything, From Justin To Kelly needs Simon Cowell, the fork-tongued Idol judge who gives the show its only sliver of tension.
  5. Scene for scene, line for line, gag for gag, it’s basically the same movie. And the original was no masterpiece to begin with.
    • 13 Metascore
    • 25 Critic Score
    The "romantic" half of Love, Wedding, Marriage's romantic comedy doesn't work, but that isn't nearly as problematic as the film's profound unfunniness.
  6. A generic time-waster powered by a lazy, cynical combination of scatological kiddie humor and maudlin sentiment.
  7. Nearly everything about Fascination feels overdone. At its delirious worst, it's as pungent a Parisian cheese shop, offering a cornucopia of laughable scenes.
  8. If anything, Paul Blart: Mall Cop 2 ups that sadness quotient, spending much of its opening proving that just because these movies are stupider than "Observe And Report" doesn’t mean they have to be less cripplingly depressing.
  9. A lurid, unsavory mix of Reefer Madness hysteria, drive-in sleaze, and the queasy morality of '80s slasher film.
  10. No matter how much care and thought went into it it's still disgusting and pointless.
  11. It's almost fascinating to witness just how lousy The Avengers really is.
    • 12 Metascore
    • 42 Critic Score
    Strange Wilderness has three bad comic ideas for every good joke, and it botches many of those, too, thanks to slack comic timing and a nonexistent grasp of storytelling basics. But just when the flop-sweat stench is about to become unbearable, Strange Wilderness stumbles upon an uproarious, laugh-out moment, and suddenly it's tolerable again for another few minutes.
  12. This Left Behind may be worse than the last Left Behind, but it’s much less boring, thanks in part to the commitment of its star, who plays the often ludicrous material with the straightest of faces. The Cage works in mysterious ways.
  13. There was probably never going to be a version of this film that would prove even remotely plausible as a movie someone felt passionately about making for artistic reasons; as far as expanding on smartphone-related IP, this is an even weaker starting point than Sony Animation’s recent The Angry Birds Movie.
  14. Schwartzman steals Slackers without much effort, but it's not worth the theft.
  15. A headache-inducing mess without direction or purpose.
  16. A film about as funny as a seeping wound.
  17. Devotes its first two acts to establishing the comic monstrousness of all its characters.
  18. It's kind of amazing that a joke-a-second comedy like Date Movie doesn't contain a single laugh.
  19. An unintended gift to midnight-movie programmers and students of the bizarre, Roberto Benigni's Pinocchio could have become a "Howard The Duck" -- or "Battlefield Earth"-like synonym for cinematic miscalculation, were its title not already so familiar.
  20. Scary Movie 5 aspires to timeliness, but its comic sensibility is so groaningly retro that the film features a series of tributes to The Benny Hill Show and its signature ditty, “Yakety Sax.”
  21. Boasting no less than five credited screenwriters, the film is like an exquisite-corpse exercise in kiddie-movie plotting.
  22. Some Kind Of Beautiful has a fine cast, but they’re stuck doing shtick.
  23. There’s not a single scene that speaks to characters with lives outside their streamlined narrative function; they’re performers in a parable traced over a Chick tract, filmed with a bland competence at odds with the true perversity of the material. Old-school Pure Flix: Welcome back!
  24. A baffling passion project whose cruelly protracted runtime is eclipsed only by the monumentally tedious way it fills it.
  25. Its blasé attitude to the basics of movie action turn the video-game-esque quest plot into an exercise in tedium.
  26. Apparently no one told Ricci she was acting in a comedy, not a touching drama about a young woman overcoming a formative trauma to achieve her dreams.
  27. The most perversely unnecessary sequel in recent memory.
  28. There's an opportunity here for screenwriter Marek Posival and director Robert Lieberman to play up the squeamishness of upper-middle-class torturers who don't fit the profile, but they're too busy tending to horror-thriller clichés.

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