The A.V. Club's Scores

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For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,571 out of 10414
  2. Mixed: 3,736 out of 10414
  3. Negative: 1,107 out of 10414
10414 movie reviews
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  1. Stone Reader
    There's a terrific short film somewhere inside Mark Moskowitz's feature-length documentary Stone Reader. Unfortunately, it's buried within a flabby 128-minute slog that feels like a rough draft nobody had the heart to edit down.
  2. Zus & zo
    Fast-paced, and entertaining in a soapy way, but plot demands require almost all of the dialogue to be flatly descriptive.
  3. Deliver Us from Eva
    Hardwick switches gears from wacky comedy to romantic drama about halfway through Deliver Us, but it's too late, and what follows is far too dull to make any difference.
  4. Kedma
    Kedma makes for a clumsy, lugubrious history lesson.
  5. How to Lose a Guy in 10 Days
    As her character resorts to increasingly cruel and devious pranks, Hudson only seems funnier and more endearing.
  6. Shanghai Knights
    Coasts heavily on Chan and Wilson's charm, which would be a big problem if those prodigiously gifted stars weren't taking on roles that fit like two pairs of comfortable slippers.
  7. May
    May represents something rare and unfashionable-–a smart, twisted little slasher comedy that doesn't skimp on the gore.
  8. Biker Boyz
    Could and should have been a giddy, tongue-in-cheek action-comedy romp. Instead, it's a meandering action-drama, in which nearly all of the abundant laughs are unintentional.
  9. Lost in La Mancha
    At once bitterly funny and devastating, Lost In La Mancha sides with Gilliam in form and spirit, piecing together the train wreck with snaky humor and interludes that cleverly mimic his Monty Python collage animations.
  10. The Guru
    It's refreshing to see an American movie with an Indian protagonist not played by a white actor in makeup, but it would be a lot more refreshing if that actor (Jimi Mistry) were given a character to play, not just a comic conceit and near-toxic levels of enthusiasm.
  11. Final Destination 2
    While “Final Destination” was gimmicky enough, its sequel begins with the same flawed premise, then piles on layers of contrivances until it reaches a level of implausibility rarely seen outside of films pitting giant radioactive monsters against each other.
  12. The Recruit
    Donaldson and his battery of screenwriters aim for nothing more than a coolly efficient thrill machine, but the mechanics break down in the end, foiled by a "whodunit" twist that's telegraphed early in the first reel. Careening forward without any real purpose, the film simply flies off the rails.
  13. Darkness Falls
    Powered by dim bulbs on both sides of the camera, Darkness Falls barrels ahead with unrelenting stupidity, forsaking many of its own rules in search of the next cheap shock.
  14. Blind Spot. Hitler's Secretary
    Riveting testimonial.
  15. Amen.
    Amen should be a powderkeg of a movie, yet the urgency and force that defined Costa-Gavras' earlier work has been drained away, along with his invigorating newsreel craft.
  16. In the Mirror of Maya Deren
    Kudlácek rounds up a who's-who of experimental filmmakers, Haitian artists, dance choreographers, archivists, and programmers, all of whom reflect intelligently (though dryly) on Deren's importance in underground cinema.
  17. En kærlighedshistorie
    Until its pat, implausible conclusion, the film has the edgy nerve of a classic amour fou, charting a complex relationship with the sort of bumpy, unpredictable spirit that would do Cassavetes proud.
  18. Divine Intervention
    What Suleiman is trying to say becomes less important than the increasing boldness with which he says it. In the end, Divine Intervention has too many visionary setpieces, and not enough insight.
  19. P.S. Your Cat Is Dead!
    Guttenberg adapts James Kirkwood Jr.'s humanist black comedy -- and drains all the recognizable humanity out of it, turning it into a morose, unlikable reflection of its sad-sack lead character.
  20. A Guy Thing
    Perhaps Lee took a look at the script -- saw all the jokes about diarrhea, pubic lice, drunk old ladies, and drugged gravy, and thought, "Why bother?" Looking at the final results, it's hard to feel any other way.
  21. National Security
    Lawrence clamors for the spotlight. If he ever found a way to make desperation look like charisma, he'd be the funniest man in America.
  22. Kangaroo Jack
    Straight from the fiery, churning bowels of high-concept hell comes Kangaroo Jack, Bruckheimer's idea of kid-friendly fare, and some of the longest 90 minutes ever committed to film.
  23. City of God
    The film finds a surprising amount of tenderness and humor beneath the brutality. The laughs may catch in the throat, but that's only a byproduct of City Of God's power to leave viewers breathless.
  24. Crimson Gold
    Provides one of the rare glimpses of the upper class to come out of recent Iranian cinema--the last one in memory was 1996's exquisite, Ibsen-esque melodrama "Leila"--and director Jafar Panahi (The Circle) captures it vividly through his hero's wounded obsession.
  25. WXIII: Patlabor the Movie 3
    Where the too-rarefied style and the too-simple substance meet, a compromise is reached, and something uniquely haunting is formed.
  26. The Son
    The Dardennes sustain that tension through a masterful closing drive that resembles the final third of "In The Bedroom," only without the same dreadful inevitability.
  27. Just Married
    Director Shawn Levy brings a yeoman-like joylessness to the project, spoiling whatever fun might have been had. Kutcher and Murphy seem game enough, and it's a testament to their charisma that they're the hardest element of the film to hate.
  28. The Slaughter Rule
    Though some of Slaughter Rule's conclusions are overly tidy, the film's powerful meditation on masculinity gets much of its credibility and punch from the two leads, especially Morse, a reliable character actor who sinks his teeth into a role with heavy physical and psychological demands.
  29. Love Liza
    Love Liza needs more than mood on its side. A moment of recognizable human behavior would have been a fine place to start.
  30. Max
    Quirky, unsatisfying portrait.
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