The A.V. Club's Scores

For 10,425 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10425 movie reviews
  1. The film does coast along smoothly to the inevitable, which is a credit to the always-game Reese Witherspoon, who's courteous enough to pretend she doesn't know what's coming, then make it look like a huge surprise.
  2. Currently stopping by theaters briefly en route to DVD, the film tries to position Jameson as the next Linnea Quigley, the B-movie queen behind such enduring titles as "Hollywood Chainsaw Hookers" and "Sorority Babes In The Slimeball Bowl-O-Rama."
  3. With his English-language debut, Blood Ties, Canet takes on material of even less interest to today’s big studios, constructing something much more ambitious than a straight thriller — a sprawling familial crime drama, heavier on relationships than chases or shoot-outs.
  4. What's missing from this movie is any of that sense of what made Chapman so important, or why he was so often at the center of Monty Python's best skits and movies, up until his death from cancer at 48.
  5. Moment for moment, Upside Down is the most embarrassing, hilarious, obliviously stupid movie since M. Night Shyamalan’s "The Happening," and its constant pursuit of a striking image over any other consideration undermines it at every turn.
  6. None of it is particularly novel or exciting.
  7. Feels tentative and weak whenever it isn't simply baldly derivative. It's old-fashioned to the point of ossification.
  8. Wonder Park has the unmistakable air of a promising movie no one has taken full responsibility for polishing into a good one.
  9. Detention is ballsy, audacious, and uncompromising, but the overall effect of Kahn's Hellzapoppin-meets-Twitter aesthetic is exhausting rather than energizing. It's an ice-cream headache of a movie-movie that's so relentlessly "fun," it's borderline obnoxious.
  10. The advanced 3-D technology of today meets the mothballed clichés of yesteryear in Step Up 3D.
  11. After roughly 90 minutes of unbelievable behavior and botched suspense, the twist ending is too audaciously ridiculous to entirely resist. You’ll scream, but not in fear.
  12. Though the film never balances the grown-up stuff with the gross-out gags, it suggests the Farrellys might be able to do mature after all.
  13. The racing sequences are the series' meat and potatoes, but in terms of story, Tokyo Drift barely offers a stalk of asparagus.
  14. What's the excuse for dumbing down Snow White to moron level? Are there really people out there who thought the original version just didn't have enough toilet jokes?
  15. Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World is an excellent movie about a beloved figure who indeed seems ageless and whose story includes the kind of comebacks usually reserved for fiction.
  16. In an era of predictably tweaked horror premises and haunted-house flicks with 10-dollar titles, a doggedly straightforward monster movie like Blood Glacier can feel refreshing, if not exactly fresh.
  17. Though he labors endlessly to account for her behavior, which is explained away by flashbacks to her decadent parents and a glamorous mother-figure played under Vaseline lens by an uncredited Sandra Bullock, Bacon fails to make her seem human.
  18. It’s the rare movie that knows its limitations, but also understands how to use form to best convey its strengths, pulling together countless complicated dance scenes in which the relationships between teams and characters come through more clearly than they could through dialogue.
  19. Emmanuel makes for an empathetic audience stand-in and charming heroine; it’s easy to see how she’s pivoted from thankless Game Of Thrones and Fast And Furious roles to leading lady status. If The Invitation proves nothing else, it’s that she belongs at the top of the call sheet.
  20. Only a truly great director can make a film of high artistic merit, filled with personality and memorable scenes, that's still a borderline disaster. (Think One From The Heart or 1941.) So the heartfelt and woefully miscalculated Elizabethtown may be the film that marks Cameron Crowe's arrival as a truly great director.
  21. Bounce Ko Gals ultimately devolves into a litany of social ills, with not enough of a proper story, and Harada loses the thread of the film whenever he slips into slapstick comedy, or has his female leads play the role of giggly best friends.
  22. Veering wildly from macabre Southern Gothic to quirky small-town romance, Home Fries is too busy cross-pollinating genres to bother with consistent behavior and tone.
  23. In Jewison's hands, this cat-and-mouse game plays like third-rate John Le Carré, treading lethargically over high-minded intrigue that mixes fact, fiction, and unlikely speculation in dubious relation to the historical record.
  24. Though the whole of Freak Weather is too forced and fitful, significant stretches of the movie hold together. McKenzie gives a magnetic performance.
  25. It's a rare moment when the STORY makes the point, not the speeches.
  26. The filmmakers figure out how to make a creepy kid chilling again, then stop short, closing the case too early. In other words, they’ve got an underachiever on their hands.
  27. Craigslist Joe takes Garner on a 21st-century hitchhiking trip that not only didn't end in his gruesome murder, but in a month to remember fondly. It's an inspiring experience. For him.
  28. A failed experiment in stunt casting.
  29. The movie feels bloodless, and not just because the gore is muted and computerized to stay within the boundaries of a PG-13 rating.
  30. Relentlessly plods from one dour moment to the next, coming to life only in a late-film car chase that takes the possibilities of a world filled with robots to an absurd extreme.

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