The A.V. Club's Scores

For 10,442 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10442 movie reviews
  1. It comes across, instead, as a directorial flight of fancy, an imaginatively goofy take on an already goofy idea, exaggerated by Besson’s blunt style and an uncommonly fast pace.
  2. Sometimes actors get parts so rich that they almost can't help but make meals of them. Playing a frosty, high-powered editor in The Devil Wears Prada, Meryl Streep turns the role into a four-course dinner and shows up with her own dessert...But it's hard to care about what's going on whenever she's offscreen.
  3. The film plays like a strenuous tug of war between the inhuman machinery of a wildly misguided plot and the low-key humanism of Melanie Lynskey's warm yet unsentimental performance.
  4. The film introduces interesting themes as though they’ll build to something, only to let them spill out like so much viscera from an especially nasty wound.
  5. Yet as personal, well-performed, and sometimes lyrical as this material is, Dalio also has a peculiar way of making it all play like a public service announcement—like a feature commissioned for a mental-wellness convention.
  6. The final effect is less haunting than was probably intended, but Butterfly Kiss is worth a look.
  7. He's (Corbijn) a patient, fastidious filmmaker with a great eye-ideal for his subject here-but his austerity doesn't entirely erase the suspicion that he doesn't have much on his mind. His film is a triumph, but it may be a triumph of style over substance.
    • 61 Metascore
    • 58 Critic Score
    Courageous performances from the leads, who have to bear a lot, both emotionally and physically, still can't transform their characters into more than just symbols for contemporary urban loneliness.
  8. Though carried by a subtle and strenuous performance from Greer, Eric LaRue‘s intentionally unanswered questions do less to provoke than render the film a collage of well-meaning, half-finished sentiments.
  9. Redford and Streisand are the whole show, so scenes with various supporting characters drag. But Pollack’s film still manages to function as a glossy rebuke to the Hollywood standard of the unlikely romance.
  10. Delpy's work lacks Allen's wry humor and eye-rolling, philosophical acceptance of those characters and their quirks. Her stable of sniping couples and relatives are openly hateful in ways that defy comedy.
  11. The documentary Harmontown falls over itself to balance his dark and light sides, with talking heads testifying both to his rare comedic voice and his impossible-to-deal-with irascibility.
  12. Hoffman (Soapdish, One Fine Day) leads a first-rate cast in an intelligent, fully realized adaptation of Shakespeare's most popular comedy that's at once highly cinematic and true to its source.
  13. Stop-Loss is a human story first and foremost, and Peirce and her stellar young cast ensure that the message never gets in the way of the storytelling.
  14. The trolls are the best part of Troll Hunter; they're funny and creepy.
    • 61 Metascore
    • 58 Critic Score
    Rather than trying to train something new, How To Train Your Dragon is riding an already proven beast; even its “first flight” has been done before. It can’t reach those old heights, let alone any new ones. And it doesn’t try to, nor does its audience really want it to. For live-action remakes, cruising altitude is the highest they can hope for.
  15. De Niro made the right choice in making this a film of cold, gray Leiters rather than dynamic Bonds. But he never makes us feel the chill.
  16. Though star-packed to the point of absurdity--juror Luis Guzmán has little to do but nod his head every once in a while--The Runaway Jury doesn't know what to do with its players.
  17. Until filmmakers get a little distance, maybe they'd be better off ignoring such projects.
  18. Valhalla Rising has the misfortune of starting with its best chapter and steadily growing more ponderous from there, dragged down by a religious theme that's as thin as the filmmaking is relentlessly spare. Yet it's a beautiful head trip, too.
  19. Kwapis fills small roles with great character actors like Stephen Root, Andrew Daly, Kathy Baker, Tim Blake Nelson, John Michael Higgins, Rob Riggle, and James LeGros, all skilled at making a lot out of a little.
  20. Kopple and her team have combed through the hours and hours of those dispatches that Gigi has sent into the world, and from them they’ve pieced together a story very much worth telling.
  21. Belvaux has made a gutsy, discomfiting movie about going along to get along, and just how dangerous that impulse can ultimately be.
  22. For those looking to delve into more philosophical horror, We Bury The Dead is a thoughtful trek into the unknown.
  23. For all its virtuosic showboating, the film belongs as much to its screenwriter, Damien Chazelle, as it does to its director, Eugenio Mira.
  24. Carnahan’s formal proficiency makes for a more sharpened and accomplished piece of work than many modern counterparts attempting to draw from the same well of cheap-o homage. That sense of precision doesn’t detract from the down-and-dirty fun, either; everyone on screen appears to be having the time of their lives gnawing on the rare slab of beef they’ve been thrown.
  25. In general, Mister & Pete succeeds with this sort of narrative small stuff, establishing the housing project’s internal mythology as well as the tricky dynamics of its underworld.
  26. Kids won't mind a bit, but adults accustomed to "Shrek" and Pixar will have no trouble spotting what's missing.
  27. In an age when most cartoon companies have traded pens for pixels, the magicians at Laika continue to create fantastically elaborate universes out of pure elbow grease.
  28. Dever is as excellent as ever as the acerbic, quick-witted, jilted ex. She coaxes the hilariousness and heartbreak out of each scene with ease and authenticity.

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