The A.V. Club's Scores

For 10,440 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10440 movie reviews
  1. There's something appealing about an unapologetic love story set in an office that's only a few clicks off from looking like a fetish dungeon, and Spader and Gyllenhaal make sure that the romance, kinks and all, carries the day.
  2. A pleasant piece of commercial filmmaking, but as a satirical comedy, it's devoid of laughs and insight.
  3. The Komediant's most deeply moving aspect lies in its misty memories of the glory years of the Yiddish theater, when an ethnic group rallied against its attempted decimation by forming allegiances and openly celebrating its culture.
  4. Another actor might not have been able to carry the film, given such a creepily monomaniacal character, but Hoffman lets the humanity soak through, registering split seconds of panic when he's on the verge of getting caught, then just as quickly creating and working a new plan.
  5. Higuchinsky turns the screen into another giant vortex, drawing the characters and the audience deeper into a dark, captivating spell.
  6. Under his (McElwee's) watch, the possibilities of a documentary seem to expand by the minute, incorporating not only journalistic truths, but also personal insights and philosophy, unique regional textures, and unexposed pockets of humanity.
  7. There are strong ideas at play in Noé's undeniably audacious and technically stunning second feature, which goes as far as any film can in revealing the breakdown of order and the deterioration of the rational mind.
  8. A refreshingly old-fashioned splatter movie.
  9. The Acid House comes across as a shadow of "Trainspotting," albeit a vibrant, noisy, frantic shadow.
  10. The film might have been more powerful, not to mention fair, if the nuns believed they were doing right; only on movie night, when McEwan sees herself in Ingrid Bergman in "The Bells Of St. Mary's," does Mullan grant her so much as the delusion of rectitude.
  11. Adapting a novel by Eric-Emmanuel Schmitt, François Dupeyron uses handheld cameras and some jarring edits, but, prostitutes and all, this is storybook material: heartfelt, pleasant, cuddly, and a little too insubstantial to stick in the mind for long.
  12. For most of the way, the film is perceptive about the hot-and-cold volatility of wounded relationships, when couples are struggling to communicate yet familiar enough to exploit each other's weaknesses.
  13. Roth's novel was at heart a howl of rage against a corrupt, hypocritical, judgmental world, but Benton's austere adaptation--stunningly shot by the late Jean-Yves Escoffier--speaks largely in muted tones.
  14. Jordan invests attention in even the most throwaway moments and marginal characters, and his care makes the film a sustained, low-key pleasure.
  15. The Mask Of Zorro is disarming for the same reasons, coasting on the charisma of its stars and a few exciting action setpieces.
  16. The Yes Men's brilliant lies unlock explosive satirical truths, but the film runs out of steam a bit toward the end.
  17. In fact, the best an artist like Bowery can hope for is that he'll provide fodder for a documentary this solid.
  18. Unlike in similar past efforts, Sayles never finds a way to bring it all together. Individual moments of considerable impact alternate with stretches that go nowhere.
  19. Julie Bertucelli spends part of the film letting her characters worry whether they've made the right choice, but mostly contents herself with capturing a place where hard choices have become unavoidable. Though her decision to pace the film to Gorintin's old-lady rhythms sometimes kills the dramatic momentum, in the end it's time well spent.
  20. The film is also valuable for raising awareness about Leth, whose work hasn't been as widely recognized as that of his European contemporaries, but who now makes an impressive case for his skills, five times over.
  21. The Coens engineer a funny, entertaining battle of the sexes here, but the preponderance of indelible male characters and less memorable female roles render it something of a mismatch.
  22. The ridiculously entertaining Shaolin Soccer pulls out all the stops to make sure viewers stay happy.
  23. A dark-humored film about devastation, which makes Vodka Lemon's final rush into comedy in the truest sense all the more refreshing. Even in the wasteland, there might be humor other than the gallows kind.
  24. Ice Cube serves as the film's solid moral center, with a dizzying variety of supporting characters in his orbit. A refreshingly class-conscious comedy-drama that refuses to talk down to its audience, Barbershop tackles serious issues.
  25. It's a hard-won comfort, found here over a bleak stretch of days, but All Or Nothing makes it look like the best life has to offer.
  26. Despite a shaky start and the presence of questionable elements throughout, by the time it arrives at its finale -- which copies Return Of The Jedi's triple-climax structure -- The Phantom Menace has won its place alongside the original Star Wars trilogy.
  27. The best scenes play like "Frankenstein" revisited, with a comically bedraggled Pacino cast as the mad scientist trying to protect his runaway creation from a rabid public.
  28. Takes the form of a wounded behemoth, battling to negotiate a compromise between a strong artistic vision and franchise expectations. It doesn't fully succeed on either count, but its integrity and substance stand out like an oasis in a field of cotton candy.
  29. Essentially, the film stays at the party too long. But for a good stretch, its combination of twirling excitement and dry absurdity captures the spirit of characters too intoxicated to realize they're dancing over a chasm.
  30. Though it's still too reliant on a sloppy, gag-a-second style, Stuck On You gets through the arid stretches by leaning on some winning performances, most notably from a hilarious Seymour Cassel.

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