The A.V. Club's Scores

For 10,440 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10440 movie reviews
  1. An absorbing and meticulous piece of reportage.
  2. Agreeably soft at heart, a fun and progressive entertainment that above all wants to give love a wide berth, no matter what imposing obstacles have to be cleared from the aisle first.
  3. A low-key charmer that balances half a dozen winning performances, Welcome To Collinwood's momentum occasionally stalls, and it doesn't always produce laughs.
  4. The mostly wordless film simply presents Ground Zero, the dust-covered surrounding areas, and the city's immediate rescue efforts. As a document, it's invaluable, and as a viewing experience, it's somewhat shocking.
  5. Nature lacks a little of Malkovich's freshness, but that's just about all it lacks.
  6. At times, Bani Etemad succeeds only too well at capturing the confusing rush of Adineh's family life--the film presents more subplots than it can follow thoroughly, until its final act snaps all that's come before into sharp focus.
  7. May be Assayas' airiest work to date, an intriguing trifle that leaves its considerable pleasures to lounge around on the surface.
  8. Much like his overrated 2000 opus "Platform," Unknown Pleasures spends more energy fussing over the backdrop than on the poor souls languishing in the fore, who have little to do but wander aimlessly and symbolically as life passes them by.
  9. Less a fantasy than a somber, enveloping mood piece, which is a large part of what makes it so strangely, irrationally compelling.
  10. T3, while far from a classic, is an overachieving, mercenary sequel that's short on thrills, but surprisingly long on laughs and surprises.
  11. Essentially just an above-average Hong Kong action movie, but as such, it's still far better than just about anything else Van Damme has done.
  12. For all its aloof indirectness, The Flower Of Evil wants little more than to sling another arrow at the bourgeoisie, something Chabrol has done with greater flair on many other occasions.
  13. Though sloppily structured and sometimes dangerously flimsy (not to mention truncated at a mere 78 minutes), Tadpole has an unforced charm that compensates for the absence of more traditional cinematic virtues.
  14. Though it gets far too cute, The Cuckoo settles into the snappy rhythms of a promising sitcom pilot, at least until Rogozhkin decides to get serious.
  15. With the exception of Hilary Swank, whose earnestness spoils the fun, a stellar cast seems in on the joke.
  16. Sweet-natured and likable to a fault, the film studiously avoids confronting the darker themes of death and religion that bubble up from its story, no matter how central they are to the characters' lives.
  17. One minor element in Le Divorce, the sale of a disputed and possibly valuable painting that once belonged to Watts' family, welcomes scene-stealing bits by Bebe Neuwirth and Stephen Fry as appraisers with clashing motives.
    • 49 Metascore
    • 70 Critic Score
    A mish-mash of accents (buffoonish Depardieu's French, somber Irons' British, and DiCaprio and Malkovich carrying the same voices they use for every project) are vaguely unsettling, and there seems to be too little swashbuckling for characters who are synonymous with the term.
  18. Serves as a fascinating window into an era of radical dissent that now seems centuries past.
  19. LaGravenese lets real-life messiness keep it off a straight track, coming up with an unexpected and touching portrait of platonic friendship.
  20. A harrowing, unblinking look at the crimes committed by the Khmer Rouge, the genocidal regime that by some accounts killed off more than a quarter of Cambodia's population between 1975 and 1979.
  21. At once inspirational and deeply depressing, With All Deliberate Speed, directed by "Hoop Dreams" producer Peter Gilbert, is too candid and forthright about the current state of race relations to allow for the sort of cheery, unambiguous uplift favored by civil-rights documentaries.
  22. Divan overcomes its stylistic clichés only because Gluck's story is rich, and because it comes to a knockout finish.
  23. There's a surprising intelligence and gravity working beneath its bubbly surface, informed by an unusual degree of empathy for its adolescent audience and a rare willingness to confront the darker regions of youth experience.
  24. The atmosphere makes a deeper impression than the drama, which might represent a failing on Nelson's part, but could it be avoided? His film portrays the pinholes of light in a place of otherwise unrelenting darkness.
  25. The lurching plot goes off the rails about two-thirds of the way through, when Dodge's instability and her mother-quest supersede the mild criminal hijinks, but the film's acting is consistently exciting and unselfconscious.
  26. With "Super Troopers" and Club Dread, Broken Lizard has cranked out two genuinely funny movies in a row.
  27. Fine lowbrow entertainment, a fast, funny pastiche of science-fiction, horror, and teen-movie archetypes that is, aside from the original Scream, perhaps the most entertaining, fully realized film of the current postmodern horror/sci-fi cycle.
  28. His Secret Life's languid pace and general aimlessness keep getting in the way.
  29. Adapted from a long-running stage play, The Dinner Game has been refined to peak comic efficiency, with every misunderstanding and hare-brained scheme neatly cascading into bigger and bigger catastrophes.

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