The A.V. Club's Scores

For 10,440 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10440 movie reviews
  1. Though the plot's soap-opera turns become tidy and predictable, the film shows remarkable attunement and sympathy toward a group of characters whose lives intersect and unravel on a cruel twist of fate.
  2. Faithfully recreates a bygone era of larger-than-life filmmakers and stars.
  3. In its strongest moments, Tully has the quality of a good short story, in the way it details the underlying affection and resentment that creeps into the lives of its four main characters, played with great sensitivity by a cast of mostly unknowns.
  4. Mike Nawrocki and Phil Vischer, who co-write, co-direct, and supply much of the voice talent, soft-pedal the proselytizing and explicitly Christian elements in favor of gags and gentle lessons, keeping the pace fast and the scenery colorful.
  5. Twin Dragons is still a Chan film, albeit not a great one. As fans have figured out by now, that goes a long way.
  6. Occasionally resembling an episode of Seinfeld taken to the big screen, waydowntown shares that show's ability to mine mundane details for humor, and its Tomorrowland-gone-awry setting provides plenty of raw material.
  7. A good cast, terrific soundtrack, and genial spirit all help the film go down smoothly.
  8. Smartly conceived and meticulously executed, if too slight and gimmicky to have much resonance.
  9. There's a tight, urgent, and timely film hidden inside Shot In The Heart, but it's not always worth forging through all the gratuitous bells and whistles to find it.
  10. The film seems content with the more modest ambitions of a romantic comedy, albeit one with unusually potent wit and intricate construction. The old Ealing could never have afforded Parker's deluxe treatment of the material; the new Ealing seems to have forgotten the benefits of economy.
  11. Though initially off-putting, Chick's distanced direction pays off as XX/XY goes along.
  12. Funny and endearing.
  13. Berri's work never really rises above the gradual or the mild, and it eventually settles gently into one of those elliptical conclusions that mark mainstream French cinema at its most tasteful and staid, but the film's fully realized performances and sharply observed moments make it a pleasure, albeit a minor one.
  14. Remarkable for the intensity of the interviewees, who show a new kind of all-American gumption in the way they filter the mannerisms of low-rung celebrities through their own geeked-out, violent imaginations.
  15. If nothing else, The Believer trusts that faith can not only withstand a little skepticism, but also gather strength and meaning from it.
  16. To its enormous credit, doesn't cast the conflict as cut-and-dried exploitation. It presents something altogether more complex--too complex, unfortunately, for an 85-minute documentary to elucidate perfectly.
  17. An unforgettable tribute to a remarkable life, Sister Helen is inspirational in a way a film about a more conventionally pious religious figure could never be. Travis seems to be the antithesis of a cardboard saint.
    • 71 Metascore
    • 70 Critic Score
    This slight movie gets by on its grungy charm, if not its class.
  18. Animated in much the same style as "Perfect Blue," but with greater depth and a more elaborate sense of playfulness, Millennium Actress is a visual feast, but also a mental gymnastics routine.
  19. As pleasant stimulation for the eye and ear, it's two hours of sumptuousness, but anyone looking for more won't find it here.
  20. Calls on De Niro to drum up the sort of emotional intensity that's been allowed to atrophy of late. City By The Sea isn't always worthy of him, but it makes enough demands to bring out his best.
  21. For neophyte cinephiles, A Decade Under The Influence should serve as a lively primer on a seminal film era, but its reverent tone is antithetical to the rule-breaking spirit it celebrates.
  22. The fact that Full Frontal comes together so well removes any doubt that anyone other than a master filmmaker is pulling the strings.
  23. The spontaneity of the music itself is unquestionable and captivating. Like Saudade Do Futuro, Cuba Feliz is somewhat unsatisfying, leaving too many questions unanswered in its stream-of-consciousness wanderings. But it also preserves ephemeral art that might otherwise be lost.
  24. It's rare for a comedy to be as fully worked-out and exquisitely timed as An Amazing Couple; just don't expect to warm to it.
  25. When Porn Theatre stays in the darkness, its minute observations about grindhouse culture are hypnotic in their accumulating detail.
  26. Sharply drawn and well-acted.
  27. Gleize establishes her multiple plotlines fairly cleanly, though once disentangled, the individual stories don't offer enough incident to be meaningful. They don't mean that much all put together, either, but Carnage is still highly watchable, thanks to Gleize's keen eye.
  28. Abouna starkly defines the masculine and feminine influence in raising children, and what happens when they're not so complementary.
  29. The story told by e-dreams is inherently compelling, full of dark humor drawn from a deep well of hubris and historical irony, but the film would be a lot sharper had the filmmakers not fallen under Park's charismatic cyber-spell.

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