The A.V. Club's Scores

For 10,440 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10440 movie reviews
  1. It’s true that an operatic presentation of ruination or consequences wouldn’t fit BlackBerry. But it does feel like the movie misses the chance for some stick-the-landing moments related to the fates of its chief characters. That said, Johnson’s entertaining time capsule does still capture, in its unfussy way, one immutable truth: good times aren’t meant to last forever.
  2. As in Extraction, the action sequences are the whole game here, and they do not disappoint.
  3. Yet none of this stuff, largely but not exclusively confined to a rote opening 30 minutes or so, works as well as the seemingly lower-stakes but far more evocatively handled saga of John Wick’s dog.
  4. Garcia delivers a standout turn as Richard. It helps that he’s not yet a household name, so he isn’t carrying the baggage of any external frames of reference. His earnest and engrossing performance absolutely carries Flamin’ Hot.
  5. There’s no doubt that should Torres continue, Problemista will eventually look like a scrappy first album filled with promising primordial quirks. The film’s issues do not impede it from being a fleet-footed comedy filled with laugh-out-loud jokes.
  6. In short, everything that sounds potentially magnificent about Limelight disappoints, while the aspect that sounds potentially dreary—Chaplin playing earnest life coach to a sickly ballerina—works like a charm. The man was full of surprises.
  7. Some parts of LeBron’s professional career are told in truncated form with a few figures left out or combined for cinematic purposes, but that’s it. And the film is better for focusing on relationships rather than on the easy highs of watching fast breaks and slam dunks.
  8. Tamahori’s workmanlike production doesn’t match the elemental power of Mamet’s script, and it fails to evoke the harsh physical conditions that turn ordinary, civilized men into resourceful survivalists and predators.
    • 62 Metascore
    • 75 Critic Score
    Red, White & Royal Blue, ultimately, isn’t revolutionary. It’s more traditional than not—which means, thankfully, that it’s still a lot of fun.
  9. Despite its limitations, 20,000 Species of Bees is crafted from a place of empathy so often lacking in conversations about trans childhood.
  10. The Old Oak is a reminder that empathy isn’t merely about having the ability to put oneself in someone else’s shoes and consider their perspective, it’s recognizing that one’s personal struggles extend beyond one’s own family and other people that look exactly like you.
  11. Smart, playful, and perhaps efficient to a fault (there’s only so many times a rap song can be used as a narrative stitch to take us from one character to another), Gillespie’s latest is an enraging David vs. Goliath, ripped-from-the-headlines tale that deserves to be seen to be believed.
  12. The movie is often darkly funny as the characters lob barbs at each other. Nevertheless, the story feels a tad truncated in spots. An elongated run time would service the action and narrative a bit better—and, as Mann fans know, he does love releasing a good director’s cut.
  13. Fans who tune in mainly for the insane timeline twists won’t get them, but otherwise, this is the most satisfying Saw installment since the first three. Also, be sure to stick around for a mid-credits scene.
  14. Throw in a few fun set pieces, some dynamic creature designs, and a breezy narrative that zips by before your eyes, and Spy Kids: Armageddon comes away as a film that mostly works.
    • 72 Metascore
    • 75 Critic Score
    What saves El Conde is the specificity of its subject and the style of its auteur.
  15. Totally Killer is a film full of great talent, great moments, and an infectious sense of fun, which means that even when it doesn’t quite work, it’s an entertaining balance of slasher tropes and time travel adventure.
  16. If, at the end of the day, Nyad feels like a well-oiled crowd-pleasing sports drama with a heartwarming (if slightly insidious) message about never giving up, that doesn’t blunt its impact.
  17. For those who choose to take this riveting journey of discovery, they’ll find this picture gets them to a place of inspiring enlightenment and keeps them in that mindset far beyond the end credits scroll.
  18. While Hit Man satiates as a slick, sexy comedy-noir that will actually get at-home viewers to engage with media outside of the dreaded algorithm, it’s worth hoping that Linklater’s forthcoming big swings are met with similar zeal.
  19. This is a self-assured take on a story that stretches far, wide, and deep.
  20. His Three Daughters is an extremely effective tear-jerker.
  21. The Toxic Avenger is an imperfect but no less vital lifeblood transfusion for the cheapo horror-comedy: a cartoon-carnage splash-a-thon, and an eco-conscious call to clean out the profiteers poisoning us and our planet.
  22. The hyperactive humor grates at times, but is rarely as labored as many '60s comedies, thanks mainly to Bogdanovich's indulgence of the spontaneously absurd, and his inventive way of letting gags work their way across long, wide sets.
  23. Is it “funny,” really? No. Is it searingly dramatic in a way that pulls at your heartstrings? No. And yet it possesses an undeniable authenticity, wrapping its arms around a truth most movies avoid: there’s no such thing as absolute certainty in life.
  24. Fun as it is, Elio just goes for the montage, eager to speak a universal language.
  25. A compelling piece of straightforward true-crime that makes the most of its throwback form.
  26. There are moments of genuine horror and genuine artfulness in Nosferatu, neither of which would have been possible if the writer-director had approached the project with tongue in cheek. But at two hours and 12 minutes, it’s a solemn death march towards an inevitable conclusion—which fits the theme, but strains the limits of audience engagement.
  27. Despite some choppy waters in the back half, this is a fun, funny, often genuinely unnerving horror movie experience, one that might make you think twice about that first swim of the year when summer rolls around.
  28. Full of striking visuals from cinematographer Ben Fordesman, a healthy dash of horror and sci-fi in the script, and a monumental performance from O’Brian, Loves Lies Bleeding is another surrealist sapphic gem from Rose Glass.

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