The A.V. Club's Scores

For 10,413 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10413 movie reviews
  1. A wonderful encore, marked by the painstaking attention to detail and artful balance between terror and joy that make Miyazak's work unique.
  2. Where Summer Of Soul really distinguishes itself is in Thompson’s inspired filmmaking. Making his directorial debut, the Roots drummer and frontman approaches this condensed narrative with a musician’s sense of timing, expertly assembling rhythmic montages with editor Joshua Pearson that transcend flashy music-video devices to relay a sense of conversation, of voices reaching across the decades to be heard.
  3. If there was any doubt that this is a horror movie, Hans Zimmer’s score pounds and roars with dread — the appropriate soundtrack for the madness of history.
  4. Manchester By The Sea sweats the big stuff and the small stuff, and that’s key to its anomalous power: This is a staggering American drama, almost operatic in the heartbreak it chronicles.
  5. It’s at once ridiculous and genuinely inspiring—Robert Altman in a nutshell.
  6. As Polanski leads the audience step-by-step through Levin’s queasy plot, he pushes them toward a conclusion straight out of a Louvin Brothers gospel song. Oh yes, brethren: Satan is real.
  7. Told with the stark simplicity of a fairy tale, Sansho The Bailiff demonstrates how compassion can overcome the forces of hatred and oppression, and shows how trying it is to remain decent and humane in an inhospitable world.
  8. Bird and his co-writers leave room for quiet moments and gentle morals, but for the most part, they send visual gags and verbal punchlines tearing past at an enjoyably demanding speed, whipping up the film's energy at every turn.
  9. The film remains an exemplary piece of popular entertainment, full of vibrancy and wit, with unforgettable characters and a delicate, bittersweet tone that considers their emotions in balance.
  10. A galvanizing piece of personal filmmaking.
  11. A star in every genre, Stanwyck epitomized both the steely femme fatale (Double Indemnity) and the heartbreaking melodramatic heroine (Stella Dallas), but her performance in The Lady Eve was the only one to showcase her full range of ability. Her line readings sparkle with ruthless intelligence and wit, but she's also capable of surprising openness and vulnerability.
  12. If nothing else, Gravity makes the case for throwing immense resources at true visionaries; the blockbuster craftsman as adventurer, Cuarón expertly blends the epic with the intimate. For every stunning 3-D setpiece involving a dangerous hailstorm of metallic debris, there’s a moment of small tenderness.
  13. McQueen has zoomed in on a very specific milieu, but he’s also tapped into the universal and suddenly inaccessible joy of an endless night of music and dance, a house party for the ages. You don’t have to know your reggae or have been born 40 years ago to long for the ache of communal fun on which Lovers Rock waxes nostalgic.
  14. Singularly haunting.
  15. DiCaprio is so terrific, and Infiniti such a charismatic find, that viewers may find themselves wishing the cast, both principal and supporting (which also includes Regina Hall and Alana Haim), had room in this 162-minute movie to bounce off of each other with a little more frequency.
  16. Zuckerberg's story ends up feeling bigger than his own life.
  17. This is a quantum creative leap for Sciamma, herself a keen observer of behavior. (Her previous films, like Tomboy and Girlhood, were rich with character detail.) Time traveling to an old world seems to unlock the full scope of her passion and insight.
  18. While the subject matter is difficult, the documentary itself is easy to watch and exciting to grapple with. Its biggest strengths are Jackson’s voice and Baldwin’s commentary, which combine to create a distinctively world-weary tone.
  19. Wadleigh crafted a film with a thoughtful flow; it tells the full story of the event, from the paranoia (and eventual acceptance) of the locals to the helpful attitudes (and eventual paranoia) of the throng. [1994 version]
  20. Despite Wells’ confidence as a filmmaker, Aftersun still succumbs to the predictable traps of films about childhood memories. Every small incident is presented as a big momentous event. That may be true from a child’s perspective, yet it still makes this narrative feel more formulaic than organic. Consequently, few of these beats feel revelatory to the audience, even when they are affecting.
  21. A director known for the icy classicism and genre subversion of films like "Funny Games" and "Caché," Haneke has a pitilessness that could not be more perfect for Amour, which would collapse at any whiff of sentimentality.
  22. For the first hour or more, The Hurt Locker boldly forsakes any conventional narrative hook beyond the ongoing tensions between these men and the terrifying grind of defusing bombs day after day.
  23. Anatomy Of A Murder respects the audience enough to turn us into the jury, and trusts that we, too, can consider the facts like adults.
  24. Zero Dark Thirty stands to become the dominant narrative about this important historical event, no matter its distortions, composites, or other slippery feints of storytelling. In that, it wields a dangerous power.
  25. It’s a taut, intense procedural, with a resonant story that simultaneously follows a journalistic investigation and an attempt to fix a fatally dysfunctional medical bureaucracy—all while criminal organizations, corrupt politicians, and rabble-rousing television hosts work in concert to stymie any real reform.
  26. Beyond the impeccable performances and direction, it's foremost an exceptional piece of screenwriting, so finely wrought that the drama seems guided by an invisible hand.
  27. Sunrise remains a magnificent tale of adultery and forgiveness, and contains more lessons in visual storytelling in any given five-minute sequence than most film schools deliver in a semester.
  28. It's Pixar's most daring experiment to date, but it still fits neatly into the studio's pantheon: Made with as much focus on heart as on visual quality, it's a sheer joy.
  29. Haynes has pulled off something remarkable here, without a trace of winking or archness. It’s been a long time since the movies have seen a fuse of pure ardor burn this slowly and steadily, leading to such an unexpectedly moving explosion of resolve.
  30. Just as swoon-worthy, and essential, as its predecessors, Before Midnight reveals the full scope of Linklater’s ambition. This is not just another stellar follow-up, but the latest entry in what’s shaping up to be a grand experiment — the earnest attempt to depict the life of a relationship onscreen, decade by increasingly tumultuous decade. In the process of justifying its own existence, Before Midnight redeems the very notion of sequels.

Top Trailers