From the ashes of Volta, an album that occasionally felt like a career-killer, has come an album of startling beauty, furious invention, and inviting, warm atmosphere.

Perhaps it’s too early to mark this out as a game changer, but there’s something undoubtedly visceral here, an untouchable element that tugs ever so bristly at the connection to the depths of music that not even time might seek to mellow it.

Steeped in striking colors but never losing sight of the gloom and grey continuum Katatonia have mastered throughout their discography, City Burials is emotionally arresting, ceaselessly atmospheric, and a milestone release that serenely ebbs and flows across a myriad of intricate, stratified soundscapes.

Perfume Genius could easily have made this as a wilfully oblique record; the reality is mercurial, intoxicating and richly creative at every turn, and you now know this. Get out there and get lost in it.

Mercado 48 feels like he's pouring out his soul more than usual while also bringing about a sense of resignation to life itself. It's hard to say what kind of mood the listener needs to be in the get the most out of this album, but one thing is for sure, Daniel makes something out of nothing more often than not and Mercado 48 is a perfect example of that.

This is damn good music. Like, legitimately sensational. Some of the best of 2023, actually.

Simply put, No More Stories… is accessible without being overbearingly so, experimental without sounding too abstract and ridiculous, and most importantly, one of the year's most endearing records.

Dedicated Side B is more upbeat, energetic, and memorable than its counterpart, featuring hook-laden verses and explosive choruses that only came through intermittently on what we’ll refer to as Side A. It’s everything Dedicated was and everything that it wasn’t, all rolled into one. These songs don’t feel even the slightest bit unfinished. ... Her very best album to date.

Desire is an amazing record the story of Monch and his recording career is admirable in its own right.

Although Every Country’s Sun isn’t a flawless album (there are a number of tracks in the middle section that need more time to kick in), it shows us Mogwai nowhere near losing their touch.

While documenting the shattered dreams of small town Americana, Brandon Flowers has finally created the Earth-mover that he's always lusted after – and ironically, it comes during a moment of quiet reflection.

While no song is earth-shatteringly amazing, there’s something (quite a lot, it seems) to be said for a record of nothing but great tracks. This really is a good shoegaze album with a nice atmosphere - but it’s also a little more than that. And it doesn’t seem to care about any of it.

They sound like they'll probably end up being one of the most enduring bands of our era.

What Relentless Reckless Forever boils down to is a pair of decent, if not good, songs at the beginning, several painfully average songs in the middle, and a mish-mash of mediocrity at the end.

One Of Us Is the Killer is the explosion all of us were hoping it’d be, and yes, lethal as ever--now it’s just easier to pick up the pieces afterwards.

The trio are at the top of their game, and if they haven’t grown out of their disposition for laboriously concocted indulgence, then they have at least worked out how to synthesise it towards more entertaining ends.

Pearl Jam's ninth album sounds a lot more optimistic and positive than the band ever has. More importantly, Backspacer sees Pearl Jam finally escape the slump they fell into with "Binaural" nine years ago.

The Unnatural World is the punk rock ethos of Deathconsciousness coming into its own and it feels really good to hear. New comers to the underground darlings will find quite a lot to love here.

This thing is quiet. It’s cozy. It’s simple. It’s, to be blunt, a vibe. Horrible Occurrences is a warm blanket during this time of year where the days can stretch on forever and the nights can swallow me whole.

Tiny Changes is an emotive listen start to end, especially if you already know the album by heart (if you’ve never heard The Midnight Organ Fight then by all means, start there), and contains several thrillingly imaginative takes on the classics we know.

This album is exactly what you’d expect from Fruit Bats. It’s fairly slim in runtime, very chill, and could conceivably be described as anything from indie pop to country rock without a listener batting an eye. There are songs notably catchy (“Rushin’ River Valley”), affecting (“We Used To Live Here”), and both of those previous descriptors at the same time (the goofily-titled “Jesus Tap Dancing Christ (It’s Good To Be Home)”)

It straddles that difficult line between accessible and adventurous, making for a fine stopgap between Fiery Furnaces records and an excellent summer album regardless of the year.

Violence Unimagined is thus not only a treat for those who feast upon flesh but also a proof of resilience, power, and determination. It is yet another successful chapter in one of the best portfolios the genre has to offer.

It's cerebral, labyrinthine and self-involved.

The band are at their best in short, sharp, concentrated bursts of euphoria, which Late Developers delivers in spades. More importantly, they finally seem to have recognised that it's not impossible to balance their slyly wandering spirits with their wryly written pop sensibilities to rediscover themselves at their very best.

To these ears See You At The Maypole is far more consistent in quality, despite being by far the artist’s longest release, at seventeen tracks and nearly an hour in duration.

Creating such a tightly-knit record is a simple style a myriad of singer-songwriters have lived by, and in that sense Diaper Island feels just as uncompromising, if in a different way, as the equally miserable Blood on the Tracks.

Blackbox Life Recorder 21f / in a room7 F760 ends up a glorified, if very welcome, double-single as such: its satisfaction lies less in an end-to-end listen and much more in the binge mileage of its cornerstone tracks. Aphex Twin's sound is in as vitalised as it's ever been, but this release also suggests that a little contortion is more vital to his matrix than some may have thought.