Overall, while it’s still mostly the same as previous titles in the Lego series, Lego DC Super-Villains offers some much needed twist in terms of story, shining a light on the life of the bad guys and girls in the comic book universe. Add in the superb voice acting, the many different powers that you get to wield as the villains, as well as the huge amount of activities scattered throughout its open world and you’re bound to have a good time being bad.

Is it flawless? Not quite. The new weapons are hit-or-miss, the flashbacks drag, and the performance issues are a blemish on an otherwise polished expansion. But in those moments when you’re stomping down a fluorescent-lit corridor, Auto 9 roaring, as RoboCop delivers a dry one-liner before blasting a goon’s head clean off—it’s pure, unfiltered nostalgia. For anyone who found themselves unexpectedly hooked by Teyon’s take on RoboCop the first time around, Unfinished Business is a worthwhile detour. It doesn’t aim to revolutionize the formula, but it doesn’t need to. It’s not a bold new chapter—it’s a brutal encore. And for fans of chrome-plated justice, that’s more than enough.

Reigns: The Witcher is a good, small, smart, and often funny game that remixes Geralt’s adventures in interesting ways. It’s a nice way to revisit the universe for anyone who has played at least one of the titles in the franchise and wants to experience it in a new way. But those unfamiliar with this fantasy world should stay away. It’s easy to understand the mechanics and quickly play a few sessions, pushing to meet one of the goals and trying to find new ways for the hero to die. The game is best enjoyed in short bursts. Stop when the action becomes repetitive or if the same death pops up twice. Reigns: The Witcher would have been better if it tweaked the series’ core mechanic a little to give players more control. It's still fun to see what tales Dandelion will spin.

If you've ever had more than enough time for a movie, but not enough to finish a season of your favorite TV show, then you know the pleasure of watching a mini-series. That's precisely the feeling that Bladed Fury will give you, as it will charm you with the fluid, fast-paced combat, tease you with the beautiful and surreal art-style, and then leave you wanting for more at the end of the short campaign.

A worthwhile remake of the classic Sierra point-and-click adventure game. However, big-time fans of the original will most likely dislike some aspects of the newer incarnation.

The combat system has a lot of potential, what with the synergies between all the characters you can switch on the fly and the ability to teleport to an alternate dimension, but unfortunately, at the mechanical level, the controls simply don't feel fluid enough.

Titan Souls can be repetitive, difficult and frustrating, but it can also be the kind of video game in which one solid arrow shot can make a player happy for half an hour.

Loopmancer is a good game for gamers who want a very specific experience: a mix of action and rogue ideas that tells a cyberpunk-themed detective story. The combat mechanics require time to master and there are solid challenges to engage with. The rogue aspects are a little underdeveloped and it feels like unlocking weapons requires too much money. But the game never tries to innovate in any of the spaces it is working in. It has no ambition other than to deliver a good mix of ideas that can keep players engaged. I wanted to see a cool twist on the cyberpunk future or combat mechanics that expands genres. Loopmancer is a solid experience that never becomes more than its parts.

Foretales manages to be both innovative in its gameplay and deliver an engaging story, a rare combination in the world of card-driven video games. It’s fast-paced, asks players to think about actions and consequences, and deals with the fate of the world and with more personal relationships. The combination of systems might be a little overwhelming initially, but it only takes about an hour before the game reveals its depth and variety. The developers at Alkemi have created a deep game that encourages players to think outside the box and minimize casualties as much as possible. Foretales will reward players for giving it their time and energy.

Space Colony: Steam Edition is clearly reaching out from a time way back when video game design used to be more forgiving. It's got a lot of flaws, but it also has a ton of personality, and it offers a pretty solid space colony management experience, albeit one a little on the light side.

The combat becomes a little repetitive, the driving and flying feel incomplete, and the story has almost no hooks for the player but the feelings of freedom and empowerment that the title offers are great, especially for gamers who have an active imagination and find new ways to exploit the offered world.

Total War: PHARAOH is a very good strategy experience that explores one of the periods that the genre rarely engages with. After playing a few campaigns, I wanted to know more about the Sea Peoples, the way the Hittites organized their kingdom and the ways armies were mustered during the Bronze Age. I was also willing to spend time understanding the unique approach that each ruler brings to a campaign and how traditions and gods can enhance an advantage or cover a weakness. I’ll certainly simulate many of the battles while enjoying the crucial ones. Total War: PHARAOH is immersive and varied, a good entry in the series for both veterans and new players.

Once I started playing Dragon is Dead, I got hooked. The game has a very satisfying gameplay loop, and it comes with an extraordinary visual style. In addition, they added a ton of loot, and you can easily swap between weapons at your own pace. The ability system is not very complex, yet it manages to deliver great depth and it’s just a joy to experiment with. When it comes to controls, I think it’s much better to play this title with a controller. That being said, even keyboard controls are fine, although the layout takes some getting used to. Games like Dragon is Dead don’t come by that often. This combination of platformers and roguelikes, with Diablo-like looting and inventory is rare, but it works extremely well. Granted, the game has its shortcomings, yet that didn’t deter me from trying out multiple runs, experimenting with loot and creating a very powerful build. It’s up there when it comes to great roguelikes, although it will need a tad more polishing and better music.

Blackguards 2 takes the formula of the initial release and expands upon it, but there’s nothing truly innovative, apart from the origin story of Cassia and her frequent moments of near madness.

If you like horror adventure games, DARQ Complete Edition is definitely worth trying. If you played the game already, you can now replay it in its complete form with better framerates. If this is your first contact with DARQ, the Complete Edition offers the best experience possible. Still, it is hard to forgive the length, the lack of the story, and the fact that after you played or, replayed it once more, there is nothing more to do here. The atmosphere is special, the puzzles are well thought out, and the environment is very detailed, but each player has to decide for themselves how 2-3 hours of fun should translate into a price tag.

GRIP: Combat Racing promises to fall into the first category, bringing justice to an old series of games that have become cult classics themselves. The graphics and physics engine aren't just there just to give the series a facelift, they take what it advertised as its strong point, speed and death-defying acrobatics, and crank them up to eleven!

Nine Years of Shadows is a good Metroidvania with an impressive presentation and intriguing world. Gameplay mechanics will be instantly familiar to any genre fans and easy to understand for newcomers. There aren’t too many surprises in the narrative but it is imbued with a sense of optimism that kept me engaged. I wanted more variety for combat encounters and a smoother difficulty curve for the bosses. The game also has a weird tendency to put its save rooms just outside of the way enough that it’s easy to forget about them and lose progress. But otherwise, Nine Years of Shadows execute a good idea well and its look allows it to distinguish itself from competitors.

Hotline Miami 2: Wrong Number is a great sequel. It innovates just enough to feel fresh but, unfortunately, takes a bit of player freedom away through its fixed characters.

Guns, Gore and Cannoli is quite an entertaining side-scrolling shooter platformer. The 1920s mob theme, the undead, and the simple yet solid mechanics make it quite enjoyable and you'll have a blast going through the story either alone or with friends locally.

Few games manage to capture the feeling of claustrophobia, the fear of the dark, of the open waters or of death better than Sunless Sea: Zubmariner Edition, and you'll be up surprised at how a seemingly unimpressive 2D game can send chills down your spine. While the horror may not come in the form of gore or jump scares, sometimes the ever-present feeling of dread and fear of the unknown can be the thing to keep you on the edge of your seat the most. If that doesn't impress you, then the fear of losing a few hours' worth of progress will surely do.

A Fold Apart is an indie game with heart and soul, which ingeniously tells a human story. Alternating the perspectives of the two characters conveys the intention of the producers of presenting the hardships of both parties involved in a long-distance relationship. Of course, the scenario dreamt up by the developers is an idyllic one, which assumes both persons have only the best intentions. Unfortunately, taking into account the length of the game, and the lack of any replayability even the low price is too much for this indie game. Maybe an online coop would have justified it, but as it is A Fold Apart is a tremendous creative exercise, but way too short to offer a lasting experience.

Newcomers to the franchise will find Battle Brothers very hard to pick up, especially due to the lack of a proper tutorial. I do love those games that don't hold your hand, but I think Battle Brothers is in a league of its own and some more complex aspects should be made more clear. Although the learning curve is quite steep, once you get the hang of it, Battle Brothers is actually a very enjoyable experience. I strongly recommend those looking for a challenging turn-based RPG to give Battle Brothers a try, not just for the complexity of building the perfect company of brothers, but also for its stunning soundtrack and art style.

Chef Life: A Restaurant Simulator has a good idea and some decent gameplay mechanics. It’s somewhat fun to discover the techniques associated with a new dish and then aim to create a perfect take on it, complete with a radical and interesting plating that will revolutionize the fine-dining world. The entire experience suffers because of its highly repetitive nature and uninspired presentation. The finished dishes need to look spectacular and they do not. Cooking the same thing over and over again becomes annoying. Chef Life: A Restaurant Simulator might try to capture the frantic nature of a commercial kitchen but those who like what it has to offer might be better served by cooking some fun real-world dishes that can actually satisfy their hunger.

KAKU: Ancient Seal is a decent representative of the third-person action genre that doesn’t find ways to innovate in interesting ways. The core mechanics are decent, and the world is at times impressive. There’s plenty of depth to combat. But the narrative stalls after a few hours and fighting will become repetitive despite the wealth of new moves players can learn. Fans of the open-world action structure will enjoy the four continents and the unique content associated with each. But the entire experience would have benefited from being more focused, with a smaller number of mechanics and more innovation. KAKU: Ancient Seal is a solid game that fails to find a unique hook.

Insurmountable gains a new gameplay layer with the 2.0 update, which gives the experience a clearer structure and players more clear goals to aim for. Climbing peaks, with limited resources and careful planning, continues to be compelling. There are plenty of strategies to try out, many events to deal with, some mysteries to untangle. The problem is that there’s not enough variety, even with the newly added campaign structure. After 5 or 6 climbs, nothing is surprising. The player can try new synergies or new ideas, but the mountains remain largely the same. Insurmountable has a great concept and some solid mechanics but can struggle to entice players to reach more than one summit.

Mail Time is a delightful experience, filled with interesting characters and almost no conflict. All the different quests are fun to engage with and the game offers a nice sense of discovery. I love being helpful and trying to make this small patch of forest a better place for everyone. The party at the end is also a great reward for all the exploration. The gameplay is relatively limited and the title is short. It can serve as a great way to introduce younger players to platforming and a bright and colorful open world. It can also warm the heart of jaded veterans of the genre. Mail Time is nice and fun enough that I wished there was more of this world to explore and really hope the developers are thinking about a sequel.

SteamWorld Build initially looks like a classic city builder with a cute theme and robots instead of humans. But the mine management, especially when they reach the third underground level, has solid new ideas, especially during the frantic moments when you’re dealing with a big enemy assault. Finding and getting all the rocket parts is not easy, mainly because the scientist class gobbles up so many hard to produce products. I like the gradual ramp up in complexity that SteamWorld Build delivers and the game provides an engaging experience for both fans of the franchise and newcomers.

Persona 5 is less an action RPG, and rather a well-executed tactical turn-based game. The gameplay is well thought out with complex systems, the design and visual style follows the legacy of the series with some minor changes to keep things fresh, and as per usual the polis of the game is spotless. Yet somewhere along the way the focus shifted too much towards the battle and had a somewhat negative impact on the pacing, the atmosphere and the player engagement in general. Persona 5 is the most repetitive and monotonous iteration released by Atlus so far.