Slashfilm's Scores

  • Movies
  • TV
For 1,145 reviews, this publication has graded:
  • 62% higher than the average critic
  • 3% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 4 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Project Hail Mary
Lowest review score: 10 Winnie-the-Pooh: Blood and Honey
Score distribution:
1145 movie reviews
  1. Godzilla Minus One is one of the rare Godzilla pictures about the indomitability of the human spirit.
  2. While a full 140 minutes of this can get occasionally exhausting and tedious, Aïnouz makes it more than worthwhile in his stirring conclusion when the full impact of a life apart becomes wrenchingly apparent.
  3. MLK/FBI is an essential film. And it’s a film relevant to where we are at this moment.
  4. One thing's for certain — R.M.N. is by no means a pedestrian affair, with Mungiu's mastery of the Transylvanian landscapes the perfect backdrop for the exploration of some heavy issues. There's a lot to unpack by the time the credits roll. But it's deserving of every stray thought you'll return to in the days after watching it.
  5. American Fiction fully understands that you don't have to sacrifice art or politics for entertainment, satisfying those who want a rich thematic experience or to just have a laugh in a crowded theater.
  6. The documentary makes an effort to drive home just how much harm illegal abortions cause — but in terms of the presentation, more could have been done to highlight the horrific and tragic nature of the real history.
  7. The joys of "Glass Onion" involve the plot twists and shocking-but-hilarious revelations Johnson keeps throwing at us at breakneck speed. Every scene is loaded with lightning-sharp wit coupled with a genuinely engrossing mystery. Like Blanc, we're hooked on the idea of solving this mystery.
  8. A fast-paced thrill ride that never lets up.
  9. Benediction" is true to its title, offering up a blessing — not to the Church, rather, but to those whose lives were never able to be lived to the fullest. The film is more than a beautifully performed, masterfully directed piece of entertainment. It transcends, offering hope to any person yearning for more. It is in equal turns lively, devastating, funny, hopeful, and heartbreaking.
  10. Amy Seimetz plays by her own rules like this is the last film she’ll ever make (it won’t be, no shot). She Dies Tomorrow ponders self-fulfillment with agency and riveting execution. Seimetz’s fearlessness is what sells every ounce of this uncontrollable narrative’s every zig and zag. From tone to philosophy to composition, this is Seimetz’s soul on celluloid.
  11. Nighy brings a dignity to the proceedings that you can't help but admire, especially when it comes to Williams' sudden self-awareness in his final days, and that helps keep your attention.
  12. It’s an unbeatable combination of humor and heart.
  13. I left 28 Years Later nervous about what might come next. After The Bone Temple, I'm thrilled at the prospect of where this story could go. That's what I call progress.
  14. With Waves, the director has crafted his most ambitious film to date – a dizzying, weighty, heart-wrenching saga of one family disintegrating right before our eyes.
  15. Some might wish the filmmaker had avoided current politics at all, but the "Knives Out" films are very much a reflection of our modern times, and Johnson clearly has an uncomfortable but important message he's trying to preach: faith and belief are good things ... until someone starts using them the wrong way.
  16. X
    Ti West is back with a violent vengeance, slicing and dicing through likable characters that light up the screen throughout their doomed and debaucherous overnight shoot. West is operating on another level — even the slightest editing cut cranks fear factors another notch higher.
  17. This portrait of Sparks is just as lighthearted and delightful as the music you’ll be tapping your toe to throughout the entire movie. As soon as the movie is over, you’ll probably be adding Sparks songs to your streaming playlists and hoping that this won’t be the last time that Edgar Wright feels compelled to give us a deep dive into one of his favorite musical acts.
  18. It's easy to imagine this becoming a favorite movie for curious, creative kids and their cineaste parents — a cute, sweet, funny, imaginative tale dressed up like reality, an ode to survivors and the power of community.
  19. This is Ira Sach's best film in years, a magnetic, emotional, and hugely watchable exploration of love and sex in the modern age. Those of us who've been following Rogowski for a while have been ready for this, and "Passages" might just be the film that makes him a superstar.
  20. One of the things that makes You Hurt My Feelings so enjoyable is that it's simply a film about adults having adult conversations. They drift around New York, or hang out in apartments and bars, and just ... talk. That might sound boring, but the snappy script and hilarious performances keep everything buoyant.
  21. Filled with thoughtful commentary, lush visuals and a myriad of perspectives, Woodlands Dark and Days Bewitched: A History of Folk Horror is a must-watch that chronicles humankind’s most intriguing cinematic stories.
  22. Barbie is an absolute marvel hiding within the plastic pink confines of Barbie, making it a phenomenal reflection of the iconic doll that serves as source material. Gerwig clearly knew the preconceived notions folks would have about the film going into it because they're the same ones lobbied against the doll. Fortunately, she put her best pointed foot forward and delivered one of the best films of the year.
  23. Not everything works — for example, there are multiple moments where characters are firing up cigs with Zippo lighters that seem painfully choreographed to look "cool" — but the film is so energetic and intense that it's hard to not go along for the ride.
  24. With its deliberate (or sloowwwwwww, as some might call it) pacing and inherent lack of action, The Eternal Daughter might frustrate some looking for a more traditional ghost story. But The Eternal Daughter is plenty haunting. The ghosts here aren't the traditional specters returned from the grave. They're the type of ghosts that haunt us all — memories, both good and bad.
  25. Jason Yu knows how to stage a tense thriller and gives Sleep a sense of claustrophobia, using the small size of the apartment and some inventive camera movements to slightly change the apartment throughout the film, showing how the characters are losing their grip by making them unfamiliar with the place they know best in the world.
  26. It’s sexy, but it avoids the common tropes. It takes the Black woman “jezebel” stereotype and flips a middle finger towards it by jumping head first in this sensual world. And that brazzeness makes for a unique story that you have to see for yourself.
  27. Introducing, Selma Blair rips the Band-Aid off society’s view of chronic illness with a raw portrayal of her medical diagnosis that is authenticated in its emotional and physical intensity.
  28. Linoleum is much more than meets the eye, and as the film wades into its final 15 minutes or so, you'll find yourself overwhelmed by an emotional revelation that not only clears up any lingering fog from the story's puzzling evolution but really pulls at the heartstrings with a wonderfully woven tapestry of life and love. 
  29. You won't see anything gory in Red Rooms. Nothing is going to jump out of the dark and make you jolt in your seat. But as the film slowly and methodically burns towards its surprising conclusion, your heart will race along with your mind. Do you want to see something scary? Watch Red Rooms.
  30. At first blush, Mank isn’t your typical David Fincher flick. Yes, it’s gorgeously mounted and meticulously crafted. But it doesn’t feel like Fincher’s other movies. And yet, when you look closer…it does. Because like all great Fincher films, Mank is about obsession. The obsession with getting something right. The obsession with creating good art. The obsessions with being remembered long after the whole world has faded to black.

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