Slant Magazine's Scores

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For 7,767 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,344 out of 7767
  2. Mixed: 1,490 out of 7767
  3. Negative: 1,933 out of 7767
7767 movie reviews
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  1. Queen & Slim
    For a spell, Melina Matsoukas’s film exudes the concision of an old B movie.
    • 89 Metascore
    • 88 Critic Score
    63 Up
    Throughout, the remaining participants take stock of private and career successes as well as perceived failures.
  3. 21 Bridges
    It’s difficult to imagine a worse time to release Brian Kirk’s 21 Bridges than the present.
  4. A Beautiful Day in the Neighborhood
    Marielle Heller takes a script that many filmmakers would turn into cringe-inducing treacle and interrogates the sentimental trappings.
  5. Frozen II
    Woke Disney, trying to navigate a tricky representational path, steps all over itself throughout.
  6. Shooting the Mafia
    Kim Longinotto is so eager to celebrate her hero that she also glides past thornier portions of Letizia Battaglia’s life.
  7. The Good Liar
    An airport novel of a movie, Bill Condon’s The Good Liar is efficient and consumable, if a bit hollow.
    • 73 Metascore
    • 63 Critic Score
    Dark Waters
    Todd Haynes’s film intermittently hits upon a few original ways of representing its ripped-from-the-headlines mandate.
    • 75 Metascore
    • 88 Critic Score
    How to Train Your Dragon
    This kid flick is just plain smart, packed full of imagination and surprise.
    • 52 Metascore
    • 38 Critic Score
    Charlie's Angels
    All the feminist virtue-signaling in the world can’t conceal the film’s creative conservatism.
  11. The Hottest August
    The documentary represents a city ground down by inequality and division, where millions of selves who have by and large given up on one another.
  12. I Lost My Body
    It focuses equally on moments of shared connection and incidental loss until the two feel indistinguishable.
  13. The Report
    In the end, it can’t help but sentimentalize the better angels that supposedly reside in the land of liberty’s flawed human fabric.
  14. Last Christmas
    Clarke works hard to make the messy, perpetually flustered Kate relatable, but the film surrounds the character with a community as kitschy and false as the trinkets she sells in Santa’s shop.
  15. Midway
    In the film, the Battle of Midway suggests something out of a photorealistic animated film.
  16. Klaus
    Sergio Pablos’s film is essentially a metaphor for its own unique and refreshing mode of expression.
  17. The King
    If only the film made more of the curious tension between Timothée Chalamet’s Henry and Robert Pattinson’s dauphin.
  18. Primal
    The film too often suggests an Under Siege that’s been pointlessly larded with critters from Jumanji.
  19. The Kingmaker
    The film confirms that the ruthless knack of the wealthy and powerful to remain so is a universal impulse.
  20. Redoubt
    Matthew Barney re-instills nature with some of the mystic aura that modernity, with its technologies and techniques of knowledge, has robbed it of.
  21. Doctor Sleep
    Like a traumatized psyche, it remains uncomfortably stuck in the past, replaying familiar events in an effort to empty them of terror.
  22. Light From Light
    Only in focusing so thoroughly on the normal does Paul Harrill’s film stumble upon the paranormal.
  23. Adopt a Highway
    Viewed charitably, Logan Marshall-Green’s sketchy protagonist and vague atmosphere are meant to achieve the effect of a parable.
  24. The World is Full of Secrets
    Graham Swon undermines our expectations of horror-movie conceits, attempting to tap the primordial manna of oral storytelling.
  25. American Dharma
    The film feels rather like listening to the arsonist calmly explain why he set the fire as we continue to watch it rage.
  26. Countdown
    If there’s an ethos that Justin Dec’s film believes in, it’s only that “death sucks.”
  27. Paradise Hills
    Alice Waddington’s sci-fi fantasy never finds a cohesive story wrapper for its themes.
  28. Frankie
    Only Marisa Tomei’s face can compete with Isabelle Huppert’s ability to turn even the sappiest of scenarios into a nuanced tour de force.
  29. Dolemite Is My Name
    After its promising first act, Craig Brewer’s film becomes a series of fleeting bits, allowing questions to pile up.
    • 54 Metascore
    • 50 Critic Score
    Terminator: Dark Fate
    The film is good enough to redeem the bad taste that lingered from its predecessors but too uninspired to make one want more.
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