For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jake Cole
There’s a hint of Jane Campion’s own uncanny perversion of the banal throughout Lara Jean Gallagher’s film.- Slant Magazine
- Posted May 4, 2020
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Reviewed by
Derek Smith
The film’s devotion to the belief that kindness can be a balm for almost any hurt is deeply moving.- Slant Magazine
- Posted May 3, 2020
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Chuck Bowen
The film’s early scenes turn the stuff of paying bills and managing kids into manna for an unsettlingly intimate domestic thriller.- Slant Magazine
- Posted May 3, 2020
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Reviewed by
Pat Brown
Around his main character, writer-director César Díaz builds a complex but unpretentious interrogation of national belonging.- Slant Magazine
- Posted Apr 29, 2020
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Chuck Bowen
The filmmakers don’t examine the psychological terror, the bitterness, and lust that gave rise to many of the works they cherish.- Slant Magazine
- Posted Apr 28, 2020
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Reviewed by
Chuck Bowen
Director Annie Silverstein tries to enrich the tropes of her class-conscious buddy scenario by canceling them out.- Slant Magazine
- Posted Apr 26, 2020
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Reviewed by
Steven Scaife
Rather than a simplistic, straightforward parable of greed, Bad Education depicts its true events with a surprising amount of depth and ambiguity.- Slant Magazine
- Posted Apr 25, 2020
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Reviewed by
Pat Brown
Chris Hemsworth’s hyperbolically skilled soldier is borne of childish fantasies about the order of the world.- Slant Magazine
- Posted Apr 22, 2020
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- Critic Score
Often feels like a cross between a TED talk and a memorial service, but one gets the sense that Diamond and Horovitz are finally getting years’ worth of grief off their chests. The cumulative effect is, at the very least, touching.- Slant Magazine
- Posted Apr 20, 2020
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Reviewed by
Derek Smith
The film gives palpable expression to the sense of hopelessness felt by those who fall under the control of cults.- Slant Magazine
- Posted Apr 20, 2020
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Pat Brown
In more than one sense, Justin Kurzel’s aggressively strange film queers the myth of the oft-lionized Ned Kelly.- Slant Magazine
- Posted Apr 20, 2020
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Steven Scaife
Through its exploration of Selah’s complexities, as well as the bravado and posturing that comes with being a credible drug dealer, Selah and the Spades locates a larger truth about the presentation of self and maintaining one’s image.- Slant Magazine
- Posted Apr 16, 2020
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Reviewed by
Ed Gonzalez
Carné’s France, unlike the fiddle-dee-dee of Victor Fleming’s cotton pickin’ South, is a poetic realist’s wonderland, a gateway to a dreamworld where human laws are mere judicial errors and love is so painful to hold onto it can only be savored in the moment.- Slant Magazine
- Posted Apr 16, 2020
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Chuck Bowen
Only Michel Shannon’s off-kilter timing brings The Quarry to sporadic life.- Slant Magazine
- Posted Apr 14, 2020
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Carson Lund
There’s a moving study within the film of a man in emotional paralysis learning to redirect his love from the past to the present, but it’s too often obscured by a muted revenge yarn that’s no less banal because it’s tastefully directed.- Slant Magazine
- Posted Apr 14, 2020
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Pat Brown
At its best, the film doesn’t just privilege altered states of consciousness, it is an altered state of consciousness.- Slant Magazine
- Posted Apr 10, 2020
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Steven Scaife
The film’s cat-and-mouse antics play out with no sense of escalation or invention.- Slant Magazine
- Posted Apr 6, 2020
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- Slant Magazine
- Posted Apr 6, 2020
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Reviewed by
Derek Smith
The film vibrantly articulates all that’s lost when people are held under the draconian decree of warlords.- Slant Magazine
- Posted Apr 1, 2020
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Keith Watson
The film ultimately depicts a world in which people are left with no other option but to devour their own.- Slant Magazine
- Posted Mar 31, 2020
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David Robb
The film’s use of scale to drive home the absurdity of its characters’ actions sometimes calls to mind Werner Herzog’s tragicomic existentialism, as well as early silent cinema.- Slant Magazine
- Posted Mar 23, 2020
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Henry Stewart
This a parable about adulthood boasts deeply cynical takes on home, community, and childrearing.- Slant Magazine
- Posted Mar 21, 2020
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Chris Barsanti
The film functions as a handsomely mounted biopic that tells a little-known story with considerable passion.- Slant Magazine
- Posted Mar 21, 2020
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Reviewed by
Derek Smith
The film speaks lyrically to a peoples’ determination to find a meaningful way to live in a rapidly changing modern world.- Slant Magazine
- Posted Mar 19, 2020
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Reviewed by
Chris Barsanti
Without Margo Martindale, the film would be a sharp and tightly constructed nautical noir. With her, it becomes a memorable one.- Slant Magazine
- Posted Mar 18, 2020
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Reviewed by
Chuck Bowen
In Deerskin, Quentin Dupieux mines the absurdism that is his signature with newfound forcefulness.- Slant Magazine
- Posted Mar 16, 2020
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Reviewed by
Pat Brown
Given its hero’s imperviousness, the film’s chaotically edited action sequences tend to be devoid of suspense.- Slant Magazine
- Posted Mar 11, 2020
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Reviewed by
Henry Stewart
The film was almost canceled for being too partisan, so it’s ironic to discover that it’s practically apolitical.- Slant Magazine
- Posted Mar 11, 2020
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Carson Lund
Thomas Heise’s documentary seeks to excavate real human thought and feeling beneath the haze of larger political structures.- Slant Magazine
- Posted Mar 10, 2020
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Reviewed by
Steven Scaife
It comes across like yet another casualty in the long line of stories about men having their eyes opened by their angelic girlfriends.- Slant Magazine
- Posted Mar 9, 2020
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