Slant Magazine's Scores

Select another publication »
For 7,767 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,344 out of 7767
  2. Mixed: 1,490 out of 7767
  3. Negative: 1,933 out of 7767
7767 movie reviews
view
per page
  1. Citizen Gangster
    Its commentary on our fascination with law-breakers is virtually nonexistent, except to the extent that the film itself revels in the doomed romanticism of its own protagonist.
    • 51 Metascore
    • 50 Critic Score
    96 Minutes
    Director Aimee Lagos seems to be at odds with her own film, like a well-meaning but controlling parent hell-bent on choosing a child's college, major, and fraternity for them.
  3. Warriors of the Rainbow: Seediq Bale
    There's something to be said about a two-and-a-half-hour war epic that manages to make each of its countless decapitation scenes feel earned, even called for, in the moment.
  4. The Giant Mechanical Man
    It's a simple story of simple people intentionally told in simple terms, and the only issues with which it's concerned are those of pure personal connection.
  5. Safe
    Safe's primary contribution to the burgeoning Jason-Statham-kicks-everyone's-ass subgenre is setting three of its set pieces in crowded New York City venues (a subway car, a hotel dining room, and a Chinatown nightclub) where shootouts lead to believable mass-exodus pandemonium.
  6. Jean Gentil
    Filmmakers Laura Amelia Guzmán and Israel Cárdenas have crafted a beautiful tale of alienation, solitude, and existential anxiety.
  7. Elles
    The film is ultimately draining because of the way it handles Anne, stranding a potentially dynamic character in two dueling scenarios, both of which are drab and unsurprising.
  8. The Day He Arrives
    The geometry of human relationships is the main theme of Hong Sang-soo's The Day He Arrives.
    • 30 Metascore
    • 25 Critic Score
    My Way
    Many films are saved in the editing room, but how many are ruined there?
  10. Marley
    The bloat and heft of Marley's narrative scope leaves the viewer awash in a sea of historical "facts" with very little sense of the human experience behind the curtain of celebrity.
  11. Going Down in LA-LA Land
    Director Casper Andreas does a good job conserving a simultaneous sense of disgust and attraction for the way big-city dreams end up stripping off wannabes from everything but their bodies.
  12. Inside Hana's Suitcase
    A film relating a story of the Holocaust is destined to provoke a number of adjectives, but "cloying" shouldn't be one of them.
    • tbd Metascore
    • 75 Critic Score
    Snow on Tha Bluff
    Questions of authenticity aside, Damon Russell evinces a shrewd understanding of how to juxtapose the handheld camera's finite sightline with the bursts of chaos that suddenly invade it.
  14. The Lucky One
    At this point, Sparksian romances unfold via their own preordained formula, and measures of their merits largely hinge on how well each can bend the cookie-cutter.
  15. To the Arctic
    Though the film is light on anthropomorphization, its aesthetic is nothing if not infantile.
  16. Whores' Glory
    While Michael Glawogger does make overtures in the wrong directions, he usually seems to know where to steer his material.
  17. Fightville
    Fightville's most worthwhile material tends to lie in the space between what its subjects say and what we know to be true.
  18. Chimpanzee
    The astonishing footage of apes in their natural environment is made perfectly accessible and then nearly undone by a narration track that plays to the audience's basest desires for gag-inducing cuteness.
  19. Think Like a Man
    Unfortunately, like so many women have prophesized regarding the weaker gender's lack of commitment, there's just not enough follow through.
  20. The Moth Diaries
    This is one vampire film whose sexless, generic ending betrays a promise of revisionist complexity.
  21. Goodbye First Love
    A poignant sense of time's unyielding forward progress and a mood of deep adolescent sorrow aren't enough to overshadow the insufferable blankness of Goodbye First Love's navel-gazing protagonists.
  22. Downtown Express
    The movie's final act tries, somewhat admirably, to consolidate the plot's myriad interpersonal conflicts.
  23. Darling Companion
    A lost-dog drama so insufferable it makes one wish its human characters would also run off and never return.
  24. The Three Stooges
    After what seems like an eternity of inanity and incompetence in the realm of Cats & Dogs and Squeakquels, the Farrelly brothers' direction is downright classical.
  25. Oki's Movie
    Hong Sang-soo once again corroborates auteurist theory at the same time that he reveals the potential shortcomings of its practice.
  26. Kids of Today
    While this uncataloguable and entrancing film gazes back in nostalgia to a time of performance-art priapism when everyone seems to have known Warhol, it also leaves room for a particularly hopeful diagnosis of the present.
  27. Life Happens
    L!fe Happens wants us to believe its message is one of female independence and empowerment.
  28. Unraveled
    Marc H. Simon's documentary has the thrust of a great American noir or black comedy.
  29. Last Will and Embezzlement
    The doc is so obnoxiously simplistic that you find yourself strangely unsympathetic to its objectively inarguable aim to promote greater standards of elder care.
    • 78 Metascore
    • 63 Critic Score
    A Simple Life
    A Simple Life may have one of the most accurate titles in all of cinema, as the film has a bracingly casual sense of day-to-day working-class life that recalls the films of Jean Renoir or, more recently, Olivier Assayas.
Page:

Top Trailers

See all »
See all trailers »