For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Chuck Bowen
The film is a tedious narrative shambles that's almost hilariously unaware of its racism and sexism.- Slant Magazine
- Posted Jun 5, 2012
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Reviewed by
Jaime N. Christley
In spite of its lazy, cookie-cutter screenplay, simple narrative mechanics are only dutifully observed to the extent that they step aside to make way for numerous flights of madness.- Slant Magazine
- Posted Jun 5, 2012
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Reviewed by
Nick Schager
A coherent characterization of Robert Pattinson's striving schemer is nowhere to be found in this pedestrian period piece.- Slant Magazine
- Posted Jun 4, 2012
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Reviewed by
Andrew Schenker
A year in the life of a young woman unhappy in love and uncertain in career, Lola Versus could easily be faulted for the narrowness of its worldview.- Slant Magazine
- Posted Jun 4, 2012
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Reviewed by
Andrew Schenker
What saves the film from being simply a schematic mother-daughter reconciliation drama is both the reluctance and prickliness that Catherine Keener brings to her character.- Slant Magazine
- Posted Jun 4, 2012
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Reviewed by
Jesse Cataldo
More focused on emotion than adventure, it teases out the possibilities and perils of time travel without embroiling itself in the confusion inherent to the subject.- Slant Magazine
- Posted Jun 4, 2012
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- Critic Score
Its scope is too limited for it to muster much of a response in us beyond basic titillation. And there are plenty of better places to go for that.- Slant Magazine
- Posted Jun 1, 2012
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- Critic Score
Sean Byrne endows his rote slasher material with the kind of blackly comic wit and levity that virtually guarantee its entry into the contemporary midnight-movie canon.- Slant Magazine
- Posted May 31, 2012
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Reviewed by
Chuck Bowen
The film is ultimately too concerned with courting the singer's fans to deliver anything more than a theatrical release of a very special episode of VH1's Behind the Music.- Slant Magazine
- Posted May 30, 2012
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Reviewed by
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Reviewed by
Bill Weber
A banal "poetic" drama of a grieving stranger licking his wounds in a bayside Michigan town.- Slant Magazine
- Posted May 30, 2012
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Reviewed by
Ed Gonzalez
As feminist fantasy, the film is non-committal, and as a reimagining of the fairy tale, it's at best expensive-looking without seeming wantonly so.- Slant Magazine
- Posted May 30, 2012
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Reviewed by
Kenji Fujishima
In the director's preference for above-it-all contempt over tough-minded empathy, the film ends up seeming little more than an 89-minute hatefest.- Slant Magazine
- Posted May 29, 2012
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Reviewed by
Bill Weber
A righteously outraged documentary targeting the "warm and fuzzy" iconography of the breast cancer fundraising bureaucracy and its camouflage of corporate priorities.- Slant Magazine
- Posted May 29, 2012
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- Critic Score
Although it adheres to the tried-and-true sports-movie formula of an underdog team striving to overcome their limitations to become winners, Crooked Arrows lacks captivating emotional momentum.- Slant Magazine
- Posted May 29, 2012
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Reviewed by
Joseph Jon Lanthier
An animated film with the cozy charm of an advertisement for Starbucks French Roast, A Cat in Paris is all design and no danger.- Slant Magazine
- Posted May 29, 2012
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Reviewed by
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- Slant Magazine
- Posted May 29, 2012
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Reviewed by
R. Kurt Osenlund
Julia Murat shows a fine grasp of form, letting her technique reflect the elements and moods of her story.- Slant Magazine
- Posted May 29, 2012
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Reviewed by
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- Critic Score
The film offers Tom Sizemore the perfect opportunity to prove himself worthy of a comeback. Alas, he fails spectacularly.- Slant Magazine
- Posted May 29, 2012
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Reviewed by
Andrew Schenker
The film is far too indulgent with its lead character to do more than hint at the ways that one form of male egotism can morph into another.- Slant Magazine
- Posted May 29, 2012
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Reviewed by
Chris Cabin
The documentary provides a birdsong of perseverance in the face of irrational violence, immense historic anger, and grim, seemingly insurmountable realities.- Slant Magazine
- Posted May 29, 2012
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Reviewed by
Andrew Schenker
The film is awash in blandly brown-toned cinematography, action scenes more violent than rousing, and a whole host of bathetic subplots.- Slant Magazine
- Posted May 27, 2012
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Reviewed by
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Reviewed by
Nick Schager
As sure as marijuana gets you high, you can count on weed-themed comedies cropping up every few years, each hoping to become a stoner-classic staple--a fate to which High School falls far short of achieving.- Slant Magazine
- Posted May 27, 2012
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Reviewed by
Ed Gonzalez
John Gulager is neither artist nor genius, bringing only straight-to-video conviction to Piranha 3DD.- Slant Magazine
- Posted May 27, 2012
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Reviewed by
Nick Schager
With the faux-verité aesthetics of [Rec], the American-tourists-in-Eastern-European-hell setup of Hostel, and the brain of a mushy radioactive mutant zombie thingie, Chernobyl Diaries is little more than decomposed horror leftovers.- Slant Magazine
- Posted May 25, 2012
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A tender, painful, and frustrating work of vulnerability, and because of this in some ways deflects critical commentary.- Slant Magazine
- Posted May 24, 2012
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Reviewed by
Diego Semerene
A lighthearted critique on the fetishized notion of the "non-actor," the ethics (or lack thereof) of the "docudrama," and the packaging of national despair for exportation.- Slant Magazine
- Posted May 23, 2012
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- Critic Score
More like an attempt to reenergize a franchise than rebottle the lightning that electrified the original.- Slant Magazine
- Posted May 23, 2012
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- Critic Score
Redlegs may be "raw," but it's meaningless. That's something Cassavetes would have never abided.- Slant Magazine
- Posted May 22, 2012
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Reviewed by
Joseph Jon Lanthier
A cheeky dream-drama about the friendship between a rich, white quadriplegic and a penurious black job-seeker, the premise of The Intouchables alone nearly renders analysis redundant.- Slant Magazine
- Posted May 22, 2012
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Reviewed by
Rob Humanick
The exquisite live-action Quill: The Life of a Guide Dog may be the family film of the year.- Slant Magazine
- Posted May 22, 2012
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Reviewed by