For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jaime N. Christley
After a few turns in the modest narrative, an unlikely sense of structural resilience begins to emerge.- Slant Magazine
- Posted May 8, 2012
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Reviewed by
Chuck Bowen
The conclusion is a testament to the fact that authentic justice is probably only attainable by accident.- Slant Magazine
- Posted May 8, 2012
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Reviewed by
Kenji Fujishima
A wide-ranging piece of literary criticism brought to vivid cinematic life, bursting with ideas and inspired visual translations of them.- Slant Magazine
- Posted May 8, 2012
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Reviewed by
Andrew Schenker
Suffers from both an odd, ineffective structure and a low-key tone that jars uncomfortably with the subject matter and makes the film's stakes seem unnecessary low.- Slant Magazine
- Posted May 8, 2012
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Reviewed by
Chris Cabin
The film's narrative conceit is so rigidly formulaic and lethargically spun that even the looseness and spontaneity that the setting affords feels dull and constricting.- Slant Magazine
- Posted May 8, 2012
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Michael Nordine
I Wish has a tough time balancing the heartfelt with the saccharine and too often feels slight.- Slant Magazine
- Posted May 7, 2012
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Reviewed by
Nick Schager
By wholeheartedly taking its main character's side instead of complicating or censuring his homicidal vigilante crusade, it proves inanely one-note and preachy.- Slant Magazine
- Posted May 7, 2012
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Reviewed by
Ed Gonzalez
For a spell, the film gets by on its unpretentious flair for atmosphere, even its disconcerting nonsensicality.- Slant Magazine
- Posted May 7, 2012
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Reviewed by
Nick Schager
Girl in Progress operates like a training-wheels melodrama for genre-uneducated tweens.- Slant Magazine
- Posted May 7, 2012
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- Critic Score
The documentary twists out its six narrative threads with measured compassion and even-handedness.- Slant Magazine
- Posted May 4, 2012
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- Slant Magazine
- Posted May 4, 2012
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Reviewed by
Diego Semerene
Having the far from goody-goody Kathleen Turner play a holier-than-thou mother bent on winning a devout church title is an inherently hilarious premise.- Slant Magazine
- Posted May 3, 2012
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Reviewed by
Andrew Schenker
Unsurprisingly for a film detailing terminal disease, this is a largely solemn affair, often verging on morbidity in its elongated deathwatch.- Slant Magazine
- Posted May 3, 2012
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Joseph Jon Lanthier
Don't let the women's smirks and wordplay fool you: The fact that art is eternal often makes it more horrifying than life itself.- Slant Magazine
- Posted May 2, 2012
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Reviewed by
R. Kurt Osenlund
The film is home to some unique redeeming factors, but it panders to viewers by diluting its lesson, which teaches that some comfort zones can only be truly abandoned on the other side of the world.- Slant Magazine
- Posted May 2, 2012
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Reviewed by
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Reviewed by
Jaime N. Christley
While The Avengers exhibits exemplary craftsmanship, Joss Whedon hasn't made a great film.- Slant Magazine
- Posted May 2, 2012
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Reviewed by
Nick Schager
Chris Fisher so over-directs his material that the action takes on the sheen of a parody or, at least, of a film that doesn't realize its clichés are being exaggerated to the point of absurdity.- Slant Magazine
- Posted May 1, 2012
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Reviewed by
Chuck Bowen
Phillip Montgomery's film is ironically as undeveloped and busy as the sensational media it criticizes.- Slant Magazine
- Posted May 1, 2012
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Reviewed by
Glenn Heath Jr.
For a film that often veers into potentially absurd territory, You Hurt My Feelings shows a great deal of sensitivity toward its sad-sack characters.- Slant Magazine
- Posted May 1, 2012
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Reviewed by
Chuck Bowen
The script simply isn't in the same league as the images that Andrew Dosunmu and the gifted cinematographer Bradford Young have fashioned.- Slant Magazine
- Posted May 1, 2012
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Reviewed by
Andrew Schenker
Both an informative bit of agitprop and an ultra slick and slightly self-satisfied bit of entertainment.- Slant Magazine
- Posted Apr 30, 2012
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Reviewed by
Ed Gonzalez
The title alone invites you to cuss at this smug film, and you may do so the second you catch a whiff of the portentous first shot: a Wes Anderson put-on.- Slant Magazine
- Posted Apr 30, 2012
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Reviewed by
Glenn Heath Jr.
Documentarian and subject, past and present blur together like bleeding watercolors in Raymond De Felitta's gripping memoir.- Slant Magazine
- Posted Apr 28, 2012
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Reviewed by
Jaime N. Christley
While full of welcome gore and blood spatter, it's bankrupt of any creative spark.- Slant Magazine
- Posted Apr 26, 2012
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Reviewed by
Chuck Bowen
The film is content as it is to run clever one-liners and 19th-century pop-cultural references into the same comedic whirlpool.- Slant Magazine
- Posted Apr 25, 2012
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- Critic Score
While very informative, it doesn't work as an introduction to kibbutzim because it requires the viewer to have some prior knowledge of the history of Israel.- Slant Magazine
- Posted Apr 25, 2012
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Reviewed by
Jesse Cataldo
While the documentary offers us a story that needs to be told, it does so in very non-Joffrey ways.- Slant Magazine
- Posted Apr 25, 2012
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A surprisingly shapeless true-crime farce which never creates a convincing context for the odd relationship between a pious East Texas mortician and his sugar mama.- Slant Magazine
- Posted Apr 25, 2012
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Reviewed by
Andrew Schenker
The film proves that neither gross-out gags nor pseudo-sophisticated Woody Allenisms are necessary to make a smart, funny comedy.- Slant Magazine
- Posted Apr 25, 2012
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Reviewed by
Bill Weber
This documentary on the many forms of human debt, though often frustratingly broad, offers a path to balancing civilization's ledger with a hard-nosed brand of altruism.- Slant Magazine
- Posted Apr 24, 2012
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Reviewed by