Slant Magazine's Scores

For 7,767 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7767 movie reviews
  1. After a few turns in the modest narrative, an unlikely sense of structural resilience begins to emerge.
  2. The conclusion is a testament to the fact that authentic justice is probably only attainable by accident.
  3. A wide-ranging piece of literary criticism brought to vivid cinematic life, bursting with ideas and inspired visual translations of them.
  4. Suffers from both an odd, ineffective structure and a low-key tone that jars uncomfortably with the subject matter and makes the film's stakes seem unnecessary low.
  5. The film's narrative conceit is so rigidly formulaic and lethargically spun that even the looseness and spontaneity that the setting affords feels dull and constricting.
  6. I Wish has a tough time balancing the heartfelt with the saccharine and too often feels slight.
  7. By wholeheartedly taking its main character's side instead of complicating or censuring his homicidal vigilante crusade, it proves inanely one-note and preachy.
  8. For a spell, the film gets by on its unpretentious flair for atmosphere, even its disconcerting nonsensicality.
  9. Girl in Progress operates like a training-wheels melodrama for genre-uneducated tweens.
    • 72 Metascore
    • 75 Critic Score
    The documentary twists out its six narrative threads with measured compassion and even-handedness.
    • 34 Metascore
    • 0 Critic Score
    A home-invasion film like Mother's Day is elongated coitus interruptus.
  10. Having the far from goody-goody Kathleen Turner play a holier-than-thou mother bent on winning a devout church title is an inherently hilarious premise.
  11. Unsurprisingly for a film detailing terminal disease, this is a largely solemn affair, often verging on morbidity in its elongated deathwatch.
  12. Don't let the women's smirks and wordplay fool you: The fact that art is eternal often makes it more horrifying than life itself.
  13. The film is home to some unique redeeming factors, but it panders to viewers by diluting its lesson, which teaches that some comfort zones can only be truly abandoned on the other side of the world.
  14. While The Avengers exhibits exemplary craftsmanship, Joss Whedon hasn't made a great film.
  15. Chris Fisher so over-directs his material that the action takes on the sheen of a parody or, at least, of a film that doesn't realize its clichés are being exaggerated to the point of absurdity.
  16. Phillip Montgomery's film is ironically as undeveloped and busy as the sensational media it criticizes.
  17. For a film that often veers into potentially absurd territory, You Hurt My Feelings shows a great deal of sensitivity toward its sad-sack characters.
  18. The script simply isn't in the same league as the images that Andrew Dosunmu and the gifted cinematographer Bradford Young have fashioned.
  19. Both an informative bit of agitprop and an ultra slick and slightly self-satisfied bit of entertainment.
  20. The title alone invites you to cuss at this smug film, and you may do so the second you catch a whiff of the portentous first shot: a Wes Anderson put-on.
  21. Documentarian and subject, past and present blur together like bleeding watercolors in Raymond De Felitta's gripping memoir.
  22. While full of welcome gore and blood spatter, it's bankrupt of any creative spark.
  23. The film is content as it is to run clever one-liners and 19th-century pop-cultural references into the same comedic whirlpool.
    • 67 Metascore
    • 50 Critic Score
    While very informative, it doesn't work as an introduction to kibbutzim because it requires the viewer to have some prior knowledge of the history of Israel.
  24. While the documentary offers us a story that needs to be told, it does so in very non-Joffrey ways.
    • 75 Metascore
    • 38 Critic Score
    A surprisingly shapeless true-crime farce which never creates a convincing context for the odd relationship between a pious East Texas mortician and his sugar mama.
  25. The film proves that neither gross-out gags nor pseudo-sophisticated Woody Allenisms are necessary to make a smart, funny comedy.
  26. This documentary on the many forms of human debt, though often frustratingly broad, offers a path to balancing civilization's ledger with a hard-nosed brand of altruism.

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