For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
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| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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- Critic Score
If you need it, the documentary offers a devastating, and often beautifully shot, reality check.- Slant Magazine
- Posted Nov 4, 2012
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Reviewed by
Joseph Jon Lanthier
Tim Heidecker's Swanson does not amuse us in spite of the pity he inspires but because of it.- Slant Magazine
- Posted Nov 4, 2012
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R. Kurt Osenlund
Steven Spielberg's film may further the heroism so associated with its subject, and favor a liberal viewpoint that leers down at the Confederates, but it's no bleeding-heart glamorization.- Slant Magazine
- Posted Nov 2, 2012
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Reviewed by
Steve Macfarlane
The chop-socky wire-fu scenes are beautifully choreographed, but pretty crudely edited; despite its gourmet neo-grindhouse trappings, the film won't bring the heat like you've never seen before.- Slant Magazine
- Posted Nov 1, 2012
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- Critic Score
While the film succeeds in creating a beautiful setting and portends of things to come from Defurne, it ultimately fails to give life to its main character - and no tale of pent-up teenage frustration should be as subdued and pretty as this.- Slant Magazine
- Posted Oct 31, 2012
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Reviewed by
Diego Semerene
A Man's Story does a major disservice to an artiste of fashion with a pretty amazing and prolific oeuvre by reducing him to a Bravo-like personality - a personality whose pettiness Boateng's work, though perhaps not his ego, clearly exceeds.- Slant Magazine
- Posted Oct 31, 2012
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Reviewed by
Zeba Blay
Scenes of the pair staring longingly into each other's eyes go on for so long that they become devoid of meaning, not unlike the film's alchemical fusion of genres.- Slant Magazine
- Posted Oct 31, 2012
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- Slant Magazine
- Posted Oct 31, 2012
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Reviewed by
Nick McCarthy
A muted soap opera masquerading as erudite ensemble piece, Yaron Zilberman's A Late Quartet jettisons character plausibility in favor of pop psychology and leaden instrument analogies.- Slant Magazine
- Posted Oct 31, 2012
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Steve Macfarlane
It's a pretty tired proposition to complain about movies being manipulative, but Café de Flore sets the bar especially low.- Slant Magazine
- Posted Oct 31, 2012
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Kenji Fujishima
"You should always be happy." That's a succinct encapsulation of the proudly optimistic spirit animating this joyous film, a worldview which the rest of Girl Walk // All Day illustrates with a combination of thrilling street ballet, exultant music, and unflagging verve.- Slant Magazine
- Posted Oct 31, 2012
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Graham Chapman's story, frankly, is better served by his Wikipedia page.- Slant Magazine
- Posted Oct 29, 2012
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Reviewed by
Chris Cabin
The Bay is Barry Levinson's most engaged and entertaining movie since "Wag the Dog," which isn't to say that he's given up his irksome predilection for a certain bullish type of liberalism.- Slant Magazine
- Posted Oct 29, 2012
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Andrew Schenker
A sense of anachronism is what provides the film with its melancholy heart.- Slant Magazine
- Posted Oct 29, 2012
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Nothing but broad, pandering indexes tailored to appeal to the arcade wistfulness the film never even bothers to convincingly evoke.- Slant Magazine
- Posted Oct 28, 2012
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Reviewed by
Joseph Jon Lanthier
The film believes in maturity, but only as a freely continual process of acceptance.- Slant Magazine
- Posted Oct 28, 2012
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Andrew Schenker
The Details is as smug and self-satisfied as its privileged lead character.- Slant Magazine
- Posted Oct 28, 2012
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Bond's latest is a remarkable high watermark for the series: at once solemn and deeply funny, sexy and sad, self-conscious without all the rib-bruising elbowing.- Slant Magazine
- Posted Oct 26, 2012
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- Critic Score
Silent Hill: Revelation fundamentally misunderstands the appeal its source material.- Slant Magazine
- Posted Oct 26, 2012
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R. Kurt Osenlund
It pairs modern attitude with John Hughesian tropes, and it's odd enough, in spurts, to boast originality.- Slant Magazine
- Posted Oct 25, 2012
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Reviewed by
Chris Cabin
The filmmakers' kinship to Moriarity is obvious, and it makes for a tone of unflinching hope and optimism, though it leaves little room for grit or nuance.- Slant Magazine
- Posted Oct 25, 2012
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Reviewed by
Chuck Bowen
Scott Thurman captures not only the fear and anti-intellectual resentment and insecurity that govern the dictations of the far right, but also the rampant unchecked egotism.- Slant Magazine
- Posted Oct 23, 2012
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Glenn Heath Jr.
Do we really need another cautionary tale about an ambitious drug dealer dramatically falling from grace?- Slant Magazine
- Posted Oct 23, 2012
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Reviewed by
Ed Gonzalez
The states get higher with every breadcrumb Luis Tosar's creep lays down, and the film derives sometimes remarkable corkscrew tension from watching him being backed into a corner.- Slant Magazine
- Posted Oct 23, 2012
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Reviewed by
Joseph Jon Lanthier
Its episodic nature poses a narrative challenge that director Josh Aronson's just barely feature-length documentary can't quite surmount.- Slant Magazine
- Posted Oct 23, 2012
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Reviewed by
Andrew Schenker
This decision to avoid treating the dinosaurs as surrogate people for easy identification is both the film's boldest move and the source of much of its problems.- Slant Magazine
- Posted Oct 23, 2012
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Chuck Bowen
Paranormal Activity 4 sadly continues the series' downslide, most drearily with a mid-film twist that enables the filmmakers to go about essentially remaking the second entry.- Slant Magazine
- Posted Oct 19, 2012
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- Critic Score
It pays to consider even the small details of society's greatest investment in the future: our future generations.- Slant Magazine
- Posted Oct 18, 2012
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Reviewed by
Steve Macfarlane
Essentially a live-action anime, it sweats rivulets of Tarantino-era digital anxiety from all pores--every kick, punch, pan, and zoom exaggerated for maximum impact.- Slant Magazine
- Posted Oct 18, 2012
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Reviewed by
Diego Semerene
Sassy Pants has a slightly ludic atmosphere akin to another tale of teen alienation, Dear Lemon Lima, but it unfolds like a fable in which only Bethany doesn't feel like a canned caricature.- Slant Magazine
- Posted Oct 18, 2012
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