Slant Magazine's Scores

Select another publication »
For 7,767 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,344 out of 7767
  2. Mixed: 1,490 out of 7767
  3. Negative: 1,933 out of 7767
7767 movie reviews
view
per page
  1. On the Road
    The lack of a strong expository voice further simplifies the wealth of explicit sex Walter Salles dramatizes, much of it drawn from juicy swathes of Jack Kerouac's only recently published original scroll.
    • 67 Metascore
    • 63 Critic Score
    Aquí y Allá (Here and There)
    It's a confident vision, but its aversion to sentiment has the intended but unfortunate effect of making the characters' disconnects our own.
    • 86 Metascore
    • 75 Critic Score
    Barbara
    Most compelling in Christian Petzold's latest is the way the filmmaker adeptly conducts his tides of Cold War paranoia.
  4. This Is 40
    It certainly suffers from the staleness of its off-the-cuff, improv-inspired mode of comedy, which prizes free-form riffing over organically constructed comedic scenarios.
    • 79 Metascore
    • 100 Critic Score
    Tabu
    The pangs of romance, eroticism, anguish, and longing (both for the stolen moments of private passion and for the sense-making schematics of Empire) transcend any period of cinema Tabu may evoke.
  6. Stand Up Guys
    Fails to plumb the dramatic depths of its setups, but every now and then the actors pick up the slack, filling in the blanks with three decades's worth of mythic resonance.
  7. Saving Grace B. Jones
    This cumbersome and graceless 1950s-set period drama possesses the reactionary life insights and amateurish production values of a Lifetime soap.
  8. Save the Date
    What's worst about the film is how it appropriates its main character's noncommittal selfishness to support its own quaint, anti-establishment themes.
  9. Any Day Now
    Its most redeeming quality is that it isn't so quick to neuter its queer characters into a package-friendly "gay couple" aesthetic a la Modern Family.
    • 95 Metascore
    • 75 Critic Score
    Zero Dark Thirty
    Doubtless, Kathryn Bigelow's greatest strengths emerge when she can more freely flex her muscles as an action filmmaker.
    • 81 Metascore
    • 63 Critic Score
    Django Unchained
    While the rush toward a conventional climax is confusing, and more than a little disappointing, there's an undeniable pleasure that emerges in seeing Tarantino juggle the dynamite of his ideas, even when they prematurely pop off in his face.
    • 81 Metascore
    • 100 Critic Score
    Consuming Spirits
    Not only a monstrous visual achievement, but one of the most uniquely humanistic animated features of all time.
  13. Let Fury Have the Hour
    On a political level, the film is far from a Godardian dialectic, so the view of history that emerges is, to say the least, blinkered.
  14. Jason Becker: Not Dead Yet
    Jesse Vile's film, despite its best intentions, is merely a serviceable extension of his own fandom.
  15. The Girl
    Uses the perils of immigrating to this country without papers as a backdrop for a poor white American woman's bumpy path to enlightenment.
  16. Yelling to the Sky
    The film avoids most of its genre's pratfalls, though it also shows little interest in transcending them.
  17. The Loving Story
    Perhaps the strongest aspect of the documentary is that it allows the Lovings to tell their story in their own words.
  18. The Hobbit: An Unexpected Journey
    The film, still only clearing its throat, hints at a wellspring of emotional riches to come.
    • 63 Metascore
    • 25 Critic Score
    Les Miserables
    One would be hard-pressed to describe this, despite the wealth of beauty on display, as anything but an ugly film, shot and cut ineptly.
  20. In Our Nature
    In Our Nature's visual style seems plastered on or allocated, not developed with any sort of authorial singularity.
  21. The Rabbi's Cat
    Despite its flaws, the film is at least a consistent vision, attesting through both its story and animation to the rabbi's right to be different while also striving for human solidarity.
    • 49 Metascore
    • 25 Critic Score
    Cheerful Weather for the Wedding
    The Donald Rice film suffers most from an excessively blunt approach.
  23. Lay the Favorite
    Hollywood celebrities romping around in a candy-colored Alexa-shot criminal underworld, pretty much as a means of passing time.
  24. Playing for Keeps
    Gabriele Muccino's film is knee-deep in "don't hate the player, hate the game" territory.
  25. Promised Land
    Gus Van Sant's new film offends for how it views the struggles of the landowners at the heart of its story as subservient to their oppressor's triumph of the spirit.
    • 40 Metascore
    • 63 Critic Score
    Bad Kids Go to Hell
    The film's unlikely combination of didacticism and sexy teen slaughter signals a booming trend: the Occupy horror flick.
  27. Wagner & Me
    Even when Wagner & Me seems uneven as an art historical study, it's fairly successful as a travelogue.
  28. The Sheik and I
    The film is ultimately more concerned with Caveh Zahedi's attempts to pursue a variety of dull passing fancies than with any larger agenda.
    • 50 Metascore
    • 38 Critic Score
    Off-White Lies
    Elya Inbar is a surprisingly commanding screen presence, but she's contending with a screenplay plagued by contrivance--a battle few could win.
  30. Heleno
    The film hints at a kicky, impressionistic style that director José Henrique Fonseca never effectively employs to actually communicate Heleno de Freitas's demons.
Page:

Top Trailers

See all »
See all trailers »