Slant Magazine's Scores

For 7,768 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7768 movie reviews
    • 71 Metascore
    • 50 Critic Score
    Like its protagonist, the film sells out for the security of convention and complacency.
  1. While Jonathan Lisecki is well in tune with his film's niche market, his knack for comedy, both visual and verbal, is universally hilarious.
  2. The film never really goes soft, as Jordan Roberts never loses sight of the fact that these toxic nincompoops are authentically bad for one another.
  3. Throughout, it becomes clear that both the film and its subject are defined by the necessity of multitasking.
  4. The stillness and silence with which we look upon Jake Williams ranges from curious to unnerving to fascinating.
  5. The film walks a questionable line between Important Issue seriousness and antsy video-game machismo.
  6. Ross McElwee is less anxious of death itself than of finally comprehending the vast faultiness of the life he's lived.
  7. Michael J. Gallagher's half-cocked horror fiasco is filled with clichés, pitiful dialogue, and clumsy aesthetics.
  8. It's the film's unwillingness to deal with the sometimes hilarious and often problematic things its characters say and do that stands as one of its ultimate failings.
  9. Roberto Faenza shoots his Manhattan-set action with a glossiness that's as bland as the soundtrack ballads.
    • 45 Metascore
    • 38 Critic Score
    Some of the basic pleasures of the original remain intact (nobody shoots up a small room of bearded Eastern European men like Neeson), but ultimately the film feels compromised.
  10. As much as the dialogue in the film voices an attitude of self-liberation and champions the positives of severing accepted social constraints, it seems to be constantly taking one step forward and two steps back.
  11. The Paperboy deserves to be seen for its pulpy, well-executed excess, but as a filmmaker, Lee Daniels seems ignorant of how the shocks distract from the story.
  12. Ursula Meier's film is sustained by a sturdy emotional engine and some intrepidly thoughtful characterization.
  13. One can't help but sense that underneath the complicated art-house game-playing of Isaki Lacuesta's The Double Steps resides a theme that's sentimental and old-hat.
    • 85 Metascore
    • 100 Critic Score
    The film's vision of masculine self-sufficiency is built around--and on, via Australia's own bloody colonial history--an elemental violence.
    • 29 Metascore
    • 25 Critic Score
    Trade of Innocents is as much a piece of social-justice campaigning as it is a work unto itself, an important fact to remember when considering its many flaws.
  14. The film betrays its own fictions by overloading on cheap worst-case-scenario mythology.
  15. The mixture of different techniques and varied views results in a rich, multi-faceted look at one of America's most misguided policy initiatives.
  16. People matter in Matthew Lillard's film; genre not so much.
    • 48 Metascore
    • 38 Critic Score
    Unlike his father, Gotham Chopra is more interested in his own latent daddy issues than with questions of cosmic import.
  17. Boasts an evocative sense of environment and the feel of working with one's hands, but otherwise rummages around in search of substance and subtlety.
  18. The film exudes an elemental, intriguing mysteriousness, a reminder that things remain unseen and in a state of unrest.
  19. There's no pointing toward something other than the work itself, no poetic digression, no suggestion of a conceptual dimensionality to the work being produced.
  20. In whittling down Emily Brontë's romance to its most earthly aspects, Andrea Arnold stylizes herself into an unavoidable corner.
  21. The second act shifts the film from a lazy and comfy litany of introductions to a riveting fantasia of pure cinema, wherein Lee paints an oft-wordless picture of nature's harshness and grace, the perfect arena for Pi to have a Christ-like coming of age.
  22. Tim Burton's sense of playfulness feels forced throughout, and as the film progresses, any humor or inventiveness takes a backseat to tumultuous set pieces that reference Frankenstein.
    • 54 Metascore
    • 63 Critic Score
    An anthology of found-footage horror shorts that exudes, sometimes extraordinarily, a neophyte's sense of courage and cluelessness.
  23. A devout political documentary that insists that community, dignity, and solidarity are sustaining, but not the baseline by which one should settle.
  24. Doug Langway's film is often too cheesy to, well, bear.

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