Slant Magazine's Scores

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For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,346 out of 7772
  2. Mixed: 1,493 out of 7772
  3. Negative: 1,933 out of 7772
7772 movie reviews
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  1. The Night Eats the World
    Dominique Rocher reinvigorates the zombie film only to succumb to the strictures of the coming-of-age romance.
  2. Hotel Transylvania 3: Summer Vacation
    There are only so many monster-centric jokes to be made before they become toothless, and only so many ways to preach tolerance before it sounds more like blunt moralizing.
  3. Gauguin: Voyage to Tahiti
    Gauguin represents for the film no less an ideal Romantic subject than the Polynesians represented for the painter himself: penniless, chronically ill, and living in self-imposed isolation—the very embodiment of the suffering artist.
  4. Shock and Awe
    Rob Reiner's film rests on broad, sweeping proclamations about the importance of factual reporting.
  5. Path of Blood
    The film in effect positions young jihadis less as fervid, bloodthirsty psychopaths and more as dumb kids at summer camp.
  6. Siberia
    The film has the tone and look of a direct-to-video feature, and some shots of Keanu Reeves are so waxen that the actor almost looks rotoscoped.
  7. What Will People Say
    The film flirts with miserablism, but it counterbalances the direness of its main character's situation with moments of levity.
  8. Dark Money
    Kimberly Reed's approach is too bloodless to make us feel the full weight of the injustices her film identifies.
  9. A Skin So Soft
    The pleasure of Denis Côté's film radiates not so much from its storytelling as it does from the meditative force of its formal construction. Read our review.
  10. Whitney
    For most of Kevin Macdonald's film, Whitney Houston seems a guttering flame in a public crosswind, with only fleeting celebration given to the wildfire of her success.
  11. Leave No Trace
    In Leave No Trace, director Debra Granik continues to refine a style of tranquil intensity. The film's images have a rapt and pared-down power, with emphases that are never quite where you expect them to be.
  12. The First Purge
    Especially early on, Gerard McMurray often rejects the exhibitionist slaughter that James DeMonaco established as the Purge series’s modus operandi in favor of violence that’s rawer and realer.
  13. The Citizen
    It adheres too rigidly to news-cycle replications of barbaric governmental acts, and without putting them into greater perspective.
  14. Under the Tree
    Under the Tree boasts the lurid determinism of many acclaimed European films that spit-shine genre-film tropes with chilly compositions and fashionable hopelessness.
  15. Madeline's Madeline
    True to the implications of its title, the devotional insularity of Madeline's Madeline is suffocating, which is appropriate for a film about a mentally imbalanced teenage artist but suffocating nonetheless.
  16. Moss
    Daniel Peddle's film emphasizes, for better and worse, the crushing monotony of living in insolated parts of the Deep South.
  17. Relaxer
    Joel Potrykus's droll world is defined by feats of man-child pettiness, by lazy guys who turn the banalities of daily life into meaningless trials of integrity.
    • 61 Metascore
    • 75 Critic Score
    Sicario: Day of the Soldado
    Day of the Soldado's strained credulity in the last act has an undercurrent of kooky exhilaration, as the plot takes leaps that feel as reckless as they are refreshing in such a doleful film of terminal prognoses.
    • 43 Metascore
    • 25 Critic Score
    Bleeding Steel
    A film so brazen in its desire to reach a wide audience that it plays like a compilation of disparate action set pieces, each shamelessly stolen from successful Hollywood franchises.
  20. Fireworks
    Akiyuki Shinbo and Nobuyuki Takeuchi's time-travel device mostly just exists to complicate what is, at heart, a trite and sexist love story.
  21. Uncle Drew
    Uncle Drew, the old-school streetballer played by NBA all-star Kyrie Irving, is a cheerfully scruffy creation, and so is the film that bears his name.
  22. Ant-Man and the Wasp
    Ebulliently funny, visually inventive, and above all passionately committed to the idea that heroism isn't a burden but an uplifting realization of our best qualities.
  23. Ideal Home
    The broad strokes of the performances make the film's occasional lurches into sentimentality seem especially jarring.
  24. The Cakemaker
    The film binds its narrative to fascinating explorations of national identity, sexuality, and, of course, food.
  25. Woman Walks Ahead
    As a character, Catherine Weldon suffers the same fate as Sitting Bull, having been reduced to a signifier of the filmmakers' retroactive political correctness.
  26. Dark River
    While Clio Barnard so masterfully limns her protagonist’s tortured soul, the brother-sister drama at the center of the film remains frustratingly hazy.
  27. Custody
    Custody is concerned with the failure of process to discern human need and perversion, and Xavier Legrand rather ironically follows in the footsteps of bureaucracy by reducing people to statistics.
  28. Love, Cecil
    Lisa Immordino Vreeland's avoidance of a serious analytical bent ends up stifling the documentary.
  29. Sorry to Bother You
    For a spell, Boots Riley's cultural ire is so cool-headed that Sorry to Bother You easily distinguishes itself from Mike Judge's similarly themed Idiocracy, but along the way it, too, settles for swinging for the fences—so much so that the target of its satire is no longer in its crosshairs.
  30. Marlina the Murderer in Four Acts
    The film is enlivened by an acute grasp of the impossibilities that abused Indonesian women face in a society predicated on their continued physical and emotional subjugation to men.
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