For 7,772 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,346 out of 7772
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Mixed: 1,493 out of 7772
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Negative: 1,933 out of 7772
7772
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Keith Watson
Christopher Plummer brings a twinkly eyed insouciance to his character, but there's only so many times Jack can make a joke about, say, his adult diapers before it becomes thin and hollow.- Slant Magazine
- Posted Jun 17, 2018
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Reviewed by
Chuck Bowen
Christian Papierniak manages to get a tricky tonal balance more or less right, capturing the false sense of superiority that Izzy projects over her environment without allowing the film itself to revel in said superiority.- Slant Magazine
- Posted Jun 17, 2018
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Reviewed by
Chuck Bowen
The King benefits from a quality that's usually a liability in nonfiction films: Its scattershot structure gets at the truth of pop culture as an ineffable chimera that defines much of the world.- Slant Magazine
- Posted Jun 14, 2018
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Reviewed by
Chuck Bowen
As the film proceeds, the appeal of its nostalgia wears thin and you may notice that there isn't much beyond the window dressing.- Slant Magazine
- Posted Jun 14, 2018
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Reviewed by
Eric Henderson
As dumb as Tag is on the surface, it offers amity, emotional support, awkward tears, the specter of death, and the spectacle of ass-punching slapstick all rolled up in one somehow cohesive collection of all-good spare parts.- Slant Magazine
- Posted Jun 14, 2018
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Reviewed by
Keith Watson
Everything in Incredibles 2 is inexorably driven toward a big final blowout. That sequence is suitably grand and eye-popping, but haven’t we seen all of this before?- Slant Magazine
- Posted Jun 13, 2018
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Reviewed by
Keith Watson
SuperFly is a slicked-up, tricked-out revamp that dispenses with any pretense of verisimilitude in favor of rap-video extravagance and mob-movie bloodshed.- Slant Magazine
- Posted Jun 13, 2018
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Clayton Dillard
The film seems to think that the mere recognition of Gabriel as a narcissist sufficiently complicates the character's sense of entitlement.- Slant Magazine
- Posted Jun 12, 2018
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Josh Wise
J.A. Bayona's gothic flourishes suggest opioid hallucinations, and they're a welcome escape from the doldrums of the writing, but they seem at odds with the rest of the film.- Slant Magazine
- Posted Jun 11, 2018
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Reviewed by
Josh Wise
You may want for something to hold on to, but Tye Sheridan and Alden Ehrenreich slip through the fingers, both seeming uninterested and restless to move on to other projects.- Slant Magazine
- Posted Jun 11, 2018
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- Critic Score
The film collapses on the crutch of hackneyed narration and constant music cues that formally undermine the ripe banter between Madelyn Deutch and her male co-stars.- Slant Magazine
- Posted Jun 11, 2018
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Reviewed by
Derek Smith
With Ocean's 8, Gary Ross serves up a mildly engaging riff on the heist film, but he rarely strays from the established formula of Steven Soderbergh's original Ocean's trilogy.- Slant Magazine
- Posted Jun 7, 2018
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Reviewed by
Ed Gonzalez
Hotel Artemis quickly reveals its future setting as an empty pretext for a banally convoluted and sentimentalized show of emotional rehabilitation.- Slant Magazine
- Posted Jun 5, 2018
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Reviewed by
James Lattimer
A carefree life on the move is steadily and exquisitely overtaken by melancholy in writer-directors João Dumans and Affonso Uchoa’s Arábia, the portrait of a meandering journey fueled by song, anecdote, and landscape that zeroes in on the pressures of contemporary Brazil almost in passing.- Slant Magazine
- Posted Jun 5, 2018
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Reviewed by
Keith Uhlich
In writer-director Ari Aster's smugly agitating feature debut, the devil is certainly in the hackneyed details.- Slant Magazine
- Posted Jun 5, 2018
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Reviewed by
Paul O'Callaghan
Lorna Tucker's documentary sustains a tone that oscillates between earnest admiration and wry exasperation.- Slant Magazine
- Posted Jun 4, 2018
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Reviewed by
Clayton Dillard
On the Seventh Day brings a certain levity to wrenching matters of daily survival by thoroughly humanizing its characters, thus preventing them from feeling as if they're being written as stand-ins for thematic ideas.- Slant Magazine
- Posted Jun 4, 2018
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Reviewed by
Keith Watson
The documentary provides little sense of intimacy with its subject, but it gives an in-depth look at the master chef's uniquely obsessive work habits.- Slant Magazine
- Posted Jun 4, 2018
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Reviewed by
Pat Brown
The steadiness with which Haley's film progresses through its dramatic beats is rather like its familiar-sounding indie pop, moving rhythmically toward a predictable climax whose emotional intensity feels unearned.- Slant Magazine
- Posted Jun 4, 2018
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Reviewed by
Derek Smith
It captures the strength of Fred Rogers's convictions even as his gentleness and sincerity fell further out of favor.- Slant Magazine
- Posted Jun 2, 2018
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Reviewed by
Chuck Bowen
There's vanity in its boutique art-film brand of hopelessness, which derives from a fetishizing of "keeping it real."- Slant Magazine
- Posted Jun 2, 2018
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Reviewed by
Chuck Bowen
The film relegates Nicolas Cage to a supporting player and crowds him with considerably less charismatic performers.- Slant Magazine
- Posted Jun 2, 2018
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Reviewed by
Keith Watson
Director Baltasar Kormákur's film is a simple, acutely observed love story that also happens to be a rousingly stripped-down tale of survival.- Slant Magazine
- Posted May 31, 2018
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Reviewed by
Josh Wise
This isn't a film about surfing so much as one about riding a wave that must eventually break and recede.- Slant Magazine
- Posted May 29, 2018
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Reviewed by
Keith Watson
As he showed in "The Imposter," writer-director Bart Layton knows how to spin a compelling yarn.- Slant Magazine
- Posted May 29, 2018
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Reviewed by
Pat Brown
Though the film makes the important point that even the most liberal parents' acceptance of a child's difference may be repression by another name, it fails to excite sufficient sympathy for its broadly drawn principal characters.- Slant Magazine
- Posted May 29, 2018
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Reviewed by
Chuck Bowen
Jacques Doillon's shrewd ellipses emphasize time as a great and uniting humbler and thief, allowing stray moments to suddenly crystallize unexpressed yearnings.- Slant Magazine
- Posted May 29, 2018
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Reviewed by
Derek Smith
Upgrade is most effective when mining the comical and bizarre love-hate chemistry between Grey and Stem and pairing that singular conflict with batshit-crazy action, but the film’s follow-through is clunky and unfulfilling.- Slant Magazine
- Posted May 29, 2018
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Sam C. Mac
It’s a quixotic and profound statement on the spatial and temporal dissonances that inform life in 21st-century China.- Slant Magazine
- Posted May 23, 2018
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Reviewed by
Clayton Dillard
The film's screenplay is impressive for how crucial plot points emerge as backdrops to the explicit purpose of a scene.- Slant Magazine
- Posted May 21, 2018
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