Slant Magazine's Scores

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For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,346 out of 7772
  2. Mixed: 1,493 out of 7772
  3. Negative: 1,933 out of 7772
7772 movie reviews
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  1. Causeway
    It’s to Jennifer Lawrence and Brian Tyree Henry’s credit that what lingers is their characters’ uncertainty.
  2. Piggy
    Throughout, writer-director Carlota Pereda announces herself as a skilled manipulator of audience sympathies.
  3. Enys Men
    Enys Men might have been called A Blueprint for Revival: an attempt to restore to horror something that Jenkin feels has been lost. If only it didn’t lack the power to truly frighten us, it may have flourished.
    • 86 Metascore
    • 75 Critic Score
    Showing Up
    Deftly, Showing Up leaves unresolved the familial, creative, professional, and interpersonal matters at its core, staying true to its vision of an artistic environment perpetually caught between modest comfort and precariousness.
  5. Last Flight Home
    Last Flight Home is an anguished therapy session disguised as a meditation on life and death.
  6. Scarlet
    The film drifts so far into weightless fantasy that it practically dissipates before one’s eyes.
  7. Armageddon Time
    The film is an illustration of the transition from the ethical pliancy of youth to the moral discernment of adulthood.
    • 66 Metascore
    • 38 Critic Score
    White Noise
    The film rarely articulates the book's ideas with any real sense of the outside world without resorting to the easy exaggerations that Don DeLillo peddled in the name of satire, which, while maybe fresh back in 1985, ring completely hollow today.
  9. Saint Omer
    If courtroom dramas are usually about taking a stand, Saint Omer shows us that the most impactful truths often go unspoken.
  10. Amsterdam
    The film recalls nothing less than Inherent Vice in its use of a threadbare detective narrative to explore both human interactions and grander ideas about the American society of its time.
  11. All That Breathes
    Shaunak Sen’s documentary is both otherworldly and humanizing, as if it were bridging a gap between different forms of existence.
  12. Hellraiser
    Any ambiguity over the veracity of the story’s events is quickly jettisoned to adhere to the demands of the leaden slasher-film plotting.
  13. Deadstream
    The film doesn’t quite live up to its promising premise and handful of clever camera gimmicks.
  14. Descendant
    With Descendant, filmmaker Margaret Brown finds poetry where most would see the opportunity for a polemic.
  15. Bones and All
    Both Taylor Russell and Timothée Chalamet are sadly at a disadvantage given how many of the older actors gnaw at the scenery like it’s a still-warm cadaver.
  16. Till
    Because of Chinonye Chukwu’s willingness to let small-scale, ancillary scenes play out unhurried and at length, Till taps into to a deeper well of emotions than most biopics.
  17. Master Gardener
    For Paul Schrader, even a film called Master Gardener ultimately pivots on a man having to take out the macho trash.
  18. Project Wolf Hunting
    There’s an admirably propulsive, single-minded sense of purpose to the film’s commitment to gore.
  19. The Greatest Beer Run Ever
    When it decides to sober up, the film’s comedy lurches into awkward attempts at melancholy.
  20. Stars at Noon
    In Claire Denis’s film, sex is the great equalizer, or at least the act that allows people to defer taking a firm moral or ethical stance.
  21. Walk Up
    With each new film, Hong Sang-soo’s work becomes more subtextual, more fraught, even funnier.
  22. A Couple
    A Couple ultimately constitutes not so much a footnote to Frederick Wiseman’s storied career as a beguiling little doodle in its margins.
  23. Ticket to Paradise
    George Clooney’s and Julia Roberts’s undimmed charisma brings enough grace notes to Ticket to Paradise that you could easily be taken in by its low-stakes frivolity.
  24. Smile
    Everything Smile is doing is familiar enough at this point to be considered old-fangled, but the striking precision of its craft sloughs away any sensations of déjà vu.
  25. My Imaginary Country
    By the end of My Imaginary Country, Guzmán has still not moved past the trauma of history. Nor, he suggests, has Chile. Not yet. But he does leave open the possibility of a future not beholden to that trauma and a nation that might now be able to write a new history for itself.
  26. The Banshees of Inisherin
    As dark as things get, the film never abandons its sly sense of humor.
  27. TÁR
    The film is consistently compelling visually and aurally, but neither Todd Field nor Cate Blanchett seem quite decided on whether Tár’s comeuppance is a grand tragedy or a cosmic joke.
  28. On the Come Up
    Jamila C. Gray lends credibility to Brianna Jackson, who happens to be searching for just that. She plays the damn role.
  29. Petrov's Flu
    Kirill Serebrennikov’s blackly comedic fantasia paints a none-too-rosy picture of Russia, or its Soviet past festering just beneath the surface.
  30. How to Blow Up a Pipeline
    Few films feel as excitingly jacked in to our current social climate as Daniel Goldhaber’s How to Blow Up a Pipeline.
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