Slant Magazine's Scores

For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7772 movie reviews
  1. The film’s naïve utopianism is infectious, demanding that we live as though life were worth it in spite of all evidence to the contrary.
  2. Sarah Vos creates a nearly mockumentary effect that neither fully lampoons nor endorses contemporary standards for the art world’s political correctness but lands at a decidedly more ambivalent point.
  3. The film is a philosophical account of the shaky ground that human existence stands on.
  4. Whereas films like Halloween and Blue Velvet expose the violence and perversion that underlies the manicured artifice of so many suburban environs, Happer’s Comet, by means of a simple temporal displacement, gestures above all at their arbitrariness.
  5. The film understands how atrocity is perpetuated, fanning a maddening sense of injustice.
  6. The film proposes that, in the search for viable alternatives to techno-fascism and climate apocalypse, we might look to the margins of our world, to unfulfilled experiments (including those of cinema) and cultures supposedly left behind by history.
  7. Dick Fontaine and Pat Harley’s documentary makes the political personal at every turn.
  8. The film isn’t designed to challenge what you think you know about the Church of Satan.
    • tbd Metascore
    • 63 Critic Score
    Writer-director Rainer Sarnet’s deliriously weird The Invisible Fight would be irksome if it weren’t crafted so lovingly and with a charming earnestness.
    • tbd Metascore
    • 50 Critic Score
    Yorgos Zois’s film banks on juxtaposition alone without quite delving into more fertile terrain.
  9. The film finds its profundity in moments where not much is said and nothing is intellectualized, when language is stripped to its bare bones.
  10. Med Hondo’s is a bravura spectacle of intellectual and cinematic daring.
  11. Though Egoist can sometimes feel overly tidy, there’s something refreshing about its straightforward approach. Consistent with its style, which is so free of ornament, it pursues its themes with a welcome directness.
  12. The film exemplifies Lois Patiño’s ongoing efforts to complicate docufiction approaches with otherworldly reveries meant to communicate states beyond our immediate reality.
    • tbd Metascore
    • 88 Critic Score
    Ann Hui’s investment in her characters and their passions bleeds through every frame.
  13. As with Claire Denis’s previous Chocolat, emphasis is placed both on how the French legacy of colonialism persists into the present, as well as how Black men are often filtered through the white imagination to ruinous ends.
  14. Amy Nicholson’s empathy for her subjects is undeniable.
  15. Even a banal life can have a musicality and life to it, but once it leaves high school, Plastic’s portrait of adult life comes off as a monotone drone.
  16. Laura Casabé abstracts the typical emotions of tortured teens, only to then amplify them.
  17. It presents all the complex and seemingly contradictory emotions of a forced life on the road.
  18. McVeigh’s ominous atmosphere is omnipresent, clinging to Timothy like a dog to a bone.
    • tbd Metascore
    • 63 Critic Score
    As with a traditional documentary, The Klezmer Project is affected by forces outside the filmmakers’ control.
  19. Matías Piñeiro’s film is an intimate, impressionistic meditation on love and desire, death and memory, silence and expression.
  20. Ed Harris and Jessica Lange electrifyingly bring so many of their characters’ emotions to the surface, even as they convey that James and Mary are burying so much more beneath it.
    • tbd Metascore
    • 88 Critic Score
    If Fonda was an avatar of American liberalism’s tolerance and self-scrutiny, the film suggests, so, too, does he represent its complicity in the nation’s sins and its failure to change its course in the direction of justice.
  21. We sorely need documentaries like Direct Action that can show not only the real leverage that militant mass movements can exert, but how that power can be redirected from protest to the building of autonomous communities and back again.
  22. The film adopts a diaristic, epistolary form that flattens its emotional topography.
  23. The film reveals—and urges on—a historical shift in how we relate to other living beings.
  24. A Samurai in Time isn’t just having fun with fake swords and chonmage wigs, as it also provides a lot of gentle reflections about history, modernity, and our place in it all.
    • tbd Metascore
    • 75 Critic Score
    Where to Land opts for quiet moments of connection, raising questions rather than giving definitive answers.

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