Slant Magazine's Scores

For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7772 movie reviews
  1. Ying Liang’s film is righteously and vigorously angry about injustices committed by the Chinese government.
  2. Despite all its confoundments, 9 Fingers works as a unified whole thanks to F.J. Ossang's playful sense of humor.
  3. Luke Fowler allows us to access some of the intimate details of Bartlett’s life in intriguingly indirect ways.
  4. The documentary illuminates how art and artists live together in a symbiotic existence, each giving as well as taking.
    • tbd Metascore
    • 75 Critic Score
    Manta Ray functions as an oblique portrait of writer-director Phuttiphong Aroonpheng’s anger about the Rohingya refugee crisis in Thailand.
  5. So much of the film is given over to highlighting David Hare’s confusion as a tourist in a conflict he can never fully comprehend.
  6. Djibril Diop Mambéty’s 1992 film resonates primarily for its lacerating comedic writing and pacing.
  7. Derek Jarman’s 1990 film isn’t without hope that we can regrow a paradise.
  8. Jack Hazan’s portrait of David Hockney stands between documentary and fictional film, reality and fantasy.
  9. Milko Lazarov seems driven to record the inner workings of a singular slice of Inuit culture before it goes the way of the reindeer.
  10. In a world increasingly resistant to cultural exchange, the miracle of The Little Prince is how it’s become so universally beloved, and Boonstra’s film is a worthy homage to its passionate translators who’ve been so inspired by Saint-Exupery’s story .
  11. Throughout, artists intermingle in scenes that have been rendered with an Altman-esque sense of personal panorama.
  12. Susan Sontag’s debut film serves as an intriguing cinematic extension of her more well-known written work.
  13. The film is greater in its confrontational force than the sum of a dozen festival breakthroughs lauded for their fearlessness.
  14. This intimate found-footage memoir is driven by a frantic internal monologue that will feel painfully familiar to many cinephiles in the midst of the Covid-19 pandemic.
  15. It suggests that a war’s horrors were the ultimate unassimilable experience of the shadowy depths of the human mind.
  16. In the end, the film suffers from the same issue as its moody androids: enervation borne out of repetition.
  17. Camera, character, and cameraperson are one throughout, and the effect is exquisitely suffocating.
  18. The characters don’t exist solely to affirm the film’s various themes, and as a result, their humanity gets under your skin.
  19. The film ultimately depicts a world in which people are left with no other option but to devour their own.
  20. The film vibrantly articulates all that’s lost when people are held under the draconian decree of warlords.
  21. Despite the pretense of commentary, the film asks no underlying questions about the society that produces slasher films and revels in its narrative’s basic premise to numbing ends.
  22. Amos Nachoum has a vulnerability that he manages to locate in animals without diminishing their capacity for violence.
  23. Song Fang’s latest moves glacially along in a largely unchanging emotional register, always keeping us at a distance.
  24. Sebastian Junger and Nick Quested’s prismatic look at a devastating new chapter in the War on Drugs lacks for cohesiveness.
  25. A challenge inherent to a parable of this sort is that evil, being so seductive, can make good seem dull or prissy by comparison.
  26. While mostly pulling off this tricky balancing act of humor and real-life horror, the film doesn’t quite go far enough in its critiques.
  27. The film portrays mental illness with all the nuance and insight of Jared Leto in Suicide Squad.
  28. The film suggests a fusion of an eco-doc and acid western, and this disparity between genres results in a mysterious tension.
  29. Throughout, it’s difficult to sort the contrivances that writer-director Jason William Lee is parodying from those he’s indulging.

Top Trailers