For 7,772 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,346 out of 7772
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Mixed: 1,493 out of 7772
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Negative: 1,933 out of 7772
7772
movie
reviews
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Reviewed by
Sam C. Mac
Ying Liang’s film is righteously and vigorously angry about injustices committed by the Chinese government.- Slant Magazine
- Posted Sep 30, 2018
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Keith Watson
Despite all its confoundments, 9 Fingers works as a unified whole thanks to F.J. Ossang's playful sense of humor.- Slant Magazine
- Posted Oct 29, 2018
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Keith Watson
Luke Fowler allows us to access some of the intimate details of Bartlett’s life in intriguingly indirect ways.- Slant Magazine
- Posted Nov 28, 2018
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Chuck Bowen
The documentary illuminates how art and artists live together in a symbiotic existence, each giving as well as taking.- Slant Magazine
- Posted Feb 14, 2019
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- Critic Score
Manta Ray functions as an oblique portrait of writer-director Phuttiphong Aroonpheng’s anger about the Rohingya refugee crisis in Thailand.- Slant Magazine
- Posted Mar 26, 2019
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Reviewed by
Oleg Ivanov
So much of the film is given over to highlighting David Hare’s confusion as a tourist in a conflict he can never fully comprehend.- Slant Magazine
- Posted Apr 1, 2019
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Clayton Dillard
Djibril Diop Mambéty’s 1992 film resonates primarily for its lacerating comedic writing and pacing.- Slant Magazine
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Pat Brown
Derek Jarman’s 1990 film isn’t without hope that we can regrow a paradise.- Slant Magazine
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Wes Greene
Jack Hazan’s portrait of David Hockney stands between documentary and fictional film, reality and fantasy.- Slant Magazine
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Derek Smith
Milko Lazarov seems driven to record the inner workings of a singular slice of Inuit culture before it goes the way of the reindeer.- Slant Magazine
- Posted Aug 28, 2019
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Richard Scott Larson
In a world increasingly resistant to cultural exchange, the miracle of The Little Prince is how it’s become so universally beloved, and Boonstra’s film is a worthy homage to its passionate translators who’ve been so inspired by Saint-Exupery’s story .- Slant Magazine
- Posted Aug 28, 2019
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Chuck Bowen
Throughout, artists intermingle in scenes that have been rendered with an Altman-esque sense of personal panorama.- Slant Magazine
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Jesse Cataldo
Susan Sontag’s debut film serves as an intriguing cinematic extension of her more well-known written work.- Slant Magazine
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Carson Lund
The film is greater in its confrontational force than the sum of a dozen festival breakthroughs lauded for their fearlessness.- Slant Magazine
- Posted Dec 9, 2019
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Carson Lund
This intimate found-footage memoir is driven by a frantic internal monologue that will feel painfully familiar to many cinephiles in the midst of the Covid-19 pandemic.- Slant Magazine
- Posted Jan 25, 2021
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Pat Brown
It suggests that a war’s horrors were the ultimate unassimilable experience of the shadowy depths of the human mind.- Slant Magazine
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Chris Barsanti
In the end, the film suffers from the same issue as its moody androids: enervation borne out of repetition.- Slant Magazine
- Posted Feb 26, 2020
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Reviewed by
Diego Semerene
Camera, character, and cameraperson are one throughout, and the effect is exquisitely suffocating.- Slant Magazine
- Posted Feb 26, 2020
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Reviewed by
Chuck Bowen
The characters don’t exist solely to affirm the film’s various themes, and as a result, their humanity gets under your skin.- Slant Magazine
- Posted May 31, 2021
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Reviewed by
Keith Watson
The film ultimately depicts a world in which people are left with no other option but to devour their own.- Slant Magazine
- Posted Mar 31, 2020
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Derek Smith
The film vibrantly articulates all that’s lost when people are held under the draconian decree of warlords.- Slant Magazine
- Posted Apr 1, 2020
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Clayton Dillard
Despite the pretense of commentary, the film asks no underlying questions about the society that produces slasher films and revels in its narrative’s basic premise to numbing ends.- Slant Magazine
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Chuck Bowen
Amos Nachoum has a vulnerability that he manages to locate in animals without diminishing their capacity for violence.- Slant Magazine
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Sam C. Mac
Song Fang’s latest moves glacially along in a largely unchanging emotional register, always keeping us at a distance.- Slant Magazine
- Posted Sep 13, 2020
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Reviewed by
Derek Smith
Sebastian Junger and Nick Quested’s prismatic look at a devastating new chapter in the War on Drugs lacks for cohesiveness.- Slant Magazine
- Posted Sep 28, 2020
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Reviewed by
Keith Uhlich
A challenge inherent to a parable of this sort is that evil, being so seductive, can make good seem dull or prissy by comparison.- Slant Magazine
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Reviewed by
Mark Hanson
While mostly pulling off this tricky balancing act of humor and real-life horror, the film doesn’t quite go far enough in its critiques.- Slant Magazine
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David Robb
The film portrays mental illness with all the nuance and insight of Jared Leto in Suicide Squad.- Slant Magazine
- Posted Feb 12, 2021
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Reviewed by
Chuck Bowen
The film suggests a fusion of an eco-doc and acid western, and this disparity between genres results in a mysterious tension.- Slant Magazine
- Posted Mar 2, 2021
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Reviewed by
Chuck Bowen
Throughout, it’s difficult to sort the contrivances that writer-director Jason William Lee is parodying from those he’s indulging.- Slant Magazine
- Posted May 25, 2021
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