For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
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Reviewed by
Jake Cole
Not even a typically scenery-chewing Christoph Waltz can enliven the proceedings.- Slant Magazine
- Posted Feb 1, 2026
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Reviewed by
Christopher Gray
There are many instances of questionable logic in Into the Storm, but the most persistent is the film's unexplained assumption that tornado-hunting is a growth industry.- Slant Magazine
- Posted Aug 7, 2014
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Reviewed by
Jaime N. Christley
While full of welcome gore and blood spatter, it's bankrupt of any creative spark.- Slant Magazine
- Posted Apr 26, 2012
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Reviewed by
Chris Cabin
It should be said that this negligible absence of Brooks’s boundary hopping wit and untamed performances doesn’t quite render Men in Tights unwatchable. There’s an appropriate, albeit languid merriment to the proceedings kept alive by a few choice cameos (Dick van Patten, Dom DeLouise, Brooks himself) and a handful of gags that land on their feet.- Slant Magazine
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Reviewed by
Derek Smith
Like Loïe Fuller's serpentine dance, the film is structured on repetition: spinning and spinning but never actually taking us nowhere.- Slant Magazine
- Posted Nov 26, 2017
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Reviewed by
Chris Cabin
Though the cast partially eschews the family-friendly timidity that the film defers to in the end, this would-be wild thing remains little more than a rowdy endorsement of the status quo.- Slant Magazine
- Posted Aug 7, 2013
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Reviewed by
Nick Schager
If The Hangover was a boorish blackout fantasy for our binge-drinking age, The Hangover Part II is something like the contents of a fraternity house's toilet the morning after an insane kegger-namely, regurgitated elements of a more entertaining prior adventure.- Slant Magazine
- Posted May 30, 2011
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Reviewed by
Henry Stewart
Like the teenagers at its center, Hot Summer Nights tries too hard to look cooler than it ever could be.- Slant Magazine
- Posted Jul 20, 2018
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Reviewed by
Diego Semerene
Doug Langway's film is often too cheesy to, well, bear.- Slant Magazine
- Posted Sep 27, 2012
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Chuck Bowen
Sadly, Douglas Tirola's documentary doesn't follow its subjects' advice regarding the refinement of technique.- Slant Magazine
- Posted Jun 3, 2013
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Reviewed by
Derek Smith
Throughout the film's three interconnected stories, Jim O'Hanlon favors the blunt, maudlin manipulations of Crash.- Slant Magazine
- Posted Jan 9, 2017
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Reviewed by
Chuck Bowen
There are cheap shocks in the film, but there are also terrifying moments that poetically command our empathy.- Slant Magazine
- Posted May 11, 2014
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Reviewed by
Mark Hanson
Johannes Roberts’s prequel ultimately remains buried by its indifference to unchecked corporate power.- Slant Magazine
- Posted Nov 22, 2021
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Reviewed by
Chuck Bowen
As Rifkin’s Festival drones on, the wastefulness grows offensive in a manner that’s unusual even for Woody Allen’s misfires.- Slant Magazine
- Posted Feb 22, 2021
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Reviewed by
Nick Prigge
Daniel Stamm's film is solidly helmed, if expectedly over-reliant on unnecessarily grisly comeuppances that leave nothing to the imagination.- Slant Magazine
- Posted Apr 13, 2014
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Reviewed by
Christopher Gray
A sequel that functions as origin story, apologia, and harbinger of a second expanded universe of overpopulated action bonanzas.- Slant Magazine
- Posted Mar 23, 2016
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Reviewed by
Eric Henderson
And the jury's still very much out over whether Shawn Levy is an inept comedy director masquerading as an opportunistically dramatic one, or vice versa.- Slant Magazine
- Posted Sep 18, 2014
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Reviewed by
Nick Schager
Unlike AMC's Breaking Bad, meth here doesn't reflect current, perilous economic realties; rather, it's just a low-rent drug used by degenerates whose lives say nothing about anything.- Slant Magazine
- Posted Dec 13, 2011
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Reviewed by
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Reviewed by
Nick McCarthy
Due to the one-minded construction of the documentary, there's little to parse beyond impassioned harrumphs.- Slant Magazine
- Posted Mar 3, 2013
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Reviewed by
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Reviewed by
Nick Schager
Chockablock with instances of characters not shooting, running, attacking, or sneaking away when they can or should, this thriller comes off like the world's most rigged game.- Slant Magazine
- Posted Jan 5, 2015
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Reviewed by
Chuck Bowen
The film's subtitle is apropos, as this is a decidedly locked-down and lead-footed talk-o-rama.- Slant Magazine
- Posted Jun 1, 2015
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Reviewed by
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Reviewed by
Jake Cole
In spite of its occasionally engaging displays of gnarly brutality, the film too often feels like an adaptation of a player select screen.- Slant Magazine
- Posted Apr 22, 2021
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Reviewed by
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Reviewed by
Drew Hunt
The prevailing attitude behind the film can be boiled down to a simplistic idea: the cruder, the better.- Slant Magazine
- Posted Mar 14, 2016
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Reviewed by
Pat Brown
Given its hero’s imperviousness, the film’s chaotically edited action sequences tend to be devoid of suspense.- Slant Magazine
- Posted Mar 11, 2020
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R. Kurt Osenlund
Steered by a lead actor and director, Joshua Michael Stern, who are both way out of their respective leagues, Jobs is excruciating, failing to entertain and all but pissing on its subject's grave.- Slant Magazine
- Posted Aug 12, 2013
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Reviewed by
Diego Semerene
L!fe Happens wants us to believe its message is one of female independence and empowerment.- Slant Magazine
- Posted Apr 12, 2012
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Reviewed by
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Reviewed by
Ed Gonzalez
The film evokes nothing more strongly than a live-action adaptation of a Crate and Barrel catalog.- Slant Magazine
- Posted Apr 3, 2017
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- Critic Score
This insipidly inspirational biopic of the two-term Brazilian president is a safe, bourgeois vision of proletarian struggle.- Slant Magazine
- Posted Jan 9, 2012
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Reviewed by
Rob Humanick
Killer Elite is pleasurable enough, but with a steadier hand, it could've been one for the books.- Slant Magazine
- Posted Sep 23, 2011
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Reviewed by
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Reviewed by
Drew Hunt
Themes of family ties, obsession, and morality, so dramatically realized in Conviction, are gracelessly and shapelessly strewn together here.- Slant Magazine
- Posted Aug 7, 2013
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Reviewed by