Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. Not even a typically scenery-chewing Christoph Waltz can enliven the proceedings.
  2. There are many instances of questionable logic in Into the Storm, but the most persistent is the film's unexplained assumption that tornado-hunting is a growth industry.
  3. While full of welcome gore and blood spatter, it's bankrupt of any creative spark.
  4. It should be said that this negligible absence of Brooks’s boundary hopping wit and untamed performances doesn’t quite render Men in Tights unwatchable. There’s an appropriate, albeit languid merriment to the proceedings kept alive by a few choice cameos (Dick van Patten, Dom DeLouise, Brooks himself) and a handful of gags that land on their feet.
  5. Like Loïe Fuller's serpentine dance, the film is structured on repetition: spinning and spinning but never actually taking us nowhere.
  6. Though the cast partially eschews the family-friendly timidity that the film defers to in the end, this would-be wild thing remains little more than a rowdy endorsement of the status quo.
  7. If The Hangover was a boorish blackout fantasy for our binge-drinking age, The Hangover Part II is something like the contents of a fraternity house's toilet the morning after an insane kegger-namely, regurgitated elements of a more entertaining prior adventure.
  8. Like the teenagers at its center, Hot Summer Nights tries too hard to look cooler than it ever could be.
  9. Doug Langway's film is often too cheesy to, well, bear.
  10. Sadly, Douglas Tirola's documentary doesn't follow its subjects' advice regarding the refinement of technique.
  11. Throughout the film's three interconnected stories, Jim O'Hanlon favors the blunt, maudlin manipulations of Crash.
  12. There are cheap shocks in the film, but there are also terrifying moments that poetically command our empathy.
  13. Johannes Roberts’s prequel ultimately remains buried by its indifference to unchecked corporate power.
  14. As Rifkin’s Festival drones on, the wastefulness grows offensive in a manner that’s unusual even for Woody Allen’s misfires.
  15. Daniel Stamm's film is solidly helmed, if expectedly over-reliant on unnecessarily grisly comeuppances that leave nothing to the imagination.
  16. A sequel that functions as origin story, apologia, and harbinger of a second expanded universe of overpopulated action bonanzas.
  17. And the jury's still very much out over whether Shawn Levy is an inept comedy director masquerading as an opportunistically dramatic one, or vice versa.
  18. Unlike AMC's Breaking Bad, meth here doesn't reflect current, perilous economic realties; rather, it's just a low-rent drug used by degenerates whose lives say nothing about anything.
  19. Due to the one-minded construction of the documentary, there's little to parse beyond impassioned harrumphs.
  20. Chockablock with instances of characters not shooting, running, attacking, or sneaking away when they can or should, this thriller comes off like the world's most rigged game.
  21. The film's subtitle is apropos, as this is a decidedly locked-down and lead-footed talk-o-rama.
  22. In spite of its occasionally engaging displays of gnarly brutality, the film too often feels like an adaptation of a player select screen.
  23. The prevailing attitude behind the film can be boiled down to a simplistic idea: the cruder, the better.
  24. Given its hero’s imperviousness, the film’s chaotically edited action sequences tend to be devoid of suspense.
  25. Steered by a lead actor and director, Joshua Michael Stern, who are both way out of their respective leagues, Jobs is excruciating, failing to entertain and all but pissing on its subject's grave.
  26. L!fe Happens wants us to believe its message is one of female independence and empowerment.
  27. The film evokes nothing more strongly than a live-action adaptation of a Crate and Barrel catalog.
    • 44 Metascore
    • 38 Critic Score
    This insipidly inspirational biopic of the two-term Brazilian president is a safe, bourgeois vision of proletarian struggle.
  28. Killer Elite is pleasurable enough, but with a steadier hand, it could've been one for the books.
  29. Themes of family ties, obsession, and morality, so dramatically realized in Conviction, are gracelessly and shapelessly strewn together here.

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