Slant Magazine's Scores

For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7772 movie reviews
  1. Ultimately crammed at a frustrating juncture between period-piece froth and seriously conceived drama, never tipping its hand toward either.
  2. The documentary veers between repetitive and didactic pronouncements of a call to inaction and more affectionately told stories about Koani's life as an "ambassador wolf" on the elementary school circuit.
  3. A film of precious, romanticized misery and squalor.
  4. Shifting between wacky situation comedy and somber familial drama, Why Stop Now? isn't invested enough in either mode to convincingly pull off its genre-hopping ambitions.
  5. A serviceable primer on the digital-celluloid divide in commercial cinema, if a bit unwieldy in scope and in danger of being made obsolete by the next version of the RED camera.
  6. The film ultimately fails to treat history as anything but a string of melodramatic reference points for moody characters haplessly trying to find love.
    • 51 Metascore
    • 75 Critic Score
    It plays out like a series wet-dream scenarios, performed by a cast of vintage action figures battered and broken from overuse, bleached and slightly molted from sitting in the sun too long.
  7. The tagline for the film reads "You Don't Become a Hero by Being Normal," and the film mostly lives up to that assertion, but only up to a point.
  8. Disney draws a big fat bullseye on the fast-growing infertile-couple demographic with this airless misfire.
  9. It seems as if Craig Zobel wants to implicate the audience in these proceedings, but he doesn't have a very clear idea how to go about it.
    • 58 Metascore
    • 88 Critic Score
    Diamond-hard and dazzlingly brilliant, David Cronenberg's film plays like a deeply perverse, darkly comic successor to Videodrome.
    • 38 Metascore
    • 50 Critic Score
    Christopher Neil's film is more location-scouted and photographed than directed and acted.
  10. A lumpy spoof of electoral mudslinging that offers some bracing bipartisan contempt amid the lowbrow, labored slapstick.
  11. Ultimately plodding and resolutely old-fashioned, a corporate thriller for folks too square to indulge the possible existence of hungers so strong they must be satisfied at any cost.
  12. Fervently passionate and formally meticulous, the latest stunning coup for a director who's made a career of repurposing archetypal storylines.
  13. Regarding Michel Piccoli's Max, Claude Sautet's film resists judgment, neither condoning nor signposting the despicable nature of his choices.
  14. One successful set piece in 135 minutes, and it involves very little running, no parkour, and no genetically enhanced superheroes from clandestine government projects.
    • 65 Metascore
    • 63 Critic Score
    Looks and sounds considerably better than nearly every other independent documentary of its kind, forming an argument that's clear and cogent and virtually free of obvious manipulation or pandering.
    • 67 Metascore
    • 50 Critic Score
    Unlike Waltz with Bashir, it only seems to be using animation in an effort to make blog diaries by twentysomethings appear cinematic.
  15. Documentary director Victor Magnatti is more comfortable with loud and proud, and perhaps a tad suspicious of insinuation and circumspection.
  16. Everado González isn't above capturing some striking landscape shots, seemingly for the shear desolate prettiness of it, but they always double as a reminder of the very real plight facing the subjects.
  17. Few recent studies of commercialized sex have been character profiles, so Rob Schröder and Gabrielle Provaas's documentary is an unusual and welcome polemic.
  18. A decidedly adult drama about love and sex, wherein the comedy is largely incidental.
  19. The seamless juxtaposition of faith and pain, innocence and guilt, allows the film to transcend Spike Lee's occasional bombastic moments and become a strong examination of internal suffering.
  20. It keeps the entrances, exits, and misunderstandings rolling while rooting the action in emotions and character traits that are only slightly exaggerated for comic effect.
  21. While the Nitro Circus's many achievements are impressive, they pale in comparison to those of Knoxville and company's.
  22. A fable about the damage done when a young couple is forced to part, Chicken with Plums is deeply melancholic, yet so full of humor and humanity that it pulses with life even while tracing the trajectory of a slow suicide.
  23. A half-hearted morality tale about taking responsibility for your actions as a sign of impending maturity.
    • 43 Metascore
    • 38 Critic Score
    Len Wiseman's Total Recall's a trifling mess, as superfluous as a third breast.
    • 66 Metascore
    • 75 Critic Score
    Most of what transpires between the two girls feels as internal as something you only keep to yourself.

Top Trailers