Slant Magazine's Scores

For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7772 movie reviews
    • 54 Metascore
    • 63 Critic Score
    An anthology of found-footage horror shorts that exudes, sometimes extraordinarily, a neophyte's sense of courage and cluelessness.
  1. A devout political documentary that insists that community, dignity, and solidarity are sustaining, but not the baseline by which one should settle.
  2. Doug Langway's film is often too cheesy to, well, bear.
    • 48 Metascore
    • 38 Critic Score
    The fight choreography has a gracefulness bordering on elegance, and so it's a shame that these standalone thrills aren't better integrated into the film as a fully formed narrative whole.
  3. One of its strengths is a knowledge of when to unfurl information, particularly for the strongest emotional effect.
  4. Documents emotionally charged interactions between patients and hospital staff without any signs that the subjects are being made to feel self-conscious or that they're behavior is being affected.
  5. As in the very best Anthony Mann and John Ford westerns, Looper at once understands the visual power of violence and is deeply critical of it.
  6. Pang Ho-cheung can't help but humanize Vulgaria's characters, which is a kiss of death for what's meant to be a farce of escalating obscenity.
  7. Made with considerable reverence, but it doesn't quite manage to tow a tricky tonal line that's required when working with such sensitive and complicated material.
  8. Jason Moore's film is more or less successful in inverse proportion to the degree that it plays its material by the book.
  9. Michel Ocelot's recent cartoons cleverly advance Lotte Reiniger's prototypical stop-motion technique into the digital age.
  10. This "Buddhist film noir," as writer-director Pen-ek Ratanaruang calls it, is surprisingly slow-moving and soulful for a film full of double-crosses and cold-blooded killing.
  11. Just an extended dramatization of the 1980s anti-drug PSA that memorably cautioned "I learned it by watching you!"
  12. Yet another instance of a decent, potentially thorny premise bogged down in a mess of treacly sentiment and tedious moralizing.
  13. The film captures Vreeland's perhaps unwitting philosophical integrity just as much as it drowns us in the exuberance of her work.
  14. The film is essentially toothless, but it never stoops to humorless torture-porn theatrics.
    • 36 Metascore
    • 50 Critic Score
    The Americans are clichéd and vapid, and seeing them get knocked around and told to wake up can be validating if you know people as obnoxious and spoiled as them.
  15. The film has, at its source, a pool of affectations that so often constitute, or plague, American indie films--and, perhaps, American culture more generally.
  16. Clint Eastwood makes his infamous chair speech look like chapter one of a season of self-parody.
  17. The story places a premium on delivering its disreputable sex-and-violence goods with a minimum of fuss or pretension.
    • 43 Metascore
    • 12 Critic Score
    Bobby Sheehan doesn't just squander his objectivity, he drowns it out with bleating strings.
  18. End of Watch is pure frat-boy fantasy, the video game to Southland's great American novel.
  19. As a sampler course of what it means to court the Michelin honor, Three Stars is enjoyable, but it's simply a collision of details that never entirely converge into a meaningful whole.
    • 50 Metascore
    • 50 Critic Score
    Switch is possibly the driest and most balanced documentary on the current energy crisis.
  20. The images and interviews Robert H. Lieberman and his crew have managed to capture are eye-opening enough to justify the dangerous effort.
  21. This chronicle of two athletes throwing baseball's funkiest, least respected pitch is given depth by their stranger-than-fiction underdog status and camaraderie with mentors who've had the same struggles.
  22. At which point does a superficially "nonjudgmental" approach simply seem coy rather than sincerely evenhanded?
  23. Streamlines its busy set of plots and subplots into a 90-minute sprint, throughout which characters often confront and overcome their obstacles within the same scene.
  24. Fitfully engaging, but the documentary turns into a touchy-feely isn't-it-wonderful-we're-all-saved love fest as soon as the universalists begin to dominate the interview segments.
  25. While Steve James's documentary is persuasive on an informational level, it doesn't do enough to explore the human side of its subject matter.

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