Slant Magazine's Scores

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For 7,769 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,345 out of 7769
  2. Mixed: 1,491 out of 7769
  3. Negative: 1,933 out of 7769
7769 movie reviews
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  1. 360
    Directed by Fernando Meirelles from a dusty script by Peter Morgan, 360 is all superficial stimulation, hollow and stiff as it beats the dead horse of we're-all-connected narratives.
  2. Sushi: The Global Catch
    The documentary is ultimately a dry endeavor that feels closer in spirit to an Afterschool Special than a full-blooded movie.
    • 57 Metascore
    • 25 Critic Score
    You've Been Trumped
    Though Anthony Baxter seems driven by empathy rather than greed, his film is ultimately as reductive and misleading as the expensive Trump PR campaigns he righteously rails against.
  4. Dreams of a Life
    Dreams of a Life succeeds in making its point about the unkowability of the people in our lives, but there isn't quite enough substance here to fully sustain the film.
  5. Assassin's Bullet
    Isaac Florentine's film is maligned with gaping plot holes, terrible expository dialogue, and obvious moments of foreshadowing.
  6. Celeste and Jesse Forever
    An honest and breezily melancholic film, thoroughly clear-sighted in its intentions and ideas and bravely committed to the emotional rigors of its central relationship.
  7. Craigslist Joe
    As hard as he tries, we never truly believe there's a lot at stake for Garner, who seems to cruise through America like a gringo taking a favela tour in Rio.
  8. Burning Man
    Say what you will about Burning Man, but writer-director Jonathan Teplitsky can't be accused of spoon-feeding his audience.
  9. The Babymakers
    A safe, laugh-free exercise that gets to have its fun, such as it is, because it's all in the service of the most conservative notions of domestic normality.
  10. The Watch
    What's perhaps most off-putting about the movie isn't its increasingly stale humor, but the way it ultimately validates its characters' worst impulses.
    • 54 Metascore
    • 63 Critic Score
    Big Boys Gone Bananas!*
    The issue remains that this variety of faux-populism seems better suited to the soapbox than the silver screen.
  12. Falling Overnight
    Falling Overnight recalls some of the more annoying entries in the mumblecore subgenre that erroneously believe that every indiscriminate moment in a person's life is worthy of a film regardless of subtext.
  13. Step Up Revolution
    The film busts a fierce move but never relishes the unique cultural essence that its gentrifying baddie threatens to snuff out.
  14. Klown
    An ostensible Danish "Hangover" that more closely resembles "Two and a Half Men" with nudity and unexpurgated dick jokes.
  15. Ruby Sparks
    Succeeds as a satirical fantasy about writerly self-involvement, but it's worth celebrating as a testament to self-made greatness, particularly in regard to the efforts of writer/star Zoe Kazan.
  16. Sacrifice
    A historical melodrama that retains an ancient, elemental pull even as it insufficiently charts motivation and the self-denying values of antiquity.
    • 33 Metascore
    • 0 Critic Score
    Rites of Spring
    Padraig Reynolds's film has no interest in self-awareness, and in fact wears stupidity as a sort of badge of honor.
  18. Planet of Snail
    Even with the heaviness of some of its subject matter, the documentary remains limpid and unsentimental until the very end, in keeping with its subject.
    • 61 Metascore
    • 75 Critic Score
    Nuit #1
    It works--quite successfully, in places--as a warming tonic against this emotional nippiness of the cinema of Canadian coldness.
  20. Ai Weiwei: Never Sorry
    The director's clear-minded approach allows her subject's more challenging aesthetic-political mix to shine through, even if it's at the inevitable expense of her own filmmaking proclivities.
  21. Abendland
    The documentary discipline can't escape its own inherent intermediateness, or its own penchant for deception.
  22. Shut Up and Play the Hits
    James Murphy never says that his music will sound different after LCD Soundsystem disbands, so why fearfully anticipate a change that we don't even know is coming?
  23. Killer Joe
    It thrills in seeing dumb people getting their due in hyper-stylized displays of violence, and yet it never feels contemptuous of them.
  24. 30 Beats
    While it lends itself to some interesting insight on the politics of non-exclusive, fuck-buddy dynamics, its characters are ultimately too one-dimensional and their dialogue too theatrical to sustain an involving cinematic experience.
  25. The Dark Knight Rises
    Christopher Nolan's capper of his Batman trilogy is a summer blockbuster of grand inclinations in both form and content.
    • 80 Metascore
    • 75 Critic Score
    The Queen of Versailles
    Lauren Greenfield's film evolves from an ode to entitled obliviousness to a more evenhanded character study, tracing the fault lines that develop within the Siegel family.
  27. The Well Digger's Daughter
    Ultimately comes off as curiously anecdotal, lacking the dramatic dynamism that could give Marcel Pagnol's tale new life.
    • 76 Metascore
    • 50 Critic Score
    Hara-Kiri: Death of a Samurai
    Takashi Miike lets his familiar tastelessness get the better of him, relishing the grisly seppuku-by-bamboo in unnecessary detail.
  29. Wagner's Dream
    The title of Susan Froemke's documentary is both an expression of aspiration and a statement of achievement.
    • tbd Metascore
    • 88 Critic Score
    Lung Neaw Visits His Neighbours
    Just as Rirkrit Tiravanija had done in the '90s when he converted New York City galleries into live kitchens, he changes one's relation to a movie theater to a space for meditation.
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