Slant Magazine's Scores

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For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,346 out of 7772
  2. Mixed: 1,493 out of 7772
  3. Negative: 1,933 out of 7772
7772 movie reviews
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  1. The Monuments Men
    George Clooney's film boils a big, messy maelstrom of theft and uncertainty down to a digestible, faintly appetizing mush.
  2. A Fantastic Fear of Everything
    Strands of Simon Pegg's amiable persona are found in the film's more tolerable bits, but even this seasoned vet's unique voice is lost amid the glut of references to other work.
  3. The LEGO Movie
    All told, there's an ageless warmth to The LEGO Movie akin to that of the LEGO brand itself.
  4. A Field in England
    Ben Wheatley's film is a reckless combination of period piece, war drama, broad comedy, psychedelic fever dream, and occult horror-scape.
    • 76 Metascore
    • 75 Critic Score
    Vic + Flo Saw a Bear
    The film presents its tonal switch-ups and narrative swerves with a deadpan belligerence by turns stimulating, calculated, and poignant.
  6. 7 Boxes
    The film is ripe with powerful subtext, specifically how greed, celebrity, and technology help to form a misguided sense of opportunity that keeps the working class downtrodden.
  7. The Pretty One
    The film is a quiet, tender triumph that leaves you feeling as if you've been embraced without you feeling had.
    • 80 Metascore
    • 75 Critic Score
    The Last of the Unjust
    Claude Lanzmann's film doesn't so much strive to elucidate the Shoah as to draw us into its infinite moral complexities.
  9. Nurse 3D
    Rather than capture truly pained souls tangled in exuberant horror tropes, the filmmakers settle for retrograde anguish and warmed-over artistry.
  10. That Awkward Moment
    Its obsession with male genitalia, or, more specifically, penis receptacles, is emblematic of its overall aura of male entitlement and its consideration of women as prizes to be lanced.
  11. Jobriath A.D.
    The film never explores the depths and nuances that could actually place Jobriath in conversation with figures who came after him, however reductively.
  12. Love Is in the Air
    The film is knowingly sarcastic in its self-awareness without falling back on the gawky meta-squealing of its American rom-com counterparts.
  13. Breaking the Frame
    Director Marielle Nitoslawaska's experimental approach sometimes wanders down uncontextualized paths and obfuscates the subject with filmic affectations.
  14. Charlie Victor Romeo
    The film's tension doesn't come from the why or how, but more from the idea that one becomes so settled into habit that seemingly nothing is capable of interfering.
  15. 12 O'Clock Boys
    It constantly divides itself between fulfilling the conventions of the informational talking-heads documentary and aiming for a more poetically impressionistic quality.
  16. The Wait
    By the end, audiences will most likely feel as if they've been locked out of the drama that's presumably unfolding right in front of them.
    • 17 Metascore
    • 38 Critic Score
    Best Night Ever
    The filmmakers make sure their female protagonists constantly look immature and irresponsible, and are intent on punishing them for wanting to have a good time.
  18. Gimme Shelter
    Writer-director Ron Krauss's Gimme Shelter is wretched long before its odious ulterior motives come to light.
  19. Papirosen
    Gastón Solnicki's mapping out of his family's narrative from within never feels exploitative or self-absorbed.
  20. Old Goats
    Taylor Guterson's film offers thoughtful, if familiar, comments on friendship, self-doubt, and romantic angst.
  21. Enemies Closer
    JCVD may not say it best, but he does say it aptly, when his manically cartoonish baddie caps one murder with the assertion that "shit happens."
  22. Towheads
    There's but one sequence in the entire movie that offers even the slightest bit of filmmaking verve, and even this speaks to the project's essential myopia.
  23. Visitors
    Godfrey Reggio's symphony of pristine 4K images doesn't add up to one grand epiphany, but an intermittent cluster of small ones.
  24. 24 Exposures
    Throughout, Joe Swanberg connects Generation Y's fetish for past pop-cultural kitsch to its attending sexual insecurities.
  25. When I Saw You
    Like Antoine Doinel in The 400 Blows, Tarek has a way of using defiance and sarcasm to make himself seem smarter than any ostensible authority figure.
  26. Omar
    What Omar best portrays are the limitations that result from having an occupation, and the fight to overthrow it, dominate a person's entire life.
  27. Generation War
    The perverse thrill of seeing less-than-popular considerations of Nazism on screen fades hurriedly to the old ache of seeing any kind of questions about Nazism answered noxiously.
  28. Jack Ryan: Shadow Recruit
    In keeping his actors on his sober-yet-buoyant plane, Kenneth Branagh presents a convincing romance that doesn't stall the film's brisk clip.
    • 52 Metascore
    • 38 Critic Score
    Life of a King
    Any potential flights of invention or creativity are subordinate to the plain and emphatic delivery of life lessons.
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