Slant Magazine's Scores

For 7,777 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7777 movie reviews
  1. A few scenes show glimmers of promise for what Alex Thompson can achieve when he’s more in his wheelhouse. It’s a shame that the horror and tension that make up the bulk of Rounding are so clearly outside of it.
  2. The Conjuring 2 is a model of heightened tension and uneasy release, but the tropes propelling these night terrors grow stale pretty quickly.
  3. Roberto Minervini's documentary is as quintessentially American a text as one could hope for in today's divided union.
  4. Whatever the legitimate arguments Windfall makes against the industry it targets, Meredith's feuding becomes just as inaccessible as the windmills that incite it.
  5. Though its ballast of jokes and spectacle are formidable, it often lurches about at a remote, enigmatic distance
    • 65 Metascore
    • 38 Critic Score
    The near-slapstick escapes sit uneasily with the raw bits of very adult sex and cringe-worthy close-ups of brutality that dominate the rest of the proceedings.
    • 65 Metascore
    • 75 Critic Score
    Once Corpo Celeste began to recede a little in my rearview mirror, my initial impatience softened a little.
  6. Mahdi Fleifel's usage of a domestic archive of home-video images inherited from his father lends the doc a simultaneous sense of historical gravitas and intimacy.
  7. Though its lack of emotional escalation could be read as intentional, Vengeance is ground to a repetitive halt by B.J. Novak’s preaching.
    • 65 Metascore
    • 38 Critic Score
    The Housemaid’s twist is a doozy, but it falls just short of being a deconstruction of tradwife values.
  8. It labors under the illusion that an abundance of Sub Pop memorabilia is adequate substitute for the honest evocation of a creative subculture and the personalities of which it's composed.
    • 65 Metascore
    • 63 Critic Score
    It’s a surprise to discover a cerebral, 25-year-old film following the blueprint for today’s endless glut of superhero movies. It certainly operates on this level for the masses.
  9. Since Mehran's embrace of hardline Islam is never dramatized or elaborated on in any insightful way.
  10. The disconnect between the realities of different generations of gay men is one of Swan Song’s most unexpectedly joyful through lines.
  11. It's the rare urgent-issue movie that refuses to pummel you with the importance of its subject matter, which in this case involves the shameful, potential extinction of a culture.
    • 65 Metascore
    • 63 Critic Score
    A thoughtful piece of documentary journalism that synecdochically uses the controversial redevelopment of the Fulton Street Mall to talk about the process of gentrification.
  12. Because its focus is so split, the film lacks the pervasive sense of danger one expects from a spy thriller.
  13. The story’s boilerplate setup gets a noticeable lift thanks to Darren Aronofsky’s style and focus.
  14. A dry dream of postmenopausal-male sexual lethargy, this comedy's least musty ideas are among its worst.
  15. Dorothy Vogel is less the soft-spoken housewife from the first film than a businesswoman both shrewd and mousy, and her trajectory affords the film its closest semblance to a story.
  16. It suggests that Kris Swanberg has taken notes on what a film concerned with pregnancy should include without actually making it.
  17. It's best appreciated as a tragicomic profile of a man whose extraordinary talent was undermined by the farcical political reality in which he was enmeshed.
    • 65 Metascore
    • 50 Critic Score
    Picture of Dorian Gray isn’t awful, though it’s certainly an instance in which an outright debacle would have made a much more interesting film.
  18. The film celebrates individuality even as it suggests that everyone needs their own A.I. tech to validate everything they like and think.
  19. The film's music is the city itself as well as a subtle suggestion that Tim Sutton's own digital cinema is just as elusive and intangible as Willis's unwavering sense of dissatisfaction.
  20. Only the star performances in My Week with Marilyn, cartoonish as they are, make seeing the film worth the effort.
  21. The visible numbness and empty stares of the doc's three subjects painfully evoke years of being gripped by the war on drugs.
  22. An overmatched star and a scarcity of eccentricity sink this hip-lit origin story from director John Krokidas.
  23. The distinctiveness of Matías Piñeiro's alluring brand of formalism lies in this deference to chance and alchemy.
  24. It careens from carnage to group therapy so wildly that the action never gets to build and the conversations just repeat themselves.

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